Doctor Who – Top 5 Monsters That Should Make a Return in Series 12

Chris Chibnall definitely delivered on his promise of featuring no returning monsters in Series 11, which was perhaps not the wisest choice for the debut series of a new Doctor and new showrunner. Usually, when a new Doctor is introduced, their first series will retain many recurring elements from the show’s history, to reassure viewers that it is indeed the same show. This is usually done by having the new Doctor face off against classic villains such as the Daleks, and is part of the reason why fans will always yearn for the show’s recurring villains to make continuous comebacks – as the show evolves, the essential aspects of the show’s identity must evolve with it, and there is no reason why new showrunners can’t introduce their own recurring villains, such as the Ood, the Weeping Angels or the Stenza.

Having said that, Series 11 featured a distinct lack of classic villains, and although Resolution turned out to be quite a good Dalek story, it ‘s status as a New Years Special means that it was not included as part of the eleventh series. This makes Jodie Whittaker’s debut series seem quite odd and out of place compared to previous Doctor debut series – and as a result of the lack of truly great villains in the series to stand in for the lack of classic monsters, the Thirteenth Doctor’s character came across as somewhat flimsy and vague compared to recent Doctors like Matt Smith and Peter Capaldi. Perhaps in response to feedback from fans, Chibnall seems to have lifted his ‘ban’ on including classic monsters in the series, as he has stated in several interviews recently that he intends to do more with the show’s iconic monsters – after all, there is no better way to define yourself as a showrunner than to present fans with your spin on the show diverse array of key elements – the Doctor themselves, the TARDIS, the Sonic Screwdriver, but also the classic monsters. So, without further ado, let’s take a look at the Top 5 Monsters That Should Make a Return in Series 11.

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#5 – The Macra

Though they may seem a strange choice for a returning monster, the Macra are actually quite a topical choice given the recent release of the animated version of The Macra Terror. This fantastic recreation of a lost classic using the original audio manages to capture the essence of the Second Doctor’s era and finally does the concept of the Macra justice, as their previous appearances in the original version of the episode and then in 2007’s Gridlock never managed to truly present the idea to its truest potential due to the sheer lack of budget. One of the things that Series 11 showed fans is that Doctor Who now has CGI to rival that of other modern sci-fi shows, and so now with Series 12 the writers might finally have a chance to write a new Macra story with the CGI budget to justify it.

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#4 – The Master

Audio producers Big Finish have been doing some very ambitious projects involving the Master recently – the first canon multi-Master story, The Two Masters, starring Geoffrey Beevers and Alex MacQueen, the War Master box sets starring Derek Jacobi, the introduction of the Master’s first incarnation played by James Dreyfus in the The First Doctor Adventures box sets, and more recently the return of Eric Roberts’ Movie incarnation and Michelle Gomez’ Missy, the latter getting her own audio series. With so many incarnations of the Master ‘active’ in fan’s minds at the moment, and with the Master also being a time-traveller like the Doctor, there is no reason why Jodie Whittaker’s Doctor couldn’t come up against one, or even several existing incarnations of the Master. Particularly good choices for Masters to go up against Jodie Whittaker’s Doctor on-screen include Geoffrey Beevers, who could be featured in heavy makeup or even as the voice of a CGI version of the rotting corpse Master, and Alex MacQueen, who has never had a TV appearance before but would be a fantastic choice to portray the charismatic yet sadistic killer to contrast Whittaker’s good natured Doctor.

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#3 – The Cybermen

Having been primarily responsible for the death of her previous incarnation, it would make sense that the Thirteenth Doctor would have a bone to pick with the Cybermen. Not only that, but her diverse cast of companions perhaps best portrays the Doctor’s love of individuality and diversity – something that the Cybermen seek to destroy. Given that so far we have only been given one insight into Chris Chibnall’s take on the Cybermen, and that was Torchwood’s Cyberwoman, it would be nice to see Chibnall’s take on the standard Cybermen in the main show. Whilst Cyberwoman did have some really creepy and unique concepts dealing with Cyber-conversion in it, the unfortunate error with the costume design trying to emphasise the show’s adult nature derailed the episode. Now that he runs Doctor Who, however, Chibnall now has a chance to portray a fresh new take on the iconic metal men.

sontaran

#2 – The Sontarans

Having been practically transformed into a comedic joke during Steven Moffat’s era through Strax, the Sontarans stand in a sort of limbo-state at the moment, as all of their appearances – even ones that were not down to Strax – have been for comedic effect since Series 7, and at the moment it remains unlikely that they will ever make a return that can scare or intimidate viewers anymore. Interestingly, there were rumours during the run-up to the release of Series 11 that it would feature an episode that delved into the origin story of the Sontarans, how a ‘clone race’ was actually created, and how their warrior ethos came to be. Although it turned it to be false, the story idea remains a good one – and certainly one that Chris Chibnall could harness given the popularity of the concept.

dalek fleet

Honourable Mention – The Dalek Fleet

Included here as an honourable mention are the Daleks, or rather their Fleet, who should not make an appearance in Series 12 per-say, except maybe have them hinted at as a recurring arc for foreshadowing, as it and, of course, the pepperpots themselves should definitely reappear in the next New Years Special. The Recon Dalek in Resolution was prevented from sending a full transmission to the Dalek Fleet, but given that it was using every single transmitter on Earth at once, it is more than likely that something got through to them, and having Daleks on New Year is definitely something that many fans would happily adopt as an annual tradition.

stenza

#1 –  The Stenza

To give credit where it was certainly due, the Stenza were an interesting race introduced by Chris Chibnall, and as the only recurring enemy in the series, they are effectively Chibnall’s ‘poster’ villain at the moment. All the more reason for them to make a reappearance in Series 12, particularly considering the fact that we only saw an individual member of the race in the series and not, say, their homeworld. An episode called ‘Planet of the Stenza’ would certainly be an interesting concept, particularly as each warrior would have a unique appearance given the fact that each one hunts on a different planet – and so each one would have wholly unique teeth implanted into its face, presumably.

