Doctor Who – The Best of Big Finish, Part Six

Though it has been some time since the last Best of Big Finish was released, since then Big Finish have announced dozens of new box sets so this article will showcase some of the best of Big Finish’s more recent box set releases.

Classic Doctors, New Monsters Volume One

BF-Doctor-Who-Classic-MonstersHaving a box set dedicated entirely to the concept of monsters from the New Series battling Classic Doctors is somewhat disheartening, as it implies that this is something that we will not see in the Main Range, but the payoff is worth it when listening to this box set. Each monster present is developed to a degree not seen in the TV series episodes in which they appear, and the focus of each story is on the returning monster. New Series monsters that seemed interesting but were never given the time or focus in the episode that they deserved, like the Sycorax, who were hardly the focus of their debut episode and are given more time in the limelight in Harvest of the Sycorax. The best of the box set is The Sontaran Ordeal, as it is set during the Time War and gives a small taste of the horrors of the conflict but from the perspective of the fringes of the war. In terms of best use of the returning monster, Judoon in Chains helps humanise the Judoon and is probably the most interesting of the set story-wise, although Fallen Angels does a great job of translating the Weeping Angels to the audio format.

The Diary of River Song, Series 5

river-5.jpgThough it may seem odd to include the fifth instalment of a series of box sets, this collection is entirely standalone and requires no prior context from previous River Song stories. What it does require, however, is a love of the Doctor’s arch-enemy the Master, as each of the four stories in this set features an incarnation of the evil Time Lord battling River Song. The first audio features Missy, at a point in time before she first met the Twelfth Doctor and still believes that River Song is the one responsible for the Doctor’s death. The story revolves around this concept from Series 6, but a lot of the actual conversation between Missy and River refers to many situations in the Classic series, and even a few references to other parts of Who canon too. Geoffrey Beevers appears as the decayed Master in Animal Instinct, and is the only true Classic Master to appear yet he stands out even among the dynamic newer Master incarnations. This box set also features the first appearance of Eric Robert’s incarnation of the Master, as well as the return of Derek Jacobi’s War Master, fresh from the Time War. Talking of which…

The War Doctor – Only the Monstrous

dwtwd01_onlythemonstrous_1417sq_cover_large.jpgBig Finish’s decision to fully elaborate on the events of the Time War after the 50th Anniversary came as no surprise, but John Hurt’s performance as well as the quality of the writing blew any potential naysayers out of the water when the first box set was released. People had been concerned that fully depicting the Time War would detract from the mystery, and whilst that is perhaps still true, the audio format allows for much to still be left to the imagination and allows for a depiction of the conflict that would not be possible on-screen. The first of four War Doctor box sets, the three stories featured focus mainly on the War Doctor coming to terms with his new role as a warrior, and do not feature the Time War’s events as directly as later releases, allowing for a lot of room for the War Doctor’s character to be firmly established.

The Sixth Doctor – The Last Adventure

51Prc9jSJ8L._SX350_BO1,204,203,200_.jpgWith the horrendous ordeal surrounding Colin Baker’s departure from the Classic Series and the subsequent botched regeneration scene that bridged the Sixth and Seventh Doctor at the start of Time and the Rani, there was a lot left to be interpreted by what we saw on-screen. For a start, there is a narrative gap between Colin Baker’s final story, The Ultimate Foe, and Sylvester McCoy’s first story, one of many throughout the Sixth Doctor’s era that allowed Big Finish to expand his timeline by adding hundreds of new stories. However, in The Last Adventure, Big Finish aims to tell a number of stories that lay the groundwork for the events that would lead up to the opening scene of Time and the Rani. What they produced is a box set of four fantastic stories that each take place at different points in the Sixth Doctor’s life, each with a different companion. This proves to be a great tribute to Colin Baker’s era not only at Big Finish but as the Sixth Doctor in general, and his regeneration scene is as poignant and heartwarming as any of the New Series regenerations.

