Doctor Who – The Best of Big Finish, Part Four

I have been listening to Big Finish for just over two months now, and yet already I have made my way through swathes of episodes by listening to them daily – whilst out and about walking around the park or to the gym, whilst cooking or doing housework, and also during long car journeys. The series has been very rewarding to listen to as a Doctor Who fan and I would thoroughly recommend any who have not already to check out Big Finish on their website. Many of the earlier audios are very cheap for a digital download and the bundles of the first dozen or so stories for each Doctor periodically go on sale so it is really easy to pick them up cheap.

Following on from my Best of Big Finish, Part Three comes the next installment in my Big Finish reviews series, as I make my way through Big Finish’s main range. Unlike most Big Finish audios, most of these require previous episodes for context and understanding, so to begin:

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The Mutant Phase

The first audio on this list is the third in the ‘Dalek Empire’ series, that also includes The Genocide Machine, The Apocalypse Element and the conclusion The Time of the Daleks. Featuring the Fifth Doctor and Nyssa as well as a Dalek Emperor and Thals all attempting to prevent a history-altering mutation in the Dalek genome that could destroy both the Dalek race and the universe. The scope of this episode is larger than any in the Dalek Empire arc so far, and it links quite heavily with the 12-part First Doctor story The Dalek Invasion of Earth, but don’t let that put you off.

The Mutant Phase does a great job of maintaining the high stakes due to the temporal nature of it – usually when Big Finish does a ‘the Daleks invade this planet for this reason’ can get stale over time, but having a story in which the Daleks try to change all of history to rid themselves of a plague is fairly interesting, although there are more twists that make the reasoning by this and the Doctor’s motives more convoluted.

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Invaders from Mars

The fact alone that Simon Pegg is part of the cast tells you that this is going to be a fun one, but Invaders from Mars is a contender for funniest audio I have listened to so far in the series, although I am yet to listen to The Holy Terror. The story partly revolves around the 1938 Halloween radio transmission of H.G. Wells’ The War of the Worlds perfomred by Orson Welles, but some comical twists add to the surreal humour of this story. Likewise, as this is an episode that is perhaps meant to be taken less seriously, there appears to be a higher amount of ‘silly voices’ involved in the production of this audio, and not all of them can be Simon Pegg.

In typical Big Finish style, however, there are some dark elements, and the story is not without its fair share of death – but Invaders from Mars is definitely worth a listen for fans of the Eighth Doctor and Charley, and also for fans of historicals. Interestingly, this audio is written by Mark Gatiss, who would go on to write a lot of stories for the new series including The Unquiet Dead and Empress of Mars, so he clearly has a thing for historicals and episodes with Mars in the title.

 

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Seasons of Fear

As far as ‘returning monsters’ go, you don’t really get more obscure than the return of the Nimon to Doctor Who in Seasons of Fear. The Nimon featured in just one episode of Classic Who, and yet still managed to get a return in NuWho in The God Complex (sort of), but that wasn’t before Big Finish had already granted them their glorious return here in a surprisingly standout episode featuring an almost comical relationship that develops between the Doctor and an immortal who serves a legion of Bull-people who want to supersede the Time Lords and become Masters of the universe.

The premise of this story is notable as it uses the time-travel elements of Doctor Who a lot more than most stories might, and the early parts almost give us a new location and time period each episode. The story flows consistently throughout, however, and the development of the character of Sebastian Grayle is both humorous and fascinatingly dark. Overall this is well worth a listen as it provides crucial development for the arc of the Eighth Doctor and Charley Pollard.

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Embrace the Darkness

When Big Finish does creepy well, it does it really well, and and Embrace the Darkness sums up creepy – its essentially a sinister horror in audio form that also features a helping of sci-fi concepts and great characters and voice acting. The story is a basic ‘base-under-siege’ formula, but the execution makes it notable as the aliens in this are by no means as malevolent as one might expect from a sci-fi horror story.

It cannot be understated how good India Fisher is as a companion, particularly as she is able to bring her audio-only character Charley to life, and her chemistry with Paul McGann makes every audio with the pair acting together a treat.

As this is the third Eighth Doctor story on the list, it is important to note at this point that I am on an Eighth Doctor binge, and my next Big Finish Review will feature the next few Eighth Doctor audios as well as the infamous Zagreus.

