Doctor Who – Big Finish – 5 Davros Stories Ranked

Since the first appearance of the Daleks in the Big Finish Monthly Range, it seemed only a matter of time before Davros himself would make an appearance. Terry Molloy, the actor who portrayed Davros in many of his appearances in Classic Doctor Who (specifically the 1980s) later reprised his role in the Big Finish audios, often appearing alongside the Daleks. As fascinating a character as Davros is, fans had definitely had enough of the character by Remembrance of the Daleks as he had appeared in every Dalek story since Genesis of the Daleks at that point, which was a contributing factor to Big Finish leaving Davros out of many of their early Dalek stories. Since Davros has appeared in five of the Monthly Range audios up until now, how do these appearances rank against each other? Is the character of Davros still alive and well, or should he have died on the bridge of his flagship in Remembrance?

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Daleks Among Us

This story features Davros at some point after the events of Remembrance of the Daleks, and yet his presence in this story is nowhere nearly as effectively executed as in Terror Firma, despite actually being set before that audio in Davros’ personal timeline. One of the major problems with this audio is that there are plenty of good ideas, most notably the idea of a colony that was so deeply socially divided by a Dalek invasion that following their liberation they outlaw all mention of the word ‘Dalek’, yet none of the ideas in this audio are developed to their full potential. The story goes through several ‘phases’ before finally settling on the concept of a pureblood Kaled attempting to usurp Davros’ mantle, which is another great idea, but the added storylines of Davros’ attempted rebellion and Elizabeth Klein’s origin story mean that there is never enough focus on each individual plot thread. That being said, Terry Molloy as Davros is definitely the highlight of this audio, as all of the scenes between him and Sylvester McCoy’s Seventh Doctor are fantastic.

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The Curse of Davros

This Davros audio is unique in two ways. Firstly, it takes place partially in a historical setting – namely, the Battle of Waterloo – the Dalek’s latest plan is to swap the minds of Humans and Daleks in order to help Napoleon win against the English, thereby rewriting the course of Human history, and for the most part this element of the story is well executed, with great portrayals for both Napoleon and the Duke of Wellington. The other aspect of this story is a body-swap plot involving Davros and the Sixth Doctor, which allows for some great potential for both Colin Baker and Terry Molloy as both have to pretend to be the other’s character, and the results are magnificent. Colin Baker does a great job of altering his demeanour for this audio to make the idea that he is actually Davros genuinely believable, and Molloy also makes use of his great voice-work to play the Sixth Doctor through the Davros voice, a feat that has to be heard to be believed.

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Terror Firma

The Eighth Doctor faces Davros immediately following his complex Divergent Universe arc that began with Zagreus, and as a result of his recent freedom from the alternate universe he is ecstatic at the thought of returning to a universe of Time. It seems fitting, therefore, that Davros would be waiting to ruin his day, and Terror Firma presents what is perhaps Davros’ most insidious scheme as the insane Kaled scientist uses his new Daleks to conquer the Doctor’s favourite planet – Earth. Davros and the Doctor have some great scenes in this audio, particularly since Davros is also dealing with the invasive ‘Dalek Emperor’ personality that is attempting to take over his mind and body. Ironically, as a result of this Davros proves quite un-Dalek like in this story – he shows true fear at the prospect of becoming a fully-fledged Dalek, and the juxtaposition between his personality and that of the Dalek Emperor helps highlight the most prominent ways in which Davros is nothing like his creations.

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The Juggernauts

Serving as a bridge between Revelation of the Daleks and Remembrance of the Daleks, this audio presents an interesting take on Davros’ character, in that he spends the majority of the story pretending to be a kindhearted scientist called ‘Professor Vaso’ who happens to be one of Mel’s employers on the human colony Lethe. Secretly working for the Daleks, the Sixth Doctor is sent to Lethe to investigate Davros’ actions, although both he and the Daleks actually have ulterior motives. This story is full of twists and turns, and Davros is at his best – scheming and manipulating others from behind the scenes whilst putting on a face of goodwill, in a fashion very reminiscent of Genesis of the Daleks. Speaking of Davros’ schemes, the plot he concocts in this story is delightfully sinister, particularly since he forms such convincing personal relationships with the staff of the Lethe colony – only to secretively kill them off one by one for use in his monstrous ‘Juggernaut’ program.