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Doctor Who – Top 10 Big Finish Dalek Stories

Big Finish has been producing the Doctor Who Main Range (formerly called the Monthly Range) since 1999 and is therefore fast approaching its 20th anniversary of creating Doctor Who audio dramas. In the 20 years that these audio plays have been in production, Big Finish has expanded their Doctor Who releases further than the Main Range to include many standalone series like the Eighth Doctor Adventures and the Dalek Empire series with a vast array of excellent Dalek stories to listen to. However, there are definitely some that stand out as truly spectacular stories and perhaps even some of the best examples of Doctor Who stories in any format, including the Classic and Modern TV series, and this article ranks the top ten, starting with:

#10 – We Are The Daleks

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Intended as a potential jumping-on point for would-be listeners who felt intimidated by the increasing number of story arcs and continuity related to the Big Finish Main Range, We Are The Daleks aims to tell a self-contained, somewhat familiar and yet entirely new Dalek story, and it achieves all three of these goals and more. Whilst the end result is hardly groundbreaking, and is certainly not as introspective or formula-inverting as some of Big Finish’s other Dalek stories, what fans got with We Are The Daleks was a classic Dalek romp that takes advantage of being set in the 1980s but with the hindsight of knowing what advancements in technology would bring in the 21st century, and the idea of combining Dalek technology with the basic human desire for video games was an ingenious one.

#9 – The Dalek Transaction

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Though it may seem an odd choice to include an audio from the UNIT: The New Series range considering the fact that it is a spinoff, The Dalek Transaction proves that great Dalek stories can be done in any form of Doctor Who media, not just the Doctor-focused ranges. Despite the wider lore surrounding UNIT: The New Series, Big Finish have made it very easy for fans to jump into the series with each box set, and although this audio can only be picked up as part of the UNIT: Encounters box set, you are almost immediately given everything that you need to know to understand the story and the characters. And as far as the story goes, although the idea of a critically damaged Dalek being held prisoner isn’t a new one, this story certainly takes a new and dynamic approach to the concept that pleased many a Dalek fan.

#8 – Blood of the Daleks

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The opening two-parter to the Eighth Doctor Adventures with Sheridan Smith playing new companion Lucie Miller, Blood of the Daleks aims to both introduce the audience to Lucie and the more brooding Eighth Doctor whilst also delivering a fantastic Dalek story. Unsurprisingly this episode has plenty of references to other Doctor Who stories, particularly Dalek stories, as this audio was designed as not only an introduction to new companion Lucie but also to the Eighth Doctor and the idea of Doctor Who audios as a medium, as this was the first episode in a series that Big Finish pushed as a jumping on point for new Doctor Who fans back when the New Series had only just started. As it stands, Blood of the Daleks is a great opener to the Eighth Doctor Adventures and is one of the best audios to use as a means of getting accustomed to the format, for those who have not listened to many before. The relationship between Eight and Lucie is composed perfectly, and there is a great dynamic between them that develops as the plot unfolds.

#7 – Masters of Earth

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This audio peaked the interest of many veteran Dalek fans on its announcement as it features the Sixth Doctor and Peri visiting Earth during the Dalek Occupation, as seen in the famous First Doctor episode The Dalek Invasion of Earth. The idea of the Doctor visiting eras in Dalek history from the Classic show is something that the New Series should definitely work on creating, as it gives some great marketing opportunities as well as setting up innumerable ideas for potential time-travel focused stories. Masters of Earth delivers on this, as whilst its twist is predictable, it does a great job of recreating the feel of Dalek-controlled Earth that fans saw in the 1960s. As this is an audio set later in Peri’s timeline, her character is much more manageable than she appeared in the show, and Peri arguably gets a proper encounter with the Daleks that Revelation of the Daleks tragically denied her.