So that was my list of the Best of Big Finish, Part Four. If you enjoyed then be sure to leave a like, and you can follow Sacred Icon either here or on Facebook for more content like this. Thanks for reading!

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Doctor Who Book Review – Illegal Alien

Illegal Alien was among the first of the BBC Past Doctor Who Adventures novels which ran from 1997-2005 and actually began life as a potential TV story for Season 26 and later the unmade ‘Season 27’ which would have aired had the BBC not cancelled the show in 1989. Written by Mike Tucker, a visual effects assistant on Classic Who and model unit supervisor for NuWho, and script editor Robert Perry, this book is essentially a direct novelisation of the script for the unmade TV story, and is therefore split into four parts. With the end of each part being equatable to the cliffhangers seen in the TV show, a nice addition.

The book features the Seventh Doctor and Ace facing off against the Cybermen in Britain in World War II, a concept that works really well and can draw off several Nazi-related themes in a similar fashion to the TV story Victory of the Daleks does with the Daleks and Churchill. But for the first few chapters, the book reads almost like a detective story – the first-person narration of detective Cody McBride makes this story read like a Noir in some places, making it even more of a shame that this was never adapted for television.

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The version of the Cybermen that are intended to be represented in this novel is unclear – the original cover depicts a Cybermen from The Wheel in Space, whereas the republished version from The Monster Collection in the 2010s features a Cybus-Industries Cyberman, as seen from 2006’s Rise of the Cybermen. However, the descriptions in the novel as well as the era it was set in would suggest that the Cybermen are a more upgraded version of the kind seen in Silver Nemesis. Interestingly, this book depicts Cybermats, the entire cyber-conversion process and the concept of a critically damaged Cyberman scavenging humans for parts long before NuWho did. If this episode had ever been produced, it would have required a monumental budget.

The setting of the Second World War also allows for some interesting character development for Ace, who encounters Nazis in the flesh having already fostered a growing hatred of them since her best friend from her childhood was murdered by Neo-Nazis, showing a continuation of her character arc from Season 26. Ace also spends the majority of this book separated from the Doctor, and figures out what is going on independently, showing a wealth of character development since Remembrance of the Daleks.

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As previously mentioned, this novel was recently made a part of The Monster Collection series, which also included re-releases of Tenth Doctor novels like String of the Zygons and Prisoner of the Daleks, and reviews of those novels will follow.

Overall, Illegal Alien is a great read with some truly memorable characters and a story that gives us a unique insight into what the unmade ‘Season 27’ would have been like. Undoubtedly, had this story been made, it would have been one of the most ambitious Doctor Who stories to date.

 

How to Fix – Daleks in Manhattan and Evolution of the Daleks

Welcome to the latest article in a series called ‘How to Fix’, in which I will be offering my opinion on how to improve on stories from various entries in different franchises, in this case I will be focusing on a specific New Series Dalek two-parter in a similar fashion to my previous installment. It must be noted that not all of the films, games or episodes that I will be talking about in this series have to necessarily be ‘broken’ in order to fix them, simply that these articles will offer alternate means of telling the same stories.

The divisive Series 3 two-parter Daleks in Manhattan/Evolution of the Daleks took some truly great sci-fi concepts and executed them in the style of a B-Movie. The episode is infamous for several reasons – the song-and-dance routine, the strangely phallic face of the Human-Dalek Hybrid, and the premature destruction of three-quarters of the Cult of Skaro. Considering that their last appearance had been in Series 2’s Doomsday, an episode that was not only hard-hitting emotionally but also featured the first instance of individual Daleks escaping at the end, presumably to get revenge on the Doctor at a later date. Overall, Daleks in Manhattan and Evolution of the Daleks had a lot to live up to and, despite its potential, it just didn’t stand up to previous Dalek stories in the revival. So, to begin:

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Do more with the concept of the ‘Cult of Skaro’, and the character of Dalek Sec

By far the most interesting aspect of this two-parter is the individual Daleks themselves, and tragically the episode does little to capitalize on their uniqueness as characters. The concept of having a secret order of specific Daleks that have the adaptability and intelligence to scheme beyond the capacity of an ordinary Dalek is interesting enough, but to have this small number of Daleks used as antagonists throughout multiple seasons is an even more interesting idea. For one, it would eliminate the problem that the early NuWho series’ had with Daleks apparently finding more and more inconceivable ways of surviving the Time War, as having a tiny number of survivors reappear as recurring villains is better than having to come up with a different excuse as to why Daleks are around each series. Unfortunately, Evolution of the Daleks in particular does away with this concept a little too early, killing three out of the four Cult members in their second story.