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Davros

Arguably one of the best Doctor Who audios of all time, Davros is the second in the fantastic ‘villains trilogy’, which aimed to explore and humanise three of the most famous recurring villains in Classic Doctor Who – Omega, Davros and the Master. Of the three, some might argue that Davros is the best (although Master is perhaps the more popular choice of the trilogy) as the story uses the character of Davros but without the inclusion of the Daleks, giving this audio a truly unique setup that it does a great job of utilising. Davros’ history is explored to a degree, eventually paving the way for the more in-depth I, Davros, and the parallels between Davros’ long-dead potential lover Shan and the Dalek historian Lorraine is a fascinating sub-plot.

Clearly, the character of Davros is alive and well (despite appearances) and Terry Molloy does a fantastic job of bringing his vibrant performance to the audio format. Fans in the know will notice that this ranking is essentially the reverse of the release order of audios featuring Davros, but that isn’t simply because of the law of diminishing returns – Davros and The Juggernauts are both so fantastic that few other audios would beat them in any contest, and the others simply fall in behind – every audio featuring Davros is an instant classic.

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Doctor Who – Is Big Finish Canon?

The idea of ‘Canon’ in Doctor Who is a unique one, most notably because of how fans of the show interpret the idea differently to that of other shows. In the conventional sense, a franchise’s ‘Canon’ is the established set of works that are a part of the ‘official’ story or universe of that franchise. Normally franchises headed by a single writer will have a strict set of rules as to what is considered ‘Canon’, examples being the Harry Potter universe and the Lord of the Rings series, which both have installments either written or partially written by other authors, meaning that their ‘Canon’ status is debated among fans. Other franchises have experienced controversial alterations to the established ‘Canon’, either via the introduction of alternate universes as in Transformers or Marvel, or a complete behind-the-scenes upheaval of the timeline, such as what Disney did to Star Wars.

‘Canon’ in Doctor Who, however, has a slightly different twist to it – since the show deals with the concept of time travel, paradoxes, re-writing history and alternate universes on a weekly basis, it is a generally established fact within the Doctor who fan community that, as time can be rewritten, anything and everything written or produced for Doctor Who has the potential to be ‘Canon’ in the sense that they once happened, but were overwritten within the show’s history – examples of this include the original Dalek origin story with the Dals and the infamous ‘Dimensions in Time’ Children in Need Special. This essentially opens the floodgates and renders the concept of ‘Canon’ in Doctor Who obsolete, since even within the televised show itself there have been instances of the events of certain episodes being wiped from the timeline. Even so, the debate over whether productions created by companies that the BBC licences to create Doctor Who media should be considered ‘Canon’, most notably, the Big Finish Audio Series.

Since their inception, the Big Finish Audios have attempted to fill narrative gaps or exploit untapped potential from the Classic Series, and this is one of the biggest draws to the series for Classic Who fans who yearn for more episodes from their favourite Classic Doctors. There are instances of the timelines of specific Doctors relying heavily on the Big Finish audios, such as the Sixth and Eighth Doctors, and without those audios in the ‘Canon’ these Doctors would have incomplete tenures. As Big Finish’s range of audios grows, their influence on the established timeline of Doctor Who grows also – a clear example of this is their release of The Brink of Death, which is the Sixth Doctor’s official regeneration story. The same phenomenon is true of the more recent Big Finish productions related to the revived series, such as the new U.N.I.T. series and the Time War series, and the fact that the BBC has granted Big Finish the rights to the New Series as well as the rights to use the new logo and branding suggests that they have been firmly entrenched in ‘Canon’ status.

Nevertheless, for the many fans who have not experienced the Big Finish audios, they seem more like optional extras than an essential part of the Doctor Who timeline, and it all really boils down to personal experience and opinion. But in many ways, that is what is so great about Doctor Who’s ‘Canon’ – it is entirely personal to one’s experiences with the show and its associated media. Those who grew up reading the Doctor Who books are far more likely to consider them to be as ‘Canon’ as the televised series itself, particularly since many of the Doctor Who books are superb, and yet those who have not read the books can still get full enjoyment out of the show and the audios, and so on. This is indicative of the flexible and accessible nature of Doctor Who as a series – although the sheer mass of televised episodes, audios, books and other associated media can seem daunting, the show can actually be accessed quite easily across its many eras and formats thanks to the diverse range of stand-alone stories.