#6 – Order of the Daleks

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A recent outing for the Sixth Doctor and his new companion Constance Clarke, this audio’s eye-catching cover is fitting considering how this audio stands out among many of its peers. Make no mistake, Big Finish is still just as fantastic as it always has been, but there has been a recent trend of Big Finish Dalek stories being less experimental than perhaps they once were. Enter Order of the Daleks which manages to not only utilise the concept of a Stained Glass Dalek for a great cover design but also as a great peg for an original and wholly unique Dalek story idea, that being: what would the Daleks do if they crashed on a primitive planet, and were forced to use primitive technology to repair themselves? The result is a great story that showcases how great Colin Baker is as the Doctor but also provides new companion Constance Clarke with an opportunity to make a mark on the Doctor Who timeline – and as audio-only companions go, Constance is every bit as great as classics like Charlie and Lucie. The conversations between the Dalek Commander and the Doctor in this story are brilliant and, without spoiling too much, there is some very good development of the Daleks psychology in this story that any Dalek fan should check out.

#5 – The Dalek Contact/The Final Phase

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The Fourth Doctor Adventures are a fantastic range of audios, particularly since they star one of the most popular Doctors in the history of the show, as well as fan-favourites like Leela, Romana and K-9. However, an interesting aspect of this series is that it manages to replicate one of the many odd quirks of the Fourth Doctor’s era, in that there is a disproportionally small number of Dalek stories considering the sheer number of stories that the Fourth Doctor has, both for TV and in his own audio series. The Fourth Doctor Adventures definitely benefits from this, as the few instances in which the Daleks do appear feel like special occasions and, as special occasions go, The Dalek Contact and The Final Phase are both great Dalek stories, making it especially exciting that it features the Fourth Doctor, Romana I and K-9. For fans of this era of the show, this two-parter is definitely one of the best Dalek stories.

#4 – Enemy of the Daleks

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When discussing types of Dalek stories, particularly with people who are fans of the Daleks specifically, often the stories that try a different ‘take’ on the Daleks are ranked as among the best, and with good reason. As the Daleks are so prolific among the various media formats of Doctor Who, with dozens of episodes and audios, and even a significant number of books, dedicated to them, and as a result after over fifty years of the Daleks it is often those few stories that attempt to somehow redefine or reinvent the Daleks that are considered the best. However, every once in a while a Dalek story comes along that, although playing straight to almost every single Dalek story trope that the show has ever seen, actually manages to be just so good regardless that it is automatically considered a classic. Enemy of the Daleks is definitely one of these, as what is (on the surface at least) a generic Dalek action romp also manages to deliver a surprisingly good story and present some characters with great emotional depth. When describing Enemy of the Daleks, the key phrase to bear in mind is ‘never judge a book by its cover’, although that hardly seems fair as this audio has perhaps one of the coolest covers of any Doctor Who product across all its many mediums.

#3 – The Apocalypse Element

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If it wasn’t good enough that the Sixth Doctor got to face the Daleks so early in his audio appearances, it just so happens that he got to star in what is undeniably the best of the early ‘Dalek Empire’ Main Range audios. For those not in the know, early in their career as Doctor Who audio play producers, Big Finish brought the Daleks to their main series with four totally separate yet also thematically linked Dalek stories – The Genocide Machine, The Apocalypse Element, The Mutant Phase and The Time of the Daleks, and this later went on to drive the plot of their standalone Dalek Empire spinoff series. Each main range story is good in their own right, particularly The Mutant Phase, but The Apocalypse Element is by far the greatest of the bunch. Not only does it feature Lalla Ward as Romana II, but it also delivers a cracking Dalek story that seems to present what has later become the ‘first act’ of the Last Great Time War.

#2 – The Juggernauts

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Something that might have become apparent to Dalek fans reading this list is the fact that, until this point, no Davros stories have appeared. There are several reasons for this – arguably the most important being that there is rarely a good Dalek story that also happens to be a good Davros story, usually one is sacrificed for the other. However, there are always exceptions to this rule, and The Juggernauts is probably the best example of this. Featuring the Sixth Doctor and Mel in the best story that they share, this audio approaches the Davros/Dalek dynamic in a very different light, and presents the idea of Davros, finally deciding that the Daleks have failed him, attempting to create something to counter the Daleks on a galactic scale – the ubiquitous ‘Juggernauts’. For those who are fans of the 1980s Davros stories, this audio is essentially everything that those stories were trying to be, had they not been held back by budget constraints.