Admittedly, the character arc for Dalek Sec in this story is spectacular, and the execution is fairly effective as well (apart from the phallic protrusions on the Hybrid’s chin, but the less said about that the better). Having Sec sacrifice himself at the end to save the Doctor illustrates just how far a bit of Human DNA can go in rehabilitating a Dalek, even one as committed to the cause as Sec, and his hybridization and subsequent struggle with gaining human emotions is both an interesting concept for a Dalek story and a great spanner to throw into the works of the hierarchy of the Cult. The problem is that, upon killing Sec, Evolution of the Daleks disposes of Daleks Thay and Jast as well, in a pointless firefight that ultimately solves nothing, when realistically these two Daleks should have escaped with Dalek Caan as their characters had barely been developed when they were unceremoniously killed off.

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Do more with the supporting characters

Although Daleks in Manhattan and Evolution of the Daleks constantly reminds the audience that it is set in New York, with the presence of the Empire State Building, the Statue of Liberty and Hooverville serving to ground the audience in both the location and the time period, unfortunately the supporting cast of this episode are given strangely little to do in the grand scheme of things. Ultimately, the only real purpose that Martha, Tallulah, Lazlo and Frank serve in the final episode is discovering the the Daleks have attached Dalekanium to the Empire State Building, and this discovery is ultimately pointless as the Doctor fails to remove it in time anyway. Daleks In Manhattan manages to give its supporting cast a little more to do, but overall following the death of Solomon the Doctor assumes all the main narrative roles in this story, which is odd considering usually Dalek stories rely primarily on the companion to figure things out whilst the Doctor strikes up an ideological debate with his foes.

Unfortunately, at the crucial point at which this might have been useful, the Doctor totally fails to engage with the potential of the Dalek Sec Hybrid. It should be noted that, upon the death of the Hybrid, it is truly unclear whether or not the Doctor actually trusted him at all – he does refer to Sec as ‘the cleverest Dalek ever’, but in typical fashion the Tenth Doctor seems to be totally indifferent to the destruction of this opportunity to recreate the Dalek race from the ground up, instead being seemingly more focused on berating the Daleks for their lack of foresight rather than genuinely grieving the reformed Sec.

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Rework the Dalek’s plan so that it makes sense

Clearly whoever scripted this episode had no idea how genetics actually work, or how DNA and life relate to each other in the real world. As many fans will already know, Doctor Who has always been about suspending disbelief for the sake of narrative enjoyment, but in the case of Daleks In Manhattan and Evolution of the Daleks this actually hurts the story as the suspension of disbelief is simply unnecessary. The Daleks would surely have the know-how  to create Human-Dalek hybrids even with primitive technology, but the logic of ’emptying’ human bodies to be ‘filled’ with Dalek DNA is about the stupidest way of presenting this concept. Why not just have the Daleks growing the new Hybrid soldiers in tanks, and requiring the lightning strike to bring them to life? Or, heck, just have the lightning strike be there to power their Emergency Temporal Shift to escape to the future – the Daleks could have just revisited the concept of Robomen and indoctrinated Humans into doing their bidding rather than using the seemingly redundant Pig Slaves.

Overall, most of what makes Daleks In Manhattan and Evolution of the Daleks is the mishandling of the Daleks themselves as the main villain – it would be easy to tweak this story to save the Cult of Skaro storyline whilst still keeping its emotional impact, and circumventing some of the stranger concepts in favor of more familiar Dalek concepts would make this story more popular with Dalek fans.

So those were my thoughts on how to fix Daleks In Manhattan and Evolution of the Daleks. I hope you enjoyed, and if you did then be sure to leave a like and you can follow Sacred Icon either here or on Facebook, and for more content like this have a look at the Read More section down below. Thanks for reading!

 

Halo – What makes the ‘Classic’ art style of Halo: Infinite so important?