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Doctor Who Feature – The Twelfth Doctor Era: Is Peter Capaldi the Definitive Doctor?

Doctor Who has its ups and downs, as anything that runs for over 50 years does. After all this time, the show perhaps as well known for its dud season arcs, madcap plots and failed experiments as it is for its creativity, memorable characters and iconic villains. For every modern classic like Series 4, there is a legendary failure like Series 7 – and nothing illustrates this point more than the Peter Capaldi era. This three series long chunk of the New Series that lasted from 2014 to 2017 presented audiences with some of the best Doctor Who content of the decade – and also some of the worst. But can the flaws of the Capaldi era truly dampen its successes? Do fans look back on the era fondly or harshly? Is Peter Capaldi actually the definitive Doctor? We aim to find out.

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The Grumpy Doctor

Upon his initial casting, Peter Capaldi proved to be somewhat of a controversial choice to play the Doctor, despite having all the necessary traits required to play the Doctor. Due to the fact that the previous two Doctors, who had a combined tenure of nearly ten years, were both young and handsome incarnations, the show had got used to that idea being a staple of the series – in fact, it could be argued that Clara’s entire relationship with the Eleventh Doctor in Series 7 was based around the fact that he was young and handsome. As such, the fact that the Twelfth Doctor was cast as an old man was a sudden and jarring change to the series, one that many viewers felt shook the foundations of the show a little too much.

But there was more to this shakeup than just the casting. Moffat’s decision to write the Twelfth Doctor as a grumpy and at times even cold character in his first series was a bold one, and it certainly shook the series up even more for Series 8. The reaction of a sizeable portion of the fanbase at the time when this was all first announced was then reflected in Clara’s reaction to the Eleventh Doctor’s regeneration – the look on her face perfectly visualises what many fans were feeling at the time. In many ways, the situation was somewhat comparable to the reaction to the casting of the Thirteenth Doctor, albeit for very different reasons. In the run-up to Series 8, fans were wondering whether the show could pull off such a radical change to its comfortable tried-and-tested formula.

Overall, Series 8 is somewhat of a mixed bag. There are definitely some genuine gems in this series, episodes like Mummy On The Orient Express, Flatline and Time Heist are enduring classics that most fans agree are the standouts of the series. Following these are the episodes that some fans love, but other fans despite – episodes like Robots of Sherwood, Listen and the too-often overlook Into the Dalek. The series does play host to some really terrible episodes, however, such as In the Forest of the Night and the truly abominable Kill the Moon, an episode that is only worth watching for Clara’s final confrontation with the Doctor due to Jenna Coleman’s astounding acting – other than that, the episode may as well have never existed. The two episodes of note that are particularly divisive are the first episode, Deep Breath, and the two-part finale, Dark Water/Death in Heaven. The former is a strange episode to put at as the opener to a series, as it requires too much prior lore knowledge to be accessible to newcomers. The latter is a finale that, although making fantastic use of the Cybermen and Missy, was notoriously dark and was responsible for genuinely upsetting some fans in a way that didn’t sit right with many people.

series 9 capaldi

The Hybrid

For Series 9, Moffat introduced a gradual change to the Twelfth Doctor’s character that would be truly actualised in Series 10. Grappling with the choices necessary to truly define himself as a good man, Series 9 sees the Twelfth Doctor tested in several ways, with each story presented a piece of the best and worst of the character. This is mirrored in the format of the series and the accompanying titles of each episode – most of the stories in this series are two-parters, with titles that oppose one another. This presentation of the character was certainly an improvement over the Series 8 version of the Doctor in the eyes of most fans, but still retained enough of the abrasive Series 8 Doctor that those who had grown attached to Capaldi’s Doctor were not disappointed.

Series 9 of Doctor Who, however, suffers from an entirely different issue, which ironically has almost nothing to do with the Doctor himself. The hamfisted attempt to insert an arc into this series with the lacklustre ‘Hybrid’ buzzword failed to click with many fans and the end result, revealed in the controversial finale Hell Bent, left many fans confused. However, Capaldi’s performance as the Twelfth Doctor was exemplary and, although the scripts themselves left something to be desired, the combination of Capaldi and Coleman’s fantastic acting was able to carry Series 9 despite its flaws – and this was enhanced thanks to guest appearances from Maisie Williams, Donald Sumpter and Julian Bleach that made Series 9 feel like the blockbuster run that it was designed to be.

Ultimately, the highlights of the series have to be those that are the most steeped in lore – the opening two-parter The Magician’s Apprentice and The Witch’s Familiar make a fantastic opening to the series, and the penultimate episode Heaven Sent has to rank as one of the best episodes of Doctor Who of all time. There is a definite pattern to the quality of episodes in Series 9 – the best ones are the ones in which Capaldi himself stands out. From his emotive anti-war speech in The Zygon Inversion to his one-man-band performance in Heaven Sent, the Twelfth Doctor is by far the best thing about Series 9. Whilst the series itself it usually met with mixed reviews from fans, none can deny that it is Capaldi who makes the series – with almost any other Doctor at the helm, Series 9 may not have been the success that it was.