Honorable Mention – The Dalek Occupation of Winter

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Although some fans will be put off by the more traditional ‘talking book’ style of the audio adventures of earlier Doctors, there are some genuine gems in amongst the catalogues of the first three Doctors. A recent example of one of these is the superb The Dalek Occupation of Winter, an audio that utilises the fact that this is one of the Doctor’s first encounters with the Daleks to great effect, and is definitely work picking up as an introduction to the different format for those who are not familiar with it.

#1 – Jubilee

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An audio made famous by the distinction of being adapted into the 2005 episode ‘Dalek’, the first appearance of the Daleks in the New Series, Jubilee has a lot more going on than what is presented in the episode it was later adapted into. ‘Dalek’ is arguably just an adaptation of one plot point from Jubilee, and listeners will quickly realise that there is a lot more to Jubilee than is to be expected of a Dalek story. One of this story’s greatest assets is the fact that it features the Sixth Doctor and Evelyn, a Doctor-companion pairing that has rarely been topped in any medium of the franchise. Considering Colin Baker’s rough time on the show and the generally negative reception that his Doctor gets as a result, it is fine poetry that his Doctor happens to be the one that has spearheaded the success of the Doctor Who audios through great characterisation, fantastic scripts and great new companions. However, the greatest thing about Jubilee (and the thing that makes it a great Dalek story) is the Dalek itself and the way it is presented. When listening to this audio all preconceived notions about the Daleks have to be thrown out of the window, as this story depicts a Dalek that demonstrates some definite growth as a character, and without spoiling too much, it is clear where the most emotive moments in ‘Dalek’ were derived from, as Jubilee presents an entirely different yet similarly emotive story that makes the audience feel conflicted feelings of pity for the most pitiless race in the universe.

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Doctor Who – Is Big Finish Canon?

The idea of ‘Canon’ in Doctor Who is a unique one, most notably because of how fans of the show interpret the idea differently to that of other shows. In the conventional sense, a franchise’s ‘Canon’ is the established set of works that are a part of the ‘official’ story or universe of that franchise. Normally franchises headed by a single writer will have a strict set of rules as to what is considered ‘Canon’, examples being the Harry Potter universe and the Lord of the Rings series, which both have installments either written or partially written by other authors, meaning that their ‘Canon’ status is debated among fans. Other franchises have experienced controversial alterations to the established ‘Canon’, either via the introduction of alternate universes as in Transformers or Marvel, or a complete behind-the-scenes upheaval of the timeline, such as what Disney did to Star Wars.

‘Canon’ in Doctor Who, however, has a slightly different twist to it – since the show deals with the concept of time travel, paradoxes, re-writing history and alternate universes on a weekly basis, it is a generally established fact within the Doctor who fan community that, as time can be rewritten, anything and everything written or produced for Doctor Who has the potential to be ‘Canon’ in the sense that they once happened, but were overwritten within the show’s history – examples of this include the original Dalek origin story with the Dals and the infamous ‘Dimensions in Time’ Children in Need Special. This essentially opens the floodgates and renders the concept of ‘Canon’ in Doctor Who obsolete, since even within the televised show itself there have been instances of the events of certain episodes being wiped from the timeline. Even so, the debate over whether productions created by companies that the BBC licences to create Doctor Who media should be considered ‘Canon’, most notably, the Big Finish Audio Series.

Since their inception, the Big Finish Audios have attempted to fill narrative gaps or exploit untapped potential from the Classic Series, and this is one of the biggest draws to the series for Classic Who fans who yearn for more episodes from their favourite Classic Doctors. There are instances of the timelines of specific Doctors relying heavily on the Big Finish audios, such as the Sixth and Eighth Doctors, and without those audios in the ‘Canon’ these Doctors would have incomplete tenures. As Big Finish’s range of audios grows, their influence on the established timeline of Doctor Who grows also – a clear example of this is their release of The Brink of Death, which is the Sixth Doctor’s official regeneration story. The same phenomenon is true of the more recent Big Finish productions related to the revived series, such as the new U.N.I.T. series and the Time War series, and the fact that the BBC has granted Big Finish the rights to the New Series as well as the rights to use the new logo and branding suggests that they have been firmly entrenched in ‘Canon’ status.