My recent article on how Halo: Infinite could save the Halo franchise talked briefly about how the new Halo game seems to be adopted the ‘Classic’ art style from the original Halo trilogy, and how this represents a significant shift in the direction for the 343 Industries and how this could mean a brighter future for the franchise. But what is it about the ‘Classic’ art style that is so important to Halo, and why should 343 Industries pursue this art style rather than their own take on the games that they have been developing for the past few years? The answer comes in several parts, the first being:

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The Classic Halo Art Style Didn’t Need Changing

This is the primary reason why Halo fans were embittered by 343 industries’ sudden change of the look and feel of the universe between Halo: Reach and Halo 4. For many, the change came as a disappointing shock, similarly to if the new Star Wars movies had decided to totally change how Darth Vader, Lightsabers, Star Destroyers and Gungans looked between Return of the Jedi and The Force Awakens. It is important to note that Halo fans were never against the inclusion of new things into the universe – even the unbalanced and bullet-spongey Prometheans from Halo 4 were effectively inducted into the Halo universe, particularly thanks to their overhaul in Halo 5: Guardians, and all the new weapons that 343i have introduced have been fairly well-received, like the SAW and Forerunner weapons like the Light Rifle and the Scattershot – the problem is that 343i decided that the art style needed changing regardless of whether or not fans wanted it, and suddenly all the iconic things in the game we had all come to love the designs for – such as the shotgun, the Scorpion tank, the Banshee and even the Grunts looked totally different to how we all remembered them, breaking the immersion to a degree.

As such, the radical change to the art style – such changing Chief’s armour during the time he was in cryo, changing the look of the Elites, and remodeling all of the Covenant and UNSC weapons and vehicles – was met with resistance by many players, and for many the look and feel of the games was never the same. The ironic thing about this is that, when pushed to recreate Bungie’s art style in the Anniversary versions of Halo: Combat Evolved and Halo 2, 343i actually did a really good job. Both Halo: CE Anniversary and Halo 2: Anniversary look and feel fantastic and, most importantly, authentic. 343i managed to recapture the nostalgia of the Bungie games despite them being totally remastered, so why not recapture that same magic in their newer, original games?

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Halo’s identity, and how it can keep it

Another crucial reason why Halo’s art style is so important is that Halo had, and perhaps still has, a definitive and unique identity as a game – it is more than just a simple sci-fi shooter, as any Halo fan knows, and how the game looks and feels is important to contributing to this. Halo: Combat Evolved‘s first few levels depict a human ship in the midst of combat against strange aliens, a desperate escape to a mysterious alien ringworld, and a sense of shock and awe as the environment of the Halo ring unfolds before the player. The mind-boggling potential of having the entire ring seemingly at your fingertips, traversing the vast environments of an even more vast alien landscape, that is still remarkably familiar. Part of the charm of the original Halo game is things that regular players might not even consider at first – things like finding the beam emitter towers in the canyon near the start of the second level, and experiencing the blend of wide, open and natural environments and angular, metallic Forerunner structures, that perfectly illustrates how Halo defines itself as a game that is both about the familiar and the alien being forced together.

As the more iconic Halo games begin to drift further and further back in time, it is imperative that the newer Halos attempt to recapture that magic of the original and the sense of ancient, mysterious wonder that comes with it. Halo: MCC tried its best to repackage the original games for newer players, but unfortunately its less-than-ideal launch meant that this didn’t reach as many players as it could have done. In light of this, it has never been more important that 343 industries look over their art style and focus to better cater to Halo fans, old and new, in the modern age.

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‘Classic’ Halo is just Halo

The overall issue of the ‘new vs old’ debate with the art style of Halo boils down to how the game feels for those who play it. Clearly in recent years Halo fans have been less-than-optimistic about 343 Industries’ handling of the franchise, and in many ways the loss of the old art style in the newer games is a major factor contributing to this. Thanks to the clear decision to recapture the old art style in Halo: Infinite, it looks like Halo is back on track to recapturing the old nostalgia, mystery and magic that the original offered to millions of players back in the 2000s, and offering just as much to new players in the 2010s and going into the 2020s.

So that’s my thoughts on why the original art style of Halo is so important, and how Halo: Infinite is taking steps to redeem the franchise. If you enjoyed then be sure to leave a like, and you can follow Sacred Icon here or on Facebook for more content like this.

In the meantime, look down below for more of my Halo-related content!