Although the ‘Hybrid’ arc seemed tacked on and rushed, the theme actually relates a lot to the Doctor himself and where his character was at this point. Series 9 presents us with a true Hybrid Doctor – a fusion of his Series 8 and Series 10 personalities that occasionally clash but more often than not showcase the gradual development of the character, particularly with hindsight. Critics of the Twelfth Doctor argue that his character was poorly written as each series seems to portray a completely different interpretation of the Doctor, and they are correct – but this is hardly a criticism. Capaldi plays perhaps one of the most dynamic Doctors of them all, changing from a brusque and occasionally mean character to a warm and merciful Doctor who understands his own moralistic limitations and does his best to do the right thing. The most interesting Doctors are the ones who grow and change over the course of their tenure – the Seventh Doctor and the Ninth Doctor both experienced this kind of development, but none have had such a structured three-stage character arc over as many seasons. Those who stopped watching the show after Capaldi’s first season due to the negative reception his character received were not privy to the incredible change that was apparent by Series 10, meaning they never got to understand why his character had to be that way in Series 8. But what was so special about this arc that it warranted having the Doctor act so un-Doctorish for a season?

series9.5 capaldi

Never be Cruel, Never be Cowardly

To answer that question we have to go back to the beginning. In its early days, Doctor Who was not fully established, either in its popularity and fanbase or in its own personal identity. Fans of newer versions of the show, even as early as 80s Who, may be shocked if they choose to watch some earlier episodes by just how un-Doctorish the Doctor himself acts. William Hartnell himself actually contributed a lot to the development of the Doctor as a man of strict ethical principles after disagreeing with how the character was handled in the first ever season of the show, in which the Doctor regularly tricks and manipulates his companions, influences events to suit himself, and even on one or two occasions attempts murder. As the character traits of the Doctor became established, these character-breaking moments were seemingly brushed under the rug.

In the modern day, the New Series has reinforced the idea of the Doctor as principled and ethically conscious, but many fans have taken the idea of the Doctor as a ‘man who never would’ as gospel – particularly during the Tennant era – to the point where the idea of the Doctor shooting someone becomes completely unjustifiable. This is a nice sentiment, and ‘the man who never would’ is certainly how the Doctor himself wants to be seen the majority of the time, but those who buy into this have forgotten the ‘rule one’ of travelling with the Doctor – he lies. A lot. In fact, we already know that when the Tenth Doctor utters the line “I never would” in regards to using guns, we already know he is lying. The Doctor has shot and killed people many times throughout the show, a famous example being in Day of the Daleks when the Third Doctor steals a laser and blasts an Ogron. Following the Time War, the battle-scarred and guilt-ridden Doctor invents a persona for himself that exaggerates and hyperbolises all of his pre-Time War traits of honesty, mercy, pacifism etc to alleviate his guilt, but it is not a true reflection of his character. We know that the Doctor is prone to rage, and occasionally makes bad choices. Unfortunately, one particular bad choice has sullied the Twelfth Doctor with a bad reputation that is not entirely justified.

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The choice in question of course refers to the scene in Hell Bent in which the Doctor shoots the General. Fans have grappled over this scene and its implications, with some citing the fact that the Doctor had been driven mad with grief in that episode as justification, and others even going so far as to say it is proof that the show itself has lost its way. However, looking back on this entire situation, it seems fans on both sides of the argument need to re-assess the scene with the benefit of hindsight and the context of the episode. For those not in the know, the Doctor shoots and ‘kills’ The General after the latter refuses to allow Clara to escape from Gallifrey. Prior to this, the Doctor had spent 4.5 billion years living the same day over and over again, dying each time, and had now finally escaped and found a way of bringing his friend back – the thing that had kept him going the whole time. Considering all of these factors, and then adding to that the fact that the General is able to regenerate and that he had previously helped keep the Doctor imprisoned, adds a lot more to this situation than simply ‘The Doctor killed someone.’ In fact, this seems far more reasonable than the Third Doctor shooting an Ogron.

And yet, this scene does achieve something tangible – it is an important turning point in the second major change to the Doctor’s character. This scene represents the culmination of the ‘Clara arc’, a pseudo-unofficial story arc that essentially starts with Asylum of the Daleks that is supposed to showcase the best and worst parts of a close friendship. Clara and the Doctor are good friends, and they both help each other through serious tragedies in their respective lives. They are both flawed characters, and their flaws overlap – each one is too dependant on the other, and the fact that their friendship was set up by Missy goes to show how destructive it has the potential to be. The notion of the Doctor and Clara being the Hybrid may seem ridiculous, but it is Moffat attempting (in a somewhat ham-fisted way) to illustrate the point that Clara and the Doctor are in many ways two sides of the same coin – their personalities, their motives, their tendency for lies and showing off are all similar – yet ultimately they must be separated otherwise the Doctor runs the risk of sacrificing everything for her. The Doctor shooting the General acts as a wake-up call, both for Clara and the Doctor himself, that their friendship is no longer healthy and that they need to separate. If you look at the Series 9 finale in this light, it is actually a mature and introspective story that showcases how far the Twelfth Doctor had developed by this point – the seemingly unfeeling angry Doctor from Series 8 is gone, replaced with a far more compassionate man who is willing to go to any lengths to save his best friend – even if it kills him.