And finally, should the matter of ‘Canon’ really impact ones enjoyment of a piece of media? After all, the recent decision by Disney to rebrand the Star Wars Expanded Universe as the ‘non-Canon’ Legends series may have caused controversy among the fanbase, but that is only because they loved those stories so much – yet the stories themselves are still there, and can still be enjoyed just as easily whether they are ‘Canon’ or not. In answer to the overall question of whether the Big Finish Audios are canon or not, there is realistically only one answer – yes. The BBC has accepted Big Finish’s continuity with open arms, even giving them the rights to almost all of the characters in the revival including the Tenth Doctor, Rose, Donna, Osgood and the War Doctor, and Big Finish is slowly beginning to influence the main show too – the Eighth Doctor recites all of his Big Finish companions in the 50th Anniversary minisode The Night of the Doctor. But ultimately, the question of ‘Canon’ in Doctor Who is an irrelevant one, particularly given the temporal or ‘timey-wimey’ nature of the show, and Doctor Who fans should simply enjoy the vast array of visual and audio media available to us.

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Doctor Who – The Best of Big Finish, Part Five

In my last Best of Big Finish article I mentioned that I had finished most of the second series of Eighth Doctor audios, and I had only a handful of audios (including the infamous Zagreus) remaining in the Eighth Doctor’s first batch of stories. What makes these audios so fascinating is that, other than the less-than-stellar TV Movie from 1996 and the fantastic but brief Night of the Doctor from 2013, they are the only medium through which fans can experience the Eighth Doctor. Whilst we can all live in hope that one day the BBC will give Paul McGann a spinoff or mini-series of his own, in the meantime the stellar audios that he has been a part of can suffice for fans of McGann. All of these audios can be picked up on the Big Finish website for just £3 each, so they are definitely worth checking out.

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The Time of the Daleks

This audio is essentially a re-imagining of the lost Second Doctor episode The Evil of the Daleks, which is by no means a bad thing – since Evil can no longer be experienced, it makes sense to attempt a remake eventually – but the story is perhaps in places a little too close to Evil. Regardless, McGann and Fisher are brilliant as always, and the Daleks prove to be as menacing as ever.

What truly makes this audio worth the time is the fact that the Daleks quote Shakespeare throughout, something that is unnerving in context but hilarious to listen to, particularly since the plot revolves a fair amount around the Daleks attempting to remove all of Shakespeare from time, but in order to do that they have to learn Shakespeare themselves.

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Neverland

Neverland concludes the story arc involving Charley Pollard and the time-phenomenon that has pursued her and the Doctor since they met, and also leads into Zagreus, making it a fairly important audio in the Eighth Doctor’s early years. The audio features Lalla Ward as Romana II in her first encounter with the Eighth Doctor, and also features some interesting developments on Time Lord society, specifically their early methods of capitol punishment.

All in all, Neverland is essentially the ‘setup’ for the next audio, and given its successors infamous reputation it goes without saying that this audio is an important chapter in the Eighth Doctor’s adventures.

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Zagreus

As strange as it is, I actually quite liked Zagreus. I am aware of this audio’s controversial nature, and its placement as the ‘Marmite’ audio for most fans – they either love it or they hate it. To its credit, Zagreus attempts to do something radically different for a Doctor Who story, and it plays with some really interesting ideas. By far one of the best features of this story is the abundance of classic cast members, everyone from Louise Jameson to Jon Pertwee (the latter as a prerecording taken from a fan production). In a strange twist, however, the entire group of regular cast have been given totally random roles in this story, making it an interesting ride for those who are familiar with them all.

The first of two main weaknesses of Zagreus is the length – in fact, its length is its Achilles heel in many ways, as the second main weakness of Zagreus is the meandering plot – but the story could have been tightened up a lot more as the final product is a whopping four hours long – twice the length of a standard Big Finish production. True to Classic Who form, this means filler galore.