 

 

Doctor Who – The Best of Big Finish, Part Three

Continuing from my previous articles on both my First Impressions of Big Finish, the Best of Big Finish, Part One and the Best of Big Finish, Part Two I now present the next phase in my review series of the Doctor Who audios. In a similar fashion to my review of the Two Masters Trilogy, I have decided to review some newer Big Finish releases available as both digital downloads and in CD format from the Big Finish website. So to begin:

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Last of the Cybermen

This audio is actually the second part of a loose ‘Locum Doctors Trilogy’, which consists of the previous story The Defectors which sees the Seventh Doctor meet Jo Grant, and the next story The Secret History which has the Fifth Doctor meet Steven and Vicki. Slotting in the middle is Last of the Cybermen in which the Sixth Doctor meets Jamie and Zoe and fights against the Cybermen in the final battle between the Telosian Cybermen and Humanity, and its scale is pretty epic. The characters are likeable and interesting, and Jamie and Zoe pair really well with the Sixth Doctor and it would be great if these two could appear in the monthly range more often.

The story plays on elements from various classic Cyberman stories as well as borrowing a few NuWho ideas to round the whole thing off, whilst also managing to define itself as a brand new story. Previous Big Finish Cyberman stories like Spare Parts and Sword of Orion describe the Cyber-conversion process in detail but Last of the Cybermen depicts Cyber-production on a huge scale, as the Cybermen churn out hundreds of soldiers an hour to battle the human onslaught, and it’s gripping.

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We Are The Daleks

What is the only race in existence that is more evil than the Daleks? Easy, economically liberal Conservatives. And this audio demonstrates what could happen if the Tories and the Daleks had ever decided to team up in the late 1980s, although some may say that events would have just played out as normal. Regardless, We Are The Daleks is a great romp that is intended as a ‘jumping-on point’ for newer listeners to the main range, and thus consists of a well-rounded self-contained story with few outside references or requirements, and this definitely helps it as a standalone story.

What also benefits We Are The Daleks, like the earlier audio The Juggernauts, is the redeemed companion Mel who in this audio appears alongside the Seventh Doctor. Even for those who have seen very few televised Mel stories her reputation as a fairly shallow and ‘screamy’ companion is pervasive, yet the Big Finish audios do wonders for redeeming her character, making her a stronger character and giving her a more direct role in the story. Like The Juggernauts, We Are The Daleks shows Mel going undercover and expertly blending into a top-of-the-range work environment using her exceptional skill at coding, and with these two audios alone she is quickly becoming one of my favourite audio companions which shows just how effective the audios are at redeeming missed potential from the show…

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Order of the Daleks

The cover of this audio alone is eye-catching enough, and although the concept of a ‘stained glass Dalek’ may seem odd at first, the context of the story justifies their presence – having crashed on a primitive planet with limited technology, the Daleks have infiltrated an order of Monks known as the ‘Brotherhood of the Black Petal’, teaching them how to construct rudimentary casings for them out of stained glass and lead. The Sixth Doctor and a Galactic Census team arrive to investigate signs of alien interference in a medieval society, and chaos ensues. On the surface, Order of the Daleks is a fairly standard Dalek story, but the concepts it utilises in the narrative context make it stand out, as Daleks that are both unarmed and vulnerable make an interesting twist on the standard formula for Dalek stories.

Another interesting aspect to this story is the relatively new audio-only Sixth Doctor companion Constance Clarke, who appeared initially in The Sixth Doctor: The Last Adventure, an audio anthology that depicts the lead-up to the Sixth Doctor’s regeneration. Constance originates from the Second World War, originally working as a leading WREN before encountering the Doctor, and in this story she faces the Daleks for the first time and proves her mettle against the Doctor’s ultimate foe. The supporting cast also brings this story to life, as there are a fair few memorable characters with distinctive voice acting and some great moments between the Monks and the Daleks as well as some intrigue within the Brotherhood, as all is not as it seems on the seemingly idyllic world of Strellin…

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Energy of the Daleks

Last on the list is the fourth installment of the Fourth Doctor Adventures, a six-part series that saw the return of Tom Baker to the role of the Fourth Doctor for the first time in decades. Energy of the Daleks features the Fourth Doctor and companion Leela facing off against – you guessed it – the Daleks, and for the most part Energy of the Daleks follows the ‘standard’ Dalek story formula. The real draw for this story is Tom Baker, as hearing him face off against the Daleks again after so many years is a real treat. What makes this all the better is that, despite having one of the longest tenures of all the Doctors, the Fourth Doctor only fought the Daleks twice – once in Genesis of the Daleks, which was a definite classic but was mostly focused around the Kaled/Thal conflict and the introduction of Davros rather than being a true Dalek story, and Destiny of the Daleks, which is a universally poor story. Energy of the Daleks therefore gives the Fourth Doctor a chance to really shine in a battle against the Daleks in a way that his TV tenure (for whatever reason) denied him.