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The Grandfather Doc

The version of the Twelfth Doctor that we saw at the end of Series 9 sets up the plot of Series 10 perfectly – with Clara gone, the Doctor strikes up relationships with friends new and old in a way that the Series 8 Doctor would not have been able to do. With this newfound persona he is able to make peace with River Song, befriend Bill and even teach Missy how to be good, showing that even without Clara the Twelfth Doctor is just as much a paragon of virtue as the Tenth and Eleventh Doctors tried to be. But perhaps the most important facet of the Twelfth Doctor’s character development that takes place in Series 10 is his relationship with Bill and how that evolves. Initially taking on Bill as a student, their teacher-student dynamic gradually develops as the Doctor becomes a more paternal figure in her life, and this is a fantastic parallel of the very first Doctor-companion dynamic in the show – that of Grandfather and Grandchild. This is further implied in Bill’s first episode, in which the Doctor looks to Susan’s portrait when trying to decide whether to involve Bill with the dangers of TARDIS travel.

This is perhaps one of Moffat’s greatest achievements with the Twelfth Doctor, and many fans say that Series 10 has the best ‘feel’ of the three Capaldi seasons, as the friendship between the Doctor, Bill and Nardole seemed to resonate more with viewers than the Doctor and Clara’s had. It would be hard to imagine the Series 8 version of the Twelfth Doctor working in Series 10, as his pricklier personality and demeanour would clash more with Bill’s fun-loving attitude, but after two seasons of gradual character development the Twelfth Doctor proves himself to be everything that the Doctor should be, and more – Series 10 doesn’t just present the Doctor as a hero who saves planets, but also as a form of therapist, even counsellor. For fifty years he is able to provide Missy with a stable environment in which she can work towards casting off her evil ways and embracing the good in life, and with just a few months of tuition the Doctor is able to raise Bill’s grades and inspire her with new confidence, all before she even sets foot in the TARDIS.

The Twelfth Doctor in Series 10 is in many ways the ideal Doctor – perhaps even the definitive Doctor. Some may think it a shame that the Doctor didn’t simply start out with this personality from the beginning, and whilst it may have been lighter on viewers at the time if the Doctor had emerged fresh from regeneration as a kindhearted old man, but there is an argument that Moffat did the right thing from the start. The Twelfth Doctor was referred to earlier in this article as one of the most dynamic Doctors of them all, and this is due to his three-season long character development. Without the Series 8 version of the Doctor and his brusque attitude, the emotional weight behind Series 9 and 10 loses some of its impact, as part of what makes his character so interesting and likeable is his painstaking transition from a grumpy old man to a truly definitive Doctor.

Doctor Who Christmas Special 2017

The Definitive Doctor

There will of course be those who disagree, but overall Peter Capaldi’s Twelfth Doctor represents all the best aspects of the character. He is a righteous character, yet aware of his own moral hypocrisy. He is a kind and caring figure, yet he is also among the angriest and most utilitarian of the Doctors. His speech to the Master and Missy at the climax of The Doctor Falls perfectly summarises this – he admits that, although he doesn’t always get it right, he tries as hard as he can to be kind. Throughout his entire tenure the Twelfth Doctor grapples with the question of ‘Am I a Good Man?’, and it is in this scene that we, the audience, finally receive a definitive answer. The Doctor lays down his life for innocent people he doesn’t even know, and his final regeneration speech outlining what it means to be a Doctor proves that Capaldi himself has a deep understanding of the character.

If you are a former fan of the show who lost interest midway through the 2010s, or perhaps even earlier, then hopefully this article has made some points that will make you reconsider your stance on Capaldi’s Doctor. With hindsight, and the wider knowledge of the show that newer fans may have gained thanks to the rising popularity of the Classic Series, it is clear that many of the criticisms that were levied against Capaldi were either grossly exaggerated, such as claims of him being ‘too old’, or simply unfair, such as blaming him for the occasional bad episode like Sleep No More or Kill the Moon. Each and every Doctor is faced with criticism like this – Matt Smith was ‘too young’ for the role according to many in 2010, and nobody needs reminding of the frenzy of baseless criticism levied against Jodie Whittaker before Series 11 even aired.

Ultimately, the Twelfth Doctor era speaks for itself. Even amid the aforementioned terrible episodes it hosted, as well as others like In the Forest of the Night, the era also gave us some of the best instant classics of the modern era of Doctor Who. Episodes like Heaven Sent, Flatline, Mummy on the Orient Express, Oxygen, World Enough and Time and The Doctor Falls will be remembered for years to come and proves that, even after more than 10 years, the New Series still has plenty of excellent stories to tell. Moving forward there is certainly a lot that the show can learn from the mistakes of the Capaldi era, but after the lacklustre Series 11, there is definitely a lot that Chibnall can learn from the Capaldi era’s resounding successes. Without a character-driven story Doctor Who can appear to lack substance, and this was an issue that plagued the Thirteenth Doctor’s debut season despite the writer’s best efforts to make her quirky and likeable. The irony is that Capaldi’s grumpy first-series persona is a far more interesting character than the typical do-gooder Doctor, and Moffat was able to blend the best elements of both worlds by having a brusque Doctor early on, that evolves into the definitive Doctor over time.