Nevertheless, for the many fans who have not experienced the Big Finish audios, they seem more like optional extras than an essential part of the Doctor Who timeline, and it all really boils down to personal experience and opinion. But in many ways, that is what is so great about Doctor Who’s ‘Canon’ – it is entirely personal to one’s experiences with the show and its associated media. Those who grew up reading the Doctor Who books are far more likely to consider them to be as ‘Canon’ as the televised series itself, particularly since many of the Doctor Who books are superb, and yet those who have not read the books can still get full enjoyment out of the show and the audios, and so on. This is indicative of the flexible and accessible nature of Doctor Who as a series – although the sheer mass of televised episodes, audios, books and other associated media can seem daunting, the show can actually be accessed quite easily across its many eras and formats thanks to the diverse range of stand-alone stories.

And finally, should the matter of ‘Canon’ really impact ones enjoyment of a piece of media? After all, the recent decision by Disney to rebrand the Star Wars Expanded Universe as the ‘non-Canon’ Legends series may have caused controversy among the fanbase, but that is only because they loved those stories so much – yet the stories themselves are still there, and can still be enjoyed just as easily whether they are ‘Canon’ or not. In answer to the overall question of whether the Big Finish Audios are canon or not, there is realistically only one answer – yes. The BBC has accepted Big Finish’s continuity with open arms, even giving them the rights to almost all of the characters in the revival including the Tenth Doctor, Rose, Donna, Osgood and the War Doctor, and Big Finish is slowly beginning to influence the main show too – the Eighth Doctor recites all of his Big Finish companions in the 50th Anniversary minisode The Night of the Doctor. But ultimately, the question of ‘Canon’ in Doctor Who is an irrelevant one, particularly given the temporal or ‘timey-wimey’ nature of the show, and Doctor Who fans should simply enjoy the vast array of visual and audio media available to us.

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Doctor Who – The Best of Big Finish, Part Four

I have been listening to Big Finish for just over two months now, and yet already I have made my way through swathes of episodes by listening to them daily – whilst out and about walking around the park or to the gym, whilst cooking or doing housework, and also during long car journeys. The series has been very rewarding to listen to as a Doctor Who fan and I would thoroughly recommend any who have not already to check out Big Finish on their website. Many of the earlier audios are very cheap for a digital download and the bundles of the first dozen or so stories for each Doctor periodically go on sale so it is really easy to pick them up cheap.

Following on from my Best of Big Finish, Part Three comes the next installment in my Big Finish reviews series, as I make my way through Big Finish’s main range. Unlike most Big Finish audios, most of these require previous episodes for context and understanding, so to begin:

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The Mutant Phase

The first audio on this list is the third in the ‘Dalek Empire’ series, that also includes The Genocide Machine, The Apocalypse Element and the conclusion The Time of the Daleks. Featuring the Fifth Doctor and Nyssa as well as a Dalek Emperor and Thals all attempting to prevent a history-altering mutation in the Dalek genome that could destroy both the Dalek race and the universe. The scope of this episode is larger than any in the Dalek Empire arc so far, and it links quite heavily with the 12-part First Doctor story The Dalek Invasion of Earth, but don’t let that put you off.

The Mutant Phase does a great job of maintaining the high stakes due to the temporal nature of it – usually when Big Finish does a ‘the Daleks invade this planet for this reason’ can get stale over time, but having a story in which the Daleks try to change all of history to rid themselves of a plague is fairly interesting, although there are more twists that make the reasoning by this and the Doctor’s motives more convoluted.

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Invaders from Mars

The fact alone that Simon Pegg is part of the cast tells you that this is going to be a fun one, but Invaders from Mars is a contender for funniest audio I have listened to so far in the series, although I am yet to listen to The Holy Terror. The story partly revolves around the 1938 Halloween radio transmission of H.G. Wells’ The War of the Worlds perfomred by Orson Welles, but some comical twists add to the surreal humour of this story. Likewise, as this is an episode that is perhaps meant to be taken less seriously, there appears to be a higher amount of ‘silly voices’ involved in the production of this audio, and not all of them can be Simon Pegg.