Another peculiar thing about Energy of the Daleks is its length – unlike all of the other Big Finish audios I have previously reviewed, this and all other Fourth Doctor Adventures stories use a single-disc format of around one hour, as opposed to the two-disc 4×25 minute format of the Main Range. This makes Energy of the Daleks more similar in length and feel to a NuWho story, meaning that the pacing is much faster and thus this audio is probably more accessible to those NuWho fans who aren’t sure of how to get into Big Finish.

So that’s the end of Part 3 of my Best of Big Finish, I hope you enjoyed and if you did then be sure to leave a like, and you can follow us either here or on Facebook for more content like this. Also, check out the read more tab below for articles related to this one. Thanks for reading!

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Halo – Microsoft E3 Announcement – How Halo: Infinite could save the franchise

So Microsoft recently announced Halo: Infinite, allegedly the ‘Halo 6’ that everyone has been anticipating. Since no tangible news or updates about Halo 6 have surfaced in the 3 or so years since Halo 5: Guardians was released, this new trailer for the newly confirmed Halo: Infinite is the first glimpse at what lies in store for Halo in the future. And boy, did it look tantalizing.

For a start, and let’s get the obvious out of the way first, Halo is back. And I don’t just mean the franchise – I mean the ringworld. The essential setting for Halo as a series in the glory days, the cradle of the classic, lore-rich, atmospheric and iconic series is back and it looks better than ever. The graphics in this trailer are, hopefully, a sign of how the game itself will look when it launches, as everything look beautiful – the ground, the wildlife, the trees and especially Chief’s armor. Oh, and on that topic…

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Yep. Chief is back. And the classic art-style is too. I was a heavy critic of 343 industries’ design overhauls back in the day, but eventually learned to live with them – but Halo 2: Anniversary showed us what classic Halo could look like updated for modern graphics, and 343 industries has clearly realised that the fanbase prefers Bungie’s look and feel of the games. As good as 343i’s effort to put its own stamp on Halo was, they clearly understood the wisdom of giving fans what they want in this regard, and the results speak for themselves.

From the look of the trailer, the game will feature more ambient wildlife, which is an interesting thing to focus on – Halo has certainly had ambient wildlife before, such as the Moa in Halo: Reach back in 2010, but on the whole wildlife has never been much of a focus. Interestingly, however, ambient wildlife was a focus of a Halo E3 trailer – that being the original demo for Halo: Combat Evolved back in 2000. A subtle link, but a link nonetheless, and perhaps a deliberate one.

This trailer also shows some of the state of the wider universe – we see a downed modern-era Pelican, representing the scattered and vulnerable UNSC forces in the wake of Cortana’s AI invasion at the end of Halo 5: Guardians, as well as a cave with Covenant writing scratched into the walls – a message? A warning? The shot in the Pelican also focuses on a radio, implying that various factions across the galaxy are responding to a message of some kind, although that’s only a guess.

Hopefully, characters who were present at the end of Halo 5: Guardians will make a return, such as the Arbiter, Catherine Halsey, Lasky, Fireteam Osiris and Blue Team, and presumably the rampant Cortana will return also. However, could more classic Halo characters be returning given the general feel of this game appears to be invoking that classic feel? Could characters like 343 Guilty Spark or the Gravemind, both characters who were disposed of in Halo 3 but have the potential to return, have a part to play in t this new game? Or perhaps characters with more rooting in the lore, such as 032 Mendicant Bias or perhaps the original Didact, Bornstellar? Time will tell.

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Ultimately, its looking more and more like 343 industries have learnt their lesson and may finally be coming out of their ‘rebellious’ phase and back on target for delivering Halo games that we love. Given the chance, Halo: Infinite could well go on to save the franchise.

Thank you for reading my thoughts on the reveal of Halo: Infinite, remember to like and share, and you can follow Sacred Icon either here or on Facebook for more content like this. In the meantime, look down below for more of my Halo-related content!