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So, to answer the question that sparked this lengthy feature-style blog post: Peter Capaldi’s Twelfth Doctor is the Definitive Doctor. Though it takes him time to get to that point, when he gets there, fans have to agree that it is worth the wait. It is a classic case of not truly knowing what it is you had until it suddenly disappears. Obviously there are some that may not agree – that is the nature of the fanbase. For some fans in 2014, the hardest part of being a fan after Series 8 was accepting Capaldi as the Doctor. But now, after a brief but legendary tenure, the hardest part for many is letting him go.

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Doctor Who – Top 10 Big Finish Cyberman Stories

Big Finish has been producing the Doctor Who Main Range (formerly called the Monthly Range) since 1999 and is therefore fast approaching its 20th anniversary of creating Doctor Who audio dramas. Big Finish have not produced as many Cyberman audios as they have Dalek ones, but after 20 years of production, there is still a significant number of excellent Cyberman stories. This article ranks the best of the Big Finish Cyberman stories, starting with:

#10 – The Gathering

Gathering_(Doctor_Who)The Gathering has a strange place in the Cyberman story pantheon in that it doesn’t feature any actual Cybermen, but rather deals with the horrific aftermath of a Cyber incursion. This audio tells the kind of story that would be unlikely to appear in the TV series, and not only because it features some gruesome body horror, but the story also serves as Tegan’s return to the Fifth Doctor’s life after several years, and the focus on this aspect of the story, coupled with the lack of any actual Cybermen, is what puts this instalment at the bottom of the list. However, that is not to say it is a bad story, and it is an audio that Peter Davison fans should definitely check out.

#9 – Last of the Cybermen

dwmr199_last_of_the_cybermen_cover_large.jpgA homage to the Cyber-War plot from the early Cyberman stories, Last of the Cybermen depicts humankind’s final assault on Telos in an effort to wipe out the Cybermen for good. Featuring the Sixth Doctor alongside Second Doctor companions Jamie and Zoe, this audio has many twists and turns and has a terrifying depiction of the conversion process but is somewhat deflated by its pacing issues and underwhelming conclusion. Although it is fun to have Jamie and Zoe back fighting Cybermen, this was done far better in Legend of the Cybermen and as such this audio is further down the list than it would otherwise have been.

#8 – Human Resources

human resources.jpgThe final two-part story to the first series of Eighth Doctor Adventures, Human Resources Parts One and Two are an excellent conclusion to the strong first outing for the Eighth Doctor and new companion Lucie, played by Sheridan Smith. The story arc of the series is brought to a satisfying close and the Headhunter also makes an appearance, although the Cybermen themselves do not feature until quite a way through the story – which is good for tension, but means that there is not as much time for Cyber-action as is normally the case in 2-hour long audio plays.

#7 – Hour of the Cybermen

DWMR240_hourofthecybermen_alt_1417.jpgThe newest Cyberman story in the Main Range, Hour of the Cybermen is set on Earth and is a rare example of a Sixth Doctor UNIT story. The premise is simple – the Doctor arrives on Earth only to find that the UK has been afflicted with a terrible drought – but only the UK, not the rest of Europe (perhaps a veiled political message?) and eventually the Cybermen are revealed to be behind it. What makes this audio unique is the fact that it features the return of David Banks and Mark Hardy, who played the Cyber-Leader and Cyber-Lieutenant in Earthshock, The Five Doctors, Attack of the Cybermen and Silver Nemesis. Their iconic voices make this audio a real treat, and although Nicholas Briggs does a fantastic Cyberman voice, it is good to hear the old voices back again.

#6 – Sword of Orion

dwmr017_swordoforion_1417_cover_large.jpgSpeaking of Nicholas Briggs, Sword of Orion was the first story he wrote for the Eighth Doctor and the Cybermen in the Main Range, as well as being the first Cyberman story Big Finish produced. The format is simple but effective, which is particularly good considering the fact that this is Charley Pollard’s first ride in the TARDIS. The Cybermen also get some great action in this story, and their sinister nature is portrayed excellently in several scenes, particularly a gruesome encounter that the Doctor has with a Cyber-conversion plant that has stalled in mid-production = leaving the partly-converted victims to die horribly. Overall, this story is a strong instalment for the Cybermen, but doesn’t quite do enough new with them to warrant being in the top five.

#5 – The Reaping

The_Reaping_coverThe first Sixth Doctor to feature the Cybermen also features Peri, and deals heavily with her family and backstory meaning that those who are not fans of this particular companion may be immediately turned off this story. However, the concept itself is novel, with the idea of a highly futuristic Cyberman turning recently deceased humans into more Cybermen is similar to the concept for the New Series finale Death in Heaven, and that episode’s focus on the companion is also shared by this audio. Peri’s tragic story coupled with some really grisly Cyberman scenes makes this audio a must-listen for fans, particularly since it sets up several elements for both The Harvest and The Gathering.

#4 – Legend of the Cybermen

61lCIfV0rALAs previously mentioned, Legend of the Cybermen is a fantastic story involving the Sixth Doctor alongside Jamie and Zoe, and features the Cybermen invading the Land of Fiction from the Second Doctor story The Mind Robber. For those who haven’t seen that episode, it was essentially introduced as an excuse for the production team to use lots of historical and fantasy props for an episode, but ended up as a psychedelic journey through a crazy land featuring several fictional characters, and in this audio the Cybermen arrive there to convert them all. As the Cybermen work from an angle of total logic, this story depicts a sort of holy war for them, as they try to wipe the ‘scourge’ of fiction from the land.