—- WARNING: SPOILERS FOR ZAGREUS TO FOLLOW —-

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Scherzo

This is a strange one. Scherzo is set directly after Zagreus and is the first in the ‘divergent universe’ arc that makes up the second major plot arc in the Eighth Doctor’s era after Charley. After the somewhat hectic and tragic conclusion to Zagreus, the Eighth Doctor and Charley end up in a totally new universe in which time no longer exists, and for most of the audio they cannot see or feel anything but each other – they are totally trapped in a universe in which the only thing that exists is sound.

This audio really showcases what the format of audio stories can do that the televised show could not, and really amps up the horror factor to the extent that this might be the scariest of the Big Finish audios that I have listened to so far, in a strange way. As the only two cast members, Paul McGann and India Fisher do a fantastic job here, and they are quickly becoming one of my favourite Doctor/Companion pairings.

So that concludes my thoughts on the next round of Eighth Doctor audios from Big Finish. If you enjoyed, be sure to leave a like and you can follow us either here or on Facebook for more content like this. Thanks for reading!

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Doctor Who – The Best of Big Finish, Part Four

I have been listening to Big Finish for just over two months now, and yet already I have made my way through swathes of episodes by listening to them daily – whilst out and about walking around the park or to the gym, whilst cooking or doing housework, and also during long car journeys. The series has been very rewarding to listen to as a Doctor Who fan and I would thoroughly recommend any who have not already to check out Big Finish on their website. Many of the earlier audios are very cheap for a digital download and the bundles of the first dozen or so stories for each Doctor periodically go on sale so it is really easy to pick them up cheap.

Following on from my Best of Big Finish, Part Three comes the next installment in my Big Finish reviews series, as I make my way through Big Finish’s main range. Unlike most Big Finish audios, most of these require previous episodes for context and understanding, so to begin:

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The Mutant Phase

The first audio on this list is the third in the ‘Dalek Empire’ series, that also includes The Genocide Machine, The Apocalypse Element and the conclusion The Time of the Daleks. Featuring the Fifth Doctor and Nyssa as well as a Dalek Emperor and Thals all attempting to prevent a history-altering mutation in the Dalek genome that could destroy both the Dalek race and the universe. The scope of this episode is larger than any in the Dalek Empire arc so far, and it links quite heavily with the 12-part First Doctor story The Dalek Invasion of Earth, but don’t let that put you off.

The Mutant Phase does a great job of maintaining the high stakes due to the temporal nature of it – usually when Big Finish does a ‘the Daleks invade this planet for this reason’ can get stale over time, but having a story in which the Daleks try to change all of history to rid themselves of a plague is fairly interesting, although there are more twists that make the reasoning by this and the Doctor’s motives more convoluted.

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Invaders from Mars

The fact alone that Simon Pegg is part of the cast tells you that this is going to be a fun one, but Invaders from Mars is a contender for funniest audio I have listened to so far in the series, although I am yet to listen to The Holy Terror. The story partly revolves around the 1938 Halloween radio transmission of H.G. Wells’ The War of the Worlds perfomred by Orson Welles, but some comical twists add to the surreal humour of this story. Likewise, as this is an episode that is perhaps meant to be taken less seriously, there appears to be a higher amount of ‘silly voices’ involved in the production of this audio, and not all of them can be Simon Pegg.

In typical Big Finish style, however, there are some dark elements, and the story is not without its fair share of death – but Invaders from Mars is definitely worth a listen for fans of the Eighth Doctor and Charley, and also for fans of historicals. Interestingly, this audio is written by Mark Gatiss, who would go on to write a lot of stories for the new series including The Unquiet Dead and Empress of Mars, so he clearly has a thing for historicals and episodes with Mars in the title.

 

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Seasons of Fear

As far as ‘returning monsters’ go, you don’t really get more obscure than the return of the Nimon to Doctor Who in Seasons of Fear. The Nimon featured in just one episode of Classic Who, and yet still managed to get a return in NuWho in The God Complex (sort of), but that wasn’t before Big Finish had already granted them their glorious return here in a surprisingly standout episode featuring an almost comical relationship that develops between the Doctor and an immortal who serves a legion of Bull-people who want to supersede the Time Lords and become Masters of the universe.

