The world of Doctor Who audios is vast. Following my previous article on my First Impressions of Big Finish, in which I talked about the first few Big Finish audios I listened to and discussed my initial thoughts on the stories and the format in general. To establish a starting point for newcomers, however, I have also decided to list some of the best Big Finish has to offer, by my reckoning at least. Anyone who is new to Big Finish can easily use these entries as a starting point, particularly since they are all so cheap on the Big Finish website. So, to begin:
The Chimes of Midnight
This Eighth Doctor story is a perfect introduction to the writing style of Robert Shearman, who wrote this audio as well as the New Who story, Dalek. The two are nothing alike, however, as The Chimes of Midnight places the Doctor and Charley in a bizarre, temporally-twisted ‘haunted-house’ setting, but the explanation for the odd occurrences is both a refreshing plot twist as well as an interesting development into the character of Charley Pollard, whose backstory is still developing at this point.
What makes The Chimes of Midnight so good is its cast, who fill this story with character to create a genuine Edwardian feel as the setting and atmosphere are actualized perfectly. This is definitely one to check out if you are a fan of the elusive Eighth Doctor, as it provides an essential story in his first plot arc.
This Fifth Doctor audio explores a fascinating concept that, at the time, had barely even been touched upon in the main show, and that is the genesis of the Cybermen. The Daleks got their origin story told in Genesis of the Daleks in 1975, but the Cybermen received no such treatment until Spare Parts came out in 2002. It was worth the wait, however, as Spare Parts portrays a grim world on the brink of collapse that is wholly distinct from the barren landscapes of Skaro and gives the homeworld of the Cybermen, Mondas, a distinct character and a cast of unique and nuanced characters to populate it with.
Spare Parts also showcases Big Finish’s ability to tackle dark and heavy concepts head-on, and the story doesn’t pull any punches when it comes to bleak and sometimes downright cruel developments that impact the characters whilst the Doctor and Nyssa stand by, essentially helpless to prevent history from taking its course as the people of Mondas gradually make the horrific transition from human to Cyberman.
Another installment written by Robert Shearman, Jubilee shares some similarities with Dalek, although it is distinctly wacky in its own way, The concept of an alternate universe in which the Daleks are incorporated into Earth’s popular culture, specifically England’s national identity, despite being real in that universe is both fascinating and well-executed. The Sixth Doctor’s first audio-only companion Evelyn Smythe, played by the wonderful Maggie Stables, really shines in this story as her conventional morality clashes with the ideologies of both the Daleks and the Humans in this story and her dialogue with the Dalek is unique, and somewhat distinct from what we had in Dalek.
Jubilee is also one of those stories which involves a sort of ‘parallel universe’ or ‘splinter timeline’, and some of the ideas that are played around with regarding that concept in this story are quite chilling, and also at times hilarious, particularly the depiction of US-UK relations in a world in which the ‘English Empire’ dominates the world…
It’s always fun to see the Doctor and Davros working together, even if only briefly. The Magician’s Apprentice and The Witch’s Familiar explored this idea but Davros makes the concept the central theme for its first two parts, and the results are spectacular. A rare example of a Davros story that doesn’t feature the Daleks, Davros gives us crucial insights into the shrouded past of the maniacal creator of the Daleks, and portrays Davros as an almost pitiable character. Colin Baker shines in this story as he does in most, and this story is one of many that demonstrates just how far Big Finish have come to redeeming the Sixth Doctor in the eyes (or rather, ears) of many fans.
Terry Molloy is really on point here as Davros, and it almost makes me wish we had this actualized in TV format instead of the flimsy Revelation of the Daleks. What makes Davros unique is its use of Davros as more than just ‘the creator of the Daleks’, and more in the role of scientist as he works alongside the Doctor.
So that’s the end of Part 1 of my Best of Big Finish, I hope you enjoyed and if you did then be sure to leave a like, and you can follow us either here or on Facebook. Thanks for reading!
Read more in this series with the links below:
- Doctor Who – First Impressions of Big Finish
- Doctor Who – The Best of Big Finish, Part Two
- Doctor Who – Big Finish – The Two Masters Trilogy Review
- Doctor Who – The Best of Big Finish, Part Three
And check out more of my Doctor Who opinion pieces here:
- Doctor Who – Summing up the Moffat Era, or ‘The Tale of Two Moffats’
- Dalek Customs
- ‘The Man Who Never Would’ – The unpopular truth about the Tenth Doctor