#3 – The Harvest

dwmr058_theharvest_1417_cover_large.jpgThe first and arguably best of the loose ‘Cyberman Trilogy’ of The Harvest, The Reaping and The Gathering, this Seventh Doctor audio features the debut of Hex as well as the first encounter that the Seventh Doctor and Ace have had with the Cybermen since Silver Nemesis. The story focuses not only on Hex encountering the Doctor and Ace but also the side story of the Cyber-Leader transitioning into a human, something that is fascinating to listen to. With some great dialogue between the Doctor and the three main antagonists of the story, as well as the computer ‘System’, The Harvest is definitely one of the best Cyberman stories in the Big Finish back-catalogue.

#2 – The Silver Turk

20141022095558dwmr153_thesilverturk_1417_cover_largeThough the Eighth Doctor has a fair few Cyberman stories, this is his first and (so far) only encounter with the Mondasian Cybermen. The premise of having Mary Shelley in the TARDIS makes for a fascinating listen, particularly as she begins to feel sympathy for the Cybermen. Over the course of the story, several Mondasian Cybermen are used as marionettes and performers, and although they are somewhat sympathetic, they are also horrifying in their own right, and there are some really creative ideas that come together well in this story – but to give away any more would certainly venture in the territory of spoilers.

Honourable Mention – The Isos Network

dwea0204_theisosnetwork_1417_cover_large.jpgAlthough some fans will be put off by the more traditional ‘talking book’ style of the audio adventures of earlier Doctors, there are some genuine gems in amongst the catalogues of the first three Doctors. The Isos Network is an excellent bridge between the final two Second Doctor Cyberman episodes, and although there are some strange concepts included in this story, such as giant sentient slugs, the Cybermen are still fantastic in this story and the voices in particular are excellent.

#1 – Spare Parts

dwmr034v_spareparts_1417_cover_largeThe top spot, however, goes to Spare Parts, a story that serves as the origin story for the Mondasian Cybermen and has several links with the final First Doctor story, The Tenth Planet. Pitting the more human and fallible Fifth Doctor against the Genesis of the Cybermen was a fantastic move, as it sets up a dark and gritty tale that gives Genesis of the Daleks a run for its money, and that’s saying something. The gloomy world of Mondas with its desperate, hopeless inhabitants is countered by the down-to-Earth and optimistic Hartman family, and their tragic story helps drive the emotional weight of the story. The Cybermen themselves are at their best in this story, creepy and intimidating, and Nicholas Briggs does a fantastic impression of the original Mondasian Cybermen voices. Filling out its four parts nicely, this audio is a great jumping-on point for new listeners and is perhaps one of the greatest Big Finish audios of all time.

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Doctor Who – Arachnids in the UK – Series 11 Episode 4 Review

Arachnophobes beware, as last Sunday’s Doctor Who definitely lived up to the Halloween season hype with a nail-biting runaround that, for many, brought the fear factor back to Doctor Who. Whilst Arachnids in the UK was far from the scariest episode in the show’s recent history, it certainly provides some welcome scares and genuinely creepy moments that prove the show is still willing to tackle the horror side of sci-fi.

Longtime fans were intrigued by the premise of this episode, as this is not the first time that giant spiders have appeared on the show – in fact, Third Doctor Jon Pertwee actually regenerated following an encounter with some insidious alien arachnids from Metebelis III in 1974’s Planet of the Spiders, so it would make sense if the Doctor to be a little squeamish around them. However, Arachnids in the UK takes a completely different approach to a similar idea as the spiders are common house spiders that have mutated rather than extraterrestrial invaders, which is a nice twist.

Once again, Jodie Whittaker steals the show and her character of the Thirteenth Doctor has been firmly well-established. It is amazing how soon she has found her feet in the role as the Doctor, and she has already solidified many of the details of her character from the Tennant-esque technobabble to the way she flourishes her sonic. Not only that, but the writing has given the Thirteenth Doctor a consistent character throughout her opening episodes, an improvement over the Twelfth Doctor’s introduction in which Peter Capaldi’s masterful grasp of the character was undermined by inconsistent writing.

Another marked improvement in this series over the previous Moffat-era stories is the heart, as whilst Series 10 had some great moments with characters like Missy and Bill, Series 11 has already a more compelling character in Graham than the Moffat era had with a companion like Clara. The simple approach to character development is always the way to go on Doctor Who, and the down-to-earth nature of the new companions is far more relatable than Moffat’s Mary Sues who were ‘born to save the Doctor’. Hopefully the show can learn from its mistakes and maintain the ‘regular’ kind of companion as these are far more effective.

The supporting cast in this episode are also strong, with Chris North’s character filling the role of merciless businessman that has become a staple of many Earth-based Doctor Who episodes, and Yaz’s Mum Najia played by Shobna Gulati proves a good foil for his stubborn and detached personality. The ending of this story is distinctly bleak, but has an uplifting turn at the end with the final scene in the TARDIS showing the team reunited for more adventures.

So although Giant Spiders may be a somewhat of a recycled plot idea for Doctor Who at this point, Arachnids in the UK somehow makes it feel fresh and is another strong instalment of Thirteen’s debut series.

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Doctor Who – The Woman Who Fell To Earth – Series 11 Episode 1 Review

After a wait that has lasted since Christmas 2017, the new Doctor Who is finally here, and Jodie Whittaker’s Thirteenth Doctor does not disappoint. As the most viewed launch episode for a new Doctor since 2005, The Woman Who Fell To Earth is a great start for the show’s latest regeneration. After the departure of Peter Capaldi as the Twelfth Doctor and Steven Moffat as showrunner this new series is essentially a soft-reboot, and features new writers, a new composer and new filming equipment that makes the debut episode feel like a fresh new take on the show, and if the rest of the series is as good as its debut, the future seems bright for the Thirteenth Doctor.