In typical Big Finish style, however, there are some dark elements, and the story is not without its fair share of death – but Invaders from Mars is definitely worth a listen for fans of the Eighth Doctor and Charley, and also for fans of historicals. Interestingly, this audio is written by Mark Gatiss, who would go on to write a lot of stories for the new series including The Unquiet Dead and Empress of Mars, so he clearly has a thing for historicals and episodes with Mars in the title.

 

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Seasons of Fear

As far as ‘returning monsters’ go, you don’t really get more obscure than the return of the Nimon to Doctor Who in Seasons of Fear. The Nimon featured in just one episode of Classic Who, and yet still managed to get a return in NuWho in The God Complex (sort of), but that wasn’t before Big Finish had already granted them their glorious return here in a surprisingly standout episode featuring an almost comical relationship that develops between the Doctor and an immortal who serves a legion of Bull-people who want to supersede the Time Lords and become Masters of the universe.

The premise of this story is notable as it uses the time-travel elements of Doctor Who a lot more than most stories might, and the early parts almost give us a new location and time period each episode. The story flows consistently throughout, however, and the development of the character of Sebastian Grayle is both humorous and fascinatingly dark. Overall this is well worth a listen as it provides crucial development for the arc of the Eighth Doctor and Charley Pollard.

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Embrace the Darkness

When Big Finish does creepy well, it does it really well, and and Embrace the Darkness sums up creepy – its essentially a sinister horror in audio form that also features a helping of sci-fi concepts and great characters and voice acting. The story is a basic ‘base-under-siege’ formula, but the execution makes it notable as the aliens in this are by no means as malevolent as one might expect from a sci-fi horror story.

It cannot be understated how good India Fisher is as a companion, particularly as she is able to bring her audio-only character Charley to life, and her chemistry with Paul McGann makes every audio with the pair acting together a treat.

As this is the third Eighth Doctor story on the list, it is important to note at this point that I am on an Eighth Doctor binge, and my next Big Finish Review will feature the next few Eighth Doctor audios as well as the infamous Zagreus.

So that was my list of the Best of Big Finish, Part Four. If you enjoyed then be sure to leave a like, and you can follow Sacred Icon either here or on Facebook for more content like this. Thanks for reading!

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Doctor Who – The Best of Big Finish, Part Three

Continuing from my previous articles on both my First Impressions of Big Finish, the Best of Big Finish, Part One and the Best of Big Finish, Part Two I now present the next phase in my review series of the Doctor Who audios. In a similar fashion to my review of the Two Masters Trilogy, I have decided to review some newer Big Finish releases available as both digital downloads and in CD format from the Big Finish website. So to begin:

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Last of the Cybermen

This audio is actually the second part of a loose ‘Locum Doctors Trilogy’, which consists of the previous story The Defectors which sees the Seventh Doctor meet Jo Grant, and the next story The Secret History which has the Fifth Doctor meet Steven and Vicki. Slotting in the middle is Last of the Cybermen in which the Sixth Doctor meets Jamie and Zoe and fights against the Cybermen in the final battle between the Telosian Cybermen and Humanity, and its scale is pretty epic. The characters are likeable and interesting, and Jamie and Zoe pair really well with the Sixth Doctor and it would be great if these two could appear in the monthly range more often.

The story plays on elements from various classic Cyberman stories as well as borrowing a few NuWho ideas to round the whole thing off, whilst also managing to define itself as a brand new story. Previous Big Finish Cyberman stories like Spare Parts and Sword of Orion describe the Cyber-conversion process in detail but Last of the Cybermen depicts Cyber-production on a huge scale, as the Cybermen churn out hundreds of soldiers an hour to battle the human onslaught, and it’s gripping.

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We Are The Daleks

What is the only race in existence that is more evil than the Daleks? Easy, economically liberal Conservatives. And this audio demonstrates what could happen if the Tories and the Daleks had ever decided to team up in the late 1980s, although some may say that events would have just played out as normal. Regardless, We Are The Daleks is a great romp that is intended as a ‘jumping-on point’ for newer listeners to the main range, and thus consists of a well-rounded self-contained story with few outside references or requirements, and this definitely helps it as a standalone story.