The premise of this story is notable as it uses the time-travel elements of Doctor Who a lot more than most stories might, and the early parts almost give us a new location and time period each episode. The story flows consistently throughout, however, and the development of the character of Sebastian Grayle is both humorous and fascinatingly dark. Overall this is well worth a listen as it provides crucial development for the arc of the Eighth Doctor and Charley Pollard.

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Embrace the Darkness

When Big Finish does creepy well, it does it really well, and and Embrace the Darkness sums up creepy – its essentially a sinister horror in audio form that also features a helping of sci-fi concepts and great characters and voice acting. The story is a basic ‘base-under-siege’ formula, but the execution makes it notable as the aliens in this are by no means as malevolent as one might expect from a sci-fi horror story.

It cannot be understated how good India Fisher is as a companion, particularly as she is able to bring her audio-only character Charley to life, and her chemistry with Paul McGann makes every audio with the pair acting together a treat.

As this is the third Eighth Doctor story on the list, it is important to note at this point that I am on an Eighth Doctor binge, and my next Big Finish Review will feature the next few Eighth Doctor audios as well as the infamous Zagreus.

So that was my list of the Best of Big Finish, Part Four. If you enjoyed then be sure to leave a like, and you can follow Sacred Icon either here or on Facebook for more content like this. Thanks for reading!

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Doctor Who – The Best of Big Finish, Part Three

Continuing from my previous articles on both my First Impressions of Big Finish, the Best of Big Finish, Part One and the Best of Big Finish, Part Two I now present the next phase in my review series of the Doctor Who audios. In a similar fashion to my review of the Two Masters Trilogy, I have decided to review some newer Big Finish releases available as both digital downloads and in CD format from the Big Finish website. So to begin:

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Last of the Cybermen

This audio is actually the second part of a loose ‘Locum Doctors Trilogy’, which consists of the previous story The Defectors which sees the Seventh Doctor meet Jo Grant, and the next story The Secret History which has the Fifth Doctor meet Steven and Vicki. Slotting in the middle is Last of the Cybermen in which the Sixth Doctor meets Jamie and Zoe and fights against the Cybermen in the final battle between the Telosian Cybermen and Humanity, and its scale is pretty epic. The characters are likeable and interesting, and Jamie and Zoe pair really well with the Sixth Doctor and it would be great if these two could appear in the monthly range more often.

The story plays on elements from various classic Cyberman stories as well as borrowing a few NuWho ideas to round the whole thing off, whilst also managing to define itself as a brand new story. Previous Big Finish Cyberman stories like Spare Parts and Sword of Orion describe the Cyber-conversion process in detail but Last of the Cybermen depicts Cyber-production on a huge scale, as the Cybermen churn out hundreds of soldiers an hour to battle the human onslaught, and it’s gripping.

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We Are The Daleks

What is the only race in existence that is more evil than the Daleks? Easy, economically liberal Conservatives. And this audio demonstrates what could happen if the Tories and the Daleks had ever decided to team up in the late 1980s, although some may say that events would have just played out as normal. Regardless, We Are The Daleks is a great romp that is intended as a ‘jumping-on point’ for newer listeners to the main range, and thus consists of a well-rounded self-contained story with few outside references or requirements, and this definitely helps it as a standalone story.

What also benefits We Are The Daleks, like the earlier audio The Juggernauts, is the redeemed companion Mel who in this audio appears alongside the Seventh Doctor. Even for those who have seen very few televised Mel stories her reputation as a fairly shallow and ‘screamy’ companion is pervasive, yet the Big Finish audios do wonders for redeeming her character, making her a stronger character and giving her a more direct role in the story. Like The Juggernauts, We Are The Daleks shows Mel going undercover and expertly blending into a top-of-the-range work environment using her exceptional skill at coding, and with these two audios alone she is quickly becoming one of my favourite audio companions which shows just how effective the audios are at redeeming missed potential from the show…

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Order of the Daleks

The cover of this audio alone is eye-catching enough, and although the concept of a ‘stained glass Dalek’ may seem odd at first, the context of the story justifies their presence – having crashed on a primitive planet with limited technology, the Daleks have infiltrated an order of Monks known as the ‘Brotherhood of the Black Petal’, teaching them how to construct rudimentary casings for them out of stained glass and lead. The Sixth Doctor and a Galactic Census team arrive to investigate signs of alien interference in a medieval society, and chaos ensues. On the surface, Order of the Daleks is a fairly standard Dalek story, but the concepts it utilises in the narrative context make it stand out, as Daleks that are both unarmed and vulnerable make an interesting twist on the standard formula for Dalek stories.

Another interesting aspect to this story is the relatively new audio-only Sixth Doctor companion Constance Clarke, who appeared initially in The Sixth Doctor: The Last Adventure, an audio anthology that depicts the lead-up to the Sixth Doctor’s regeneration. Constance originates from the Second World War, originally working as a leading WREN before encountering the Doctor, and in this story she faces the Daleks for the first time and proves her mettle against the Doctor’s ultimate foe. The supporting cast also brings this story to life, as there are a fair few memorable characters with distinctive voice acting and some great moments between the Monks and the Daleks as well as some intrigue within the Brotherhood, as all is not as it seems on the seemingly idyllic world of Strellin…

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Energy of the Daleks

Last on the list is the fourth installment of the Fourth Doctor Adventures, a six-part series that saw the return of Tom Baker to the role of the Fourth Doctor for the first time in decades. Energy of the Daleks features the Fourth Doctor and companion Leela facing off against – you guessed it – the Daleks, and for the most part Energy of the Daleks follows the ‘standard’ Dalek story formula. The real draw for this story is Tom Baker, as hearing him face off against the Daleks again after so many years is a real treat. What makes this all the better is that, despite having one of the longest tenures of all the Doctors, the Fourth Doctor only fought the Daleks twice – once in Genesis of the Daleks, which was a definite classic but was mostly focused around the Kaled/Thal conflict and the introduction of Davros rather than being a true Dalek story, and Destiny of the Daleks, which is a universally poor story. Energy of the Daleks therefore gives the Fourth Doctor a chance to really shine in a battle against the Daleks in a way that his TV tenure (for whatever reason) denied him.

Another peculiar thing about Energy of the Daleks is its length – unlike all of the other Big Finish audios I have previously reviewed, this and all other Fourth Doctor Adventures stories use a single-disc format of around one hour, as opposed to the two-disc 4×25 minute format of the Main Range. This makes Energy of the Daleks more similar in length and feel to a NuWho story, meaning that the pacing is much faster and thus this audio is probably more accessible to those NuWho fans who aren’t sure of how to get into Big Finish.

So that’s the end of Part 3 of my Best of Big Finish, I hope you enjoyed and if you did then be sure to leave a like, and you can follow us either here or on Facebook for more content like this. Also, check out the read more tab below for articles related to this one. Thanks for reading!

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Doctor Who – Big Finish – The Two Masters Trilogy Review

This might be a bit of a jump forward in time from my previous Big Finish audio reviews, all of which have been focused on their earlier works between 1999-2007, whereas these three audios come from 2016. So what is the reason for this sudden leap? The honest answer is, I’ve been so excited to listen to these audios that I thought the minute I finished the final part of The Two Masters then I would start my review right away before moving on to the next audio on my list, Energy of the Daleks. So without further ado, we start the review of this trilogy at the beginning – sort of.

And You Will Obey Me

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Listening to this audio so soon after Master was interesting in that they share a somewhat similar premise – the decayed (or, as we should probably refer to him now, the burnt) incarnation of the Master played by Geoffrey Beevers is trapped on Earth and shows signs of displaying acts of mercy, although this audio does come with a few twists and turns that eventually prove that this and Master are in fact nothing alike. The plot introduces several concepts and characters that play into the wider ‘Two Masters trilogy’ overarching plotline, which in this case involves the cripsy Beevers Master being hunted by intergalactic bounty hunters and crashing his TARDIS in Hexford 1984, only to apparently live out a humble and meagre existence before dying of natural causes and being buried in an unmarked grave in 2016. Naturally, upon hearing this, the Doctor knows that something is very wrong.