Speaking of the Doctor, Jodie Whittaker certainly makes the role her own with great energy and enthusiasm. Her take on the Doctor is definitely in keeping with the character, and from her first scene when she comes crashing through the roof of a train you know that this is the same Doctor, just a different face. In terms of individual personality, the Thirteenth Doctor seems as capable as the Third and Seventh incarnations when it comes to taking control of a situation, and she has a constant buzz of energy that is honed into keeping cool under pressure and working a specific problem, rather like the Tenth Doctor. Jodie Whittaker’s use of her Yorkshire accent also helps her Doctor leave a distinct impression,

But where would the Doctor be without her companions? True to his word, Chris Chibnall broadened the focus of the episode to include not just the Doctor but her new new friends, particularly Ryan, with whom the episode begins. Whilst we have only had one episode with Ryan and other newcomers Yasmin and Graham, they already feel like a fun and interesting TARDIS team – and they haven’t even set foot in the TARDIS yet. This is really a testament to how quickly the Doctor and the new companions meld as a team, and the companions work well with Thirteen’s style of delegation in her plans, a trait of their group that will hopefully continue in later episodes.

This episode brings in vital ingredient needed for a great Doctor Who episode with its great villain, Tzim-Sha – and the special effects on this creature as well as on its entirely CGI companion are fantastic. This episode does involve several grisly deaths, something that is inevitable with good Doctor Who stories, but the Doctor doesn’t take those deaths lying down – she wastes no time in tracking down Tzim-Sha and working out his plan, making for a plot that takes time to get going but accelerates quickly in pace as the plot unfolds. The creature is not likely to have children diving behind the sofa in fear, but it is an impressive design that presents a serious threat. The ending also has some heavy-hitting emotional moments, a testament to how well Chris Chibnall makes the audience care about the new characters right from the get-go.

Arguably one of the best aspects of this episode is how effectively it introduces a new Doctor – crashing into an alien incursion and forced to think on her feet, Whittaker’s Thirteenth Doctor only briefly questions her new gender before getting stuck in to her new role, and this will hopefully improve this episode’s longevity. Fans in the future will look back on this episode not as ‘that time they tried a woman as the Doctor’ but simply as one of the better ‘New Doctor’ premieres – and this already seems to be what is happening. With 40.1% of the audience share on its air date, The Woman Who Fell To Earth has already become one of the most successful series openers of Doctor Who since the revival, and many who were skeptical over the new Doctor have been won over by her impressive debut.

Overall, the first outing for the Thirteenth Doctor is a promising start and the fact that it has been so well received is fantastic news for Doctor Who fans. If this episode is any indication of what is to come, Doctor Who Series 11 may well be one of the best received seasons in Doctor Who’s history.

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Doctor Who – Ranking the Masters

Over the years the role of the Doctor’s arch-nemesis has been played by a diverse range of actors and although some have had far more time in the part than others, all have made unique contributions to defining the role of the villainous character. But after nearly ten incarnations of the beloved villain, how to they rank against each other?

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9 – Peter Pratt

Having only played the Master in one televised story, The Deadly Assassin, Peter Pratt is perhaps the least-known of the Master actors, particularly since his face was obscured by the gruesome mask that depicts this incarnation’s decayed appearance. His role in the episode in which he appears is brief, but significant – by engineering a conspiracy on Gallifrey, the Master attempts to steal the Sash of Rassilon and restore his damaged body. During this scheme he encounters the Fourth Doctor several times, and there are some great scenes between Petetr Pratt and Tom Baker. Unfortunately, due to the restrictive nature of the costume, Pratt doesn’t really get a chance to make the role his own – particularly since half the time it is difficult to understand what he is saying. In the end this incarnation resorts to ranting and raving, and whilst that is not unusual for the Master, Pratt never really gets the chance to portray any of the nuance of the character.

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8 – Eric Roberts

Unlike Paul McGann, who returned to Doctor Who following his part in the 1996 TV Movie in the form of Big Finish Audios the same decade, Eric Roberts left it a little longer before returning to reprise his role in the Audios – a pity really, since he did actually show promise during the TV Movie. Whilst there were undoubtedly issues with the direction of the Movie, and certain aspects of the film from the script to the costume design were questionable, Roberts does play a great villain, and it was clear despite his inexperience with the role of the Master that he at least knew how to play a deranged scheming megalomaniac. It would have been nice to see his version of the Master develop in Eighth Doctor Audios, but that role later went to Alex Macqueen. Still, Roberts is finally returning to the role in a new series of the Diary of River Song, of all things, so there is still hope for his incarnation. Speaking of Macqueen, though…

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7 – Alex Macqueen

Technically Eric Roberts’ successor in terms of the Master’s chronological timeline (probably…) Alex Macqueen’s incarnation takes on a far more delighted and almost child-like direction – he seems to always see the funny side to being pure evil, and although he has appeared exclusively in audios so far his version of the Master is clearly distinctive from the classic incarnations of the Master. Clearly inspired by the Simm incarnation, Macqueen does bridge the gap between the Classic and New Series Masters effectively, and he is a great foil for the Eighth Doctor. Interestingly, although this incarnation is best known for his appearances against the Eighth Doctor, this incarnation actually debuted  against the Seventh Doctor, and Alex Macqueen also voiced the decayed incarnation possessing his incarnation’s body against the Sixth Doctor. Both the Macqueen and Beevers incarnations regain their own minds to face off against the Seventh Doctor in The Two Masters, which incidentally is the first multi-Master story in performed Doctor Who, which is a testament to both actor’s skill as they do great impressions of each other’s specific Master personalities.