Doctor Who – Ranking the NuWho companions (2005-2017)

NuWho has been on the air for some time now, and has accumulated quite a sizeable array of companions to its name, spanning several eras. Time to rank them all!

#10 – Rose

Yep, Rose is at the bottom. Those who have read previous articles on my site will know that I am not exactly Rose’s biggest fan, and this is mostly due to her erratic and unpredictable behavior – be it laughing and giggling after having just witnessed someone being brutally murdered in Tooth and Claw, or being a total bitch to Sarah Jane Smith in School Reunion, or having a go at Elton for upsetting her mum in Love and Monsters when she herself basically ruined a year of her mum’s life by disappearing and not bothering to tell her. What is frustrating is that this character gets special treatment in the Russell tenure, with basically the entire arc of the era being based around one character – she even got to come back after being gone for a season and a half. So yes, Rose is right at the bottom for just shoddy character development.

#9 – Clara

In a similar vein to my dislike of Rose, Clara stole the show a bit too much when she finally came along. In fact, even before she came along – Jenna Coleman played two distinct versions of Clara before appearing permanently as the genuine article, and this sparked the retch-inducing ‘impossible girl’ storyline that was essentially a more contrived storyline than the whole Bad Wolf thing. The only reason why Clara ranks higher than Rose is that she became slightly less insufferable during her time with the Twelfth Doctor – although she continued to try and take over the show, even getting her face in the title sequence at the end of Series 8 instead of the Doctor’s – the Twelfth Doctor bounced off her better character-wise, and Clara gained more of a personality in Series 8 and 9 compared to the ‘Impossible Girl’ arc that basically carried her through Series 7. Once her character began to emerge, she is really good in some episodes, and once Moffat had got out of his Cbeebies phase Clara was able to meet the more serious and darker aspects that the show took on leading into Capaldi’s era, even having a particularly fantastic death scene in Face the Raven. Although she gets a copped-out immortal lesbian time-travelling spinoff show at the end of Hell Bent she still has to eventually go back and die, which is a pretty dark concept if you think about it.

#8 – River Song

I can genuinely appreciate what Steven Moffat was trying to do with River – the notion of a fellow time-traveller that is encountered out of order and married to the Doctor is a great idea in theory, but the execution was less than spectacular – because her appearance in Silence in the Library and Forest of the Dead was so good as a standalone idea for an episode, people were almost disappointed when her return was announced just one series later. Overall, although River herself was a strong character played excellently by Alex Kingston who also had great chemistry with Matt Smith, her reveal was ultimately a bit of a let down and although she is the Doctor’s wife it is strange that so much emphasis was placed on revealing her ‘secret identity’ only for it to turn out that she is the daughter of the current companions. Despite all this, her departure in The Husbands of River Song is still a defining moment in the Twelfth Doctor’s characterisation change for Series 10 so River can ultimately be thanked for inadvertently influencing the best series of the revival.

#7 – Mickey

Poor Mickey. The strange thing about this character is that he was a genuinely good person – he cared deeply for Rose, he was loyal to his friends and was pretty brave by the end of the show, yet for some reason that defies explanation the Doctor just really seems to dislike Mickey at first, probably because Russell had it in his head from the beginning that the Doctor would fall in love with Rose, but what reason is given for the Doctor’s disdain for Mickey? All Mickey did was get captured by the Autons and then be understandably shaken when the whole thing was over, and yet Rose totally abandons him. Throughout the series Mickey jumps from our universe to a parallel universe and back again, again a symptom of the writers not really knowing what to do with him, and eventually ends up with Martha in an unfortunate ‘match the spares’ situation of the ilk of Neville Longbottom and Luna Lovegood in the eighth Harry Potter film. Ultimately, Mickey’s best qualities are apparent in Series 2, in which he joins the TARDIS team and spends time fighting Cybermen in a parallel universe, eventually becoming a badass.

#6 – Amy and Rory

Although their era spiraled further and further into the nonsense that was Series 7, Amy and Rory are a standout because their relationship gave the show a whole different dynamic that almost makes every episode seem like a continuation of the same story, just framed differently against the backdrop of traveling through time and space. Amy may be bitchy at times and Rory takes a while to find his feet as a character (similarly to Mickey, in many respects) but once he becomes the Roman he becomes one of the most likeable characters on the show. Their best episodes include Amy’s Choice, The Pandorica Opens/The Big Bang, The Impossible Planet/The Day of the Moon, The God Complex, The Doctor’s Wife and A Good Man Goes To War so there is a fairly strong selection there alone, and whilst it could be argued that their combined character was irrecoverably ruined  by the abysmal Asylum of the Daleks they at least got a good send off in Angel’s Take Manhattan.