Similarly to Master, the Doctor is initially hopeful that the Master may have experienced a sudden change of heart, but in this case the truth is far more complicated and focuses on not only the Master but 4 of his associates, a group of children who initially find him and are influenced by his hypnotic power. The interactions between the Master and his saviours is interesting, and Geoffrey Beevers is as good as always as playing a sinister yet oddly charming character. Overall, And You Will Obey Me serves as both an intriguing standalone adventure as well as a great introduction to the ‘Two Masters trilogy’.

Vampire of the Mind

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This audio served as my first introduction to the incarnation of the Master played by Alex Macqueen, and needless to say he did not disappoint. This incarnation is far more jovial then some of his predecessors, and in a way bridges the gap between the ‘classic’ Masters and the initial ‘NuWho’ interpretation of the character realised by John Simm. Usually paired with the Eighth Doctor, this incarnation appears here in a rare example of him facing another Doctor incarnation, in this case, the Sixth Doctor played by Colin Baker. For those who do not rate Baker’s incarnation very highly compared to other Doctors, prepare to have that preconception utterly smashed by his appearance in Big Finish audios – it is the view of many that the Sixth Doctor is the best of all the Doctors audio-wise, and Vampire of the Mind is a great example of a strong and energetic performance from Colin Baker that really brings this audio to life.

In terms of plot and execution, however, Vampire of the Mind is perhaps the weakest of the ‘Two Masters trilogy’ as it lacks the obvious appeal of its successor or the intriguing character interactions of its predecessor. Also, the plot itself is somewhat strung-together – the Master’s plan seems to change somewhat as the story progresses, and even when all the pieces in play are revealed it can be difficult to figure out what the Master’s game was from the beginning. Nonetheless, Vampire of the Mind is a great listen, particularly for those who are interested in the Macqueen incarnation but don’t want to have to listen to all 16 instalments of the Dark Eyes series just yet.

The Two Masters

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And now for the climactic finale, that ties together the loose ends and cliffhanging plot developments of the previous two instalments and delivers a great 2-hour long multi-Master story that kicks off right into the action and gives some great dialogue between the two incarnations. Essentially, its everything you could ask for from a multi-Master story, particularly since at this point there had never been any others, since World Enough and Time and The Doctor Falls wouldn’t air until just over a year later.

The best thing about The Two Masters is how it parallels with multi-Doctor stories that we have seen in the past. Since this story includes two Masters, one might assume that they are working together to achieve some greater goal – the two Masters do team up at one point, but for the majority of the first half the two are at bitter war with each other across time and space, a fascinating concept of a bitter rivalry between two incarnations of the same Time Lord that has never been previously explored.

The Two Masters also contains a few plot twists of its own that explain and explore various plot threads and concepts from both And You Will Obey Me and Vampire of the Mind – although it is not absolutely necessary to listen to these two before listening to The Two Masters, it does help to understand the finer points of the story since both previous stories explain what each incarnation of the Master was doing immediately prior to meeting each other, and how their actions in the previous stories connect and flow into the main story of The Two Masters.

Another fantastic element to this story is Sylvester McCoy, who was the perfect choice of Doctor to facilitate a multi-Master story as only the Seventh Doctor could possess the Machiavellian levels of scheming to out-plot two versions of the Master at once, and Sylvester McCoy plays the devious trickster very well, and particularly here. The only real shame is that he appears here without either companions Mel or Ace, instead taking on a temporary companion for this story.

Overall, the Two Masters trilogy is definitely worth a listen, particularly for those interested in the character of the Master, the idea of multi-incarnation adventures, fans of Beevers or Macqueen or just fans of 80s-themed Big Finish audios in general, as it effectively increases the tension and stakes throughout and offers a unique angle on the Master’s incarnations and history.

So that’s my review of the Two Masters trilogy, I hope you enjoyed and if you did then be sure to leave a like, and you can follow us either here or on Facebook for more content like this. Also, check out the read more tab below for articles related to this one. Thanks for reading!

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Doctor Who – The Best of Big Finish, Part Two

Continuing from my previous articles on both my First Impressions of Big Finish and my Best of Big Finish, Part One, I now present the next chapter in my review series of the Doctor Who audios. These are reviewed in the order in which I listened to them, and I find that listening to the Big Finish audios in chronological order eases new listeners into the format, although most of these listed here could probably serve as jumping-on points, particularly since they are all so cheap on the Big Finish website. So, to begin:

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The Juggernauts

This story, for Davros, is a directly prelude to the TV episode Remembrance of the Daleks and goes into the detail of how Davros would come to form the ideas for the Imperial Daleks, as well as the first ‘appearance’ of Davros’ white chair (as seen on the cover). The Juggernauts also features the audio debut of the Mechanoids, former mechanical servants of humanity that debuted in the TV episode The Chase. Interestingly, what makes this story so good as Bonnie Langford as Mel, it really shows how much more maturely her character is being handled by Big Finish than it was by the main show in the 80s. She shows her vast intelligence and adaptability as she successfully establishes herself as a leading member of Davros’s team, and even earns the evil scientists’s respect.

The Juggernauts also demonstrates an important point in the Daleks personal history – Davros is pushed closer and closer to abandoning his creations after their constant mistreatment of him, and this lays the groundwork for the formation of the Imperial Dalek faction, a development that is essential for the plot of Remembrance.

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Master

Master is a masterpiece, thanks primarily to the fantastic voice work of both Sylvester McCoy and Geoffrey Beevers as the Doctor and ‘John Smith’ – a human who was once the Time Lord known as the Master. Knowing nothing of his former life, the Master gets a chance to live out an ordinary, human life for 10 years, and this plot development allows for some reflective conversation between the Doctor and his old friend, even if the latter has no idea who he is. It may seem odd for those who have only seen him on TV, but Geoffrey Beevers is fast becoming my favorite incarnation. True, I am yet to hear any Alex Macqueen, but for that I’d either have to listen to the Dark Eyes series or the Two Masters trilogy, which is a bit further down the line, but so far Beevers has been perfect as an audio-focused incarnation, since his real strength is in the quality of his voice acting and the silky smooth texture of his voice.

In truth, all of the audios with Beevers are a treat, but Master really demonstrates the versatility of him as an actor. He plays off Sylvester McCoy perfectly, and this audio really goes into detail about the backstory of the Doctor and the Master as children on Gallifrey, and is a great listen for lore fanatics.

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The Harvest

Audio-only Seventh Doctor companion Hex makes his debut in this story, making this an essential for listening to other stories in the Hex arc – Enemy of the Daleks being another great one. The wacky music and interesting framing (from Hex’s perspective for the early parts) gives this story unique character. Sophie Aldred and Sylvester McCoy are, as always, brilliant, and they have great chemistry with newcomer Philip Olivier. This story is part of a trilogy, the other installments being The Reaping and The Gathering, both of which loosely link with this story.

This story is a really interesting twist on the classic Cyberman story, with an added element of subterfuge and deception. This story essentially depicts a small group of Cybermen that are prepared to risk everything to survive, even defy their very nature. Voice acting on behalf of William Boyde gives the mysterious ‘Subject One’ great personality, and I almost felt sorry for it initially. Overall, this story is a classic ‘companion introduction’ story that also doubles as a pretty decent Cyberman story. There’s also a really funny bit of dialogue near the start between the Seventh Doctor and the computer that gets me every time.

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The Marian Conspiracy

Going backwards slightly in the Big Finish chronology, The Marian Conspiracy is another companion debut story – this time of Sixth Doctor companion Evelyn Smythe. What makes this story so interesting is that it is a pure historical, meaning there is no alien invasion to thwart, simply the natural progression of human history. The conflict in this story arises from the tumultuous time period in which it is set – during the reign of Queen Mary I. Despite her reputation, this audio presents a more balanced view of things, with the views of both Mary and Elizabeth’s supporters explained in their context. This is a great one for history lovers, particularly since Evelyn gets to utilize her experience as a history teacher in a time period that she specializes in.  Overall, this is a great listen and definitely adds to my collection of good Sixth Doctor stories.

So that’s the end of Part 2 of my Best of Big Finish, I hope you enjoyed and if you did then be sure to leave a like, and you can follow us either here or on Facebook for more content like this. Also, check out the read more tab below for articles related to this one. Thanks for reading!

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