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6 – John Simm

Being the first Master incarnation to be depicted on screen post-regeneration, Simm’s incarnation initially came off as a bit too wacky and mad to really be the same Master that fans remember from the Classic Series. Whilst the gaps have since been filled by various Audios, fans at the time did concede that this was the Master immediately following the horrors he experienced in the Time War, and it was very possible that he had simply gone totally insane.Whilst Simm does have some character moments with  David Tennant’s Doctor and does a fantastic job of playing a crazed lunatic, unfortunately throughout his two appearances in the Russell T. Davies era his incarnation is never given a chance to slow down, and even when there are moments between the Doctor and this incarnation of the Master, they are always overshadowed by this incarnation’s instability – either through the ‘drumming’ arc or the fact that he is hungry for human flesh. Thankfully, Moffat gave this incarnation a bit more nuance in Series 10, and Simm shows his true talents as he effortlessly carries the role of a more Classic-themed Master perfectly.

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5 – Anthony Ainley

The official ‘replacement’ for Roger Delgado in the 1980s, The only real criticism that can be set against Ainley’s version of the Master is that he is in fact too good at emulating his predecessor. Even so, Ainley does make his own mark on the character, and develops the role over his long tenure that spans the last three Doctors of the televised Classic Series, and he is the definitive version of the Master for many Doctor Who fans. Known for his flamboyant personality, Ainley’s Master seemed to hate the Doctor a fair deal more than Delgado’s incarnation did, and his plans often revolve around achieving his ultimate goal to kill the Doctor. Still, like Delgado’s incarnation, he was not above siding with the Doctor if he felt it necessary – often leading to moments in which his true allegiances are a mystery, as in one of the most memorable scenes of The Five Doctors.

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4 – Derek Jacobi

Despite only playing the Master briefly in Utopia, Derek Jacobi’s performance immediately sold him to audiences as the genuine article, perhaps even more so than John Simm’s incarnation did in the same episode, and it stands as a testament to his incredible ability as an actor that Jacobi could effectively snap from being a lovable, innocent old man to a violent and psychotic killer. Needless to say fans were eager to see this more of this Master, and having been given his own Big Finish series as well as appearing in the U.N.I.T. spinoff series, the Jacobi incarnation definitely deserves a return in the TV show itself.

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3 – Geoffrey Beevers

Initially appearing in just one episode of the Classic Series, The Keeper of Traken, Beevers would later reprise his role as the Master in the Big Finish Audios, and it is in these audios that he truly excels. This particular incarnation of the Master is interesting as he has more on his mind than simply conquest or domination – most of his plans revolve around survival or somehow acquiring more regenerations in order to prolong his life. That being said, his multiple appearances in various Big Finish Audios have allowed for some great character moments between his incarnation and various Doctors, with a particular highlight being the Seventh Doctor audio Master. Beever’s greatest asset to the role is his distinctive voice, which makes his audios all the better, as his line delivery is always spot on.

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2 – Michelle Gomez

The first female incarnation of the Master proved the perfect foil to the Twelfth Doctor thanks to both Michelle Gomez’s dynamic portrayal fueled by her interesting personality and the fascinating direction that Steven Moffat took the character, particularly during his final series as showrunner. Known as Missy, Gomez’s interpretation of the Master pays homage to many previous incarnations, particularly Delgado, and shocked fans after appearing regularly as a mystery plot arc throughout Series 8 only to drop the bombshell that she was actually the Master as the plot twist cliffhanger to the penultimate episode of the series. Following her brief return in the opener of Series 9, Missy went on to be one of the most fascinating elements of the incredible Series 10, and her redemption arc was perhaps one of the best executed in the New Series.

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1 – Roger Delgado

The original, you might say. Although the role Delgado played has been adapted by many talented individuals since his death, there is no doubt that Delgado had a true understanding of the character and his relationship with the Doctor and none since have been able to truly recapture the entirety of that complex understanding. Truly the perfect ploy for the Third Doctor, Roger Delgado’s Master filled the role of mustache-twirling supervillain to counter the Doctor’s role as the dashing secret agent/detective hero, and would often ally himself with various invading alien races in an attempt to conquer the Earth. Charming, manipulative, cunning and pure evil, Delgado’s Master is the archetype of the character and would inspire the character of each and every incarnation to come.

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Doctor Who – Top Ten Classic Who Dalek Stories

As Classic Who’s most iconic and enduring monster, the Daleks appeared many times throughout the 1963-1989 run of Doctor Who following their initial appearance in the show’s second aired episode. Over the many eras of Classic Who, the Daleks usually appeared at least once – and although their creator Terry Nation wrote many of their early episodes eventually other writers stepped in with alternate interpretations of the pepper pots and how they should be used on-screen. This, coupled with the fact that Nation himself toyed with many varying ideas related to the Daleks, means that their episodes vary dramatically in tone, setting and content, and this inevitably leads to varying levels of quality to match.

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Honorable Mention – Destiny of the Daleks

Included here as an honorable mention is Destiny of the Daleks, simply because