What also benefits We Are The Daleks, like the earlier audio The Juggernauts, is the redeemed companion Mel who in this audio appears alongside the Seventh Doctor. Even for those who have seen very few televised Mel stories her reputation as a fairly shallow and ‘screamy’ companion is pervasive, yet the Big Finish audios do wonders for redeeming her character, making her a stronger character and giving her a more direct role in the story. Like The Juggernauts, We Are The Daleks shows Mel going undercover and expertly blending into a top-of-the-range work environment using her exceptional skill at coding, and with these two audios alone she is quickly becoming one of my favourite audio companions which shows just how effective the audios are at redeeming missed potential from the show…

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Order of the Daleks

The cover of this audio alone is eye-catching enough, and although the concept of a ‘stained glass Dalek’ may seem odd at first, the context of the story justifies their presence – having crashed on a primitive planet with limited technology, the Daleks have infiltrated an order of Monks known as the ‘Brotherhood of the Black Petal’, teaching them how to construct rudimentary casings for them out of stained glass and lead. The Sixth Doctor and a Galactic Census team arrive to investigate signs of alien interference in a medieval society, and chaos ensues. On the surface, Order of the Daleks is a fairly standard Dalek story, but the concepts it utilises in the narrative context make it stand out, as Daleks that are both unarmed and vulnerable make an interesting twist on the standard formula for Dalek stories.

Another interesting aspect to this story is the relatively new audio-only Sixth Doctor companion Constance Clarke, who appeared initially in The Sixth Doctor: The Last Adventure, an audio anthology that depicts the lead-up to the Sixth Doctor’s regeneration. Constance originates from the Second World War, originally working as a leading WREN before encountering the Doctor, and in this story she faces the Daleks for the first time and proves her mettle against the Doctor’s ultimate foe. The supporting cast also brings this story to life, as there are a fair few memorable characters with distinctive voice acting and some great moments between the Monks and the Daleks as well as some intrigue within the Brotherhood, as all is not as it seems on the seemingly idyllic world of Strellin…

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Energy of the Daleks

Last on the list is the fourth installment of the Fourth Doctor Adventures, a six-part series that saw the return of Tom Baker to the role of the Fourth Doctor for the first time in decades. Energy of the Daleks features the Fourth Doctor and companion Leela facing off against – you guessed it – the Daleks, and for the most part Energy of the Daleks follows the ‘standard’ Dalek story formula. The real draw for this story is Tom Baker, as hearing him face off against the Daleks again after so many years is a real treat. What makes this all the better is that, despite having one of the longest tenures of all the Doctors, the Fourth Doctor only fought the Daleks twice – once in Genesis of the Daleks, which was a definite classic but was mostly focused around the Kaled/Thal conflict and the introduction of Davros rather than being a true Dalek story, and Destiny of the Daleks, which is a universally poor story. Energy of the Daleks therefore gives the Fourth Doctor a chance to really shine in a battle against the Daleks in a way that his TV tenure (for whatever reason) denied him.

Another peculiar thing about Energy of the Daleks is its length – unlike all of the other Big Finish audios I have previously reviewed, this and all other Fourth Doctor Adventures stories use a single-disc format of around one hour, as opposed to the two-disc 4×25 minute format of the Main Range. This makes Energy of the Daleks more similar in length and feel to a NuWho story, meaning that the pacing is much faster and thus this audio is probably more accessible to those NuWho fans who aren’t sure of how to get into Big Finish.

So that’s the end of Part 3 of my Best of Big Finish, I hope you enjoyed and if you did then be sure to leave a like, and you can follow us either here or on Facebook for more content like this. Also, check out the read more tab below for articles related to this one. Thanks for reading!

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Doctor Who – The Best of Big Finish, Part One

The world of Doctor Who audios is vast. This review follows my previous article on First Impressions of Big Finish, in which I talked about the first few Big Finish audios I listened to and discussed my initial thoughts on the stories and the format in general. To establish a starting point for newcomers, however, I have also decided to list some of the best Big Finish has to offer. Anyone who is new to Big Finish can easily use these entries as a starting point, particularly since they are all so cheap on the Big Finish website. So, to begin:

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The Chimes of Midnight

This Eighth Doctor story is a perfect introduction to the writing style of Robert Shearman, who wrote this audio as well as the New Who story, Dalek. The two are nothing alike, however, as The Chimes of Midnight places the Doctor and Charley in a bizarre, temporally-twisted ‘haunted-house’ setting, but the explanation for the odd occurrences is both a refreshing plot twist as well as an interesting development into the character of Charley Pollard, whose backstory is still developing at this point.

What makes The Chimes of Midnight so good is its cast, who fill this story with character to create a genuine Edwardian feel as the setting and atmosphere are actualized perfectly. This is definitely one to check out if you are a fan of the elusive Eighth Doctor, as it provides an essential story in his first plot arc.

Listen to this audio here, on Big Finish’s official Spotify.

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Spare Parts

This Fifth Doctor audio explores a fascinating concept that, at the time, had barely even been touched upon in the main show, and that is the genesis of the Cybermen. The Daleks got their origin story told in Genesis of the Daleks in 1975, but the Cybermen received no such treatment until Spare Parts came out in 2002. It was worth the wait, however, as Spare Parts portrays a grim world on the brink of collapse that is wholly distinct from the barren landscapes of Skaro and gives the homeworld of the Cybermen, Mondas, a distinct character and a cast of unique and nuanced characters to populate it with.

Spare Parts also showcases Big Finish’s ability to tackle dark and heavy concepts head-on, and the story doesn’t pull any punches when it comes to bleak and sometimes downright cruel developments that impact the characters whilst the Doctor and Nyssa stand by, essentially helpless to prevent history from taking its course as the people of Mondas gradually make the horrific transition from human to Cyberman.

Listen to this audio here, on Big Finish’s official Spotify.

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Jubilee

Another instalment written by Robert Shearman, Jubilee shares some similarities with Dalek, although it is distinctly wacky in its own way.  The concept of an alternate universe in which the Daleks are incorporated into Earth’s popular culture, specifically England’s national identity, despite being real in that universe is both fascinating and well-executed. The Sixth Doctor’s first audio-only companion Evelyn Smythe, played by the wonderful Maggie Stables, really shines in this story as her conventional morality clashes with the ideologies of both the Daleks and the Humans in this story and her dialogue with the Dalek is unique. Overall, this audio is more than just a standard Dalek story and is definitely distinct from what we saw in Dalek.

Jubilee is also one of those stories which involves a sort of ‘parallel universe’ or ‘splinter timeline’, and some of the ideas that are played around with regarding that concept in this story are quite chilling, and also at times hilarious, particularly the depiction of US-UK relations in a world in which the ‘English Empire’ dominates the world…

Listen to this audio here, on Big Finish’s official Spotify.

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Davros

It’s always fun to see the Doctor and Davros working together, even if only briefly. The Magician’s Apprentice and The Witch’s Familiar explored this idea but Davros makes the concept the central theme for its first two parts, and the results are spectacular. A rare example of a Davros story that doesn’t feature the Daleks, Davros gives us crucial insights into the shrouded past of the maniacal creator of the Daleks, and portrays Davros as an almost pitiable character. Colin Baker shines in this story as he does in most, and this story is one of many that demonstrates just how far Big Finish have come to redeeming the Sixth Doctor in the eyes (or rather, ears) of many fans.

Terry Molloy is really on point here as Davros, and it almost makes me wish we had this actualized in TV format instead of the flimsy Revelation of the Daleks. What makes Davros unique is its use of Davros as more than just ‘the creator of the Daleks’, and more in the role of scientist as he works alongside the Doctor.

Listen to this audio here, on Big Finish’s Official Spotify.

So that’s the end of Part 1 of my Best of Big Finish, I hope you enjoyed and if you did then be sure to leave a like, and you can follow us either here or on Facebook. Thanks for reading!

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