#5 – Donna

As companions go, Donna is definitely going to be among the best-remembered in years to come, possibly even on the same level as companions like Jo Grant and Sarah Jane Smith, in that they all take a very unique perspective on the companion role. In Donna’s case that is the role of a loudmouth with an attitude but who has a heart of gold and, in many ways, is very like the Doctor in some ways. Considering the recent trend that started with the Eighth Doctor TV Movie in which the Doctor has a more romantic relationship with his companion, Donna was a refreshing change as it was made clear from the start that she and the Doctor had absolutely no romantic feelings for each other. This makes episodes in Donna’s era seem more concise and better trimmed, as time isn’t spent on a half-baked romance story in every single episode like in the Rose era.

#4 – Nardole

An ex-criminal cyborg from the future, Nardole is primarily used for comic relief in his initial appearances but the fantastic Series 10 molds him into a well-defined character in his own right, who was an unexpected fan-favourite at the time, who is expected to return at some point in the future. His great relationship with both Bill and the Twelfth Doctor made his inevitable departure all the more tragic, particularly with the manner in which it was carried out – essentially, he was doomed to protect the Mondasian children from endless waves of ever-adapting Cybermen with no hope of escape, which is a pretty dark way to go. Thankfully, we do eventually learn that Nardole survived for years and was eventually inducted into the Testimony system, so Nardole fans can rest easy.

#3 – Captain Jack

Who doesn’t love Captain Jack? Apart from being the first representation of an LGBT character on-screen, (not counting Ace because, although intended, that aspect of her character was never directly addressed by anyone on-screen), Captain Jack is unique among the majority of other NuWho companions as he does not originate from modern-day London, instead originating from the 51st century. As such he is more clued up on the various alien races and technology. The best thing about Jack’s character is that he bounces really well off basically any other character, and is one of the few characters in Russell’s era that I believe is due a temporary return, as he worked so well with both the Ninth and Tenth Doctors and I see no reason why he couldn’t work really well with the Thirteenth Doctor.

#2 – Martha

If there is another companion from Russell’s era that is deserving of a return, it’s Martha. Despite her time in the TARDIS being somewhat overshadowed by her romantic feelings for the Doctor, these didn’t get in the way of her character development or story involvement half as much as Rose’s romantic backstory with the Doctor did, and Series 3 gives Martha a chance to shine in some fantastic episodes like The Shakespeare Code, Gridlock, Human Nature/Family of Blood, Utopia and Sound of Drums/Last of the Time Lords, in the latter of which she proves her mettle by saving the world and the Doctor from certain destruction. Her departure, on her own terms, sets her above her contemporaries – particularly Donna and Rose – and her comeback in The Sontaran Stratagem/The Poison Sky allowed Freema Aygeman to return to her original character Adeola Oshodi’s defining trait of being a human controlled by an evil invasion force.

#1 – Bill

The personification of wide-eyed wonder and enthusiasm, Bill is one of the cornerstones of the masterpiece that is Series 10. Her relationship with the Twelfth Doctor was totally unique and hearkened back to the ‘Professor/Student’ relationship that Ace had with the Seventh Doctor, although in Bill’s case this is taken a tad more literally, as the Doctor takes on a tutor role both in the real-world, marking Bill’s assignments and teaching her in classes, and also on their adventures. Bill’s reputation as a companion who flaunts her sexuality is, in my opinion, undeserved – although Bill does mention the fact that she is gay in numerous episodes, often this is in response to things other characters insinuate, and even the seemingly random remark she makes to the Doctor before they part ways in The Doctor Falls about liking girls is obviously because the Twelfth Doctor appears so oblivious that they probably hadn’t even talked about it before. Ultimately, Bill is one of the most likeable companions in NuWho and Pearl Mackie does a fantastic job of bringing the character to life.

So that concludes my list ranking the NuWho companions, 2005-2017. If you enjoyed be sure to leave a like and you can follow us either here or on Facebook for more content like this. Thanks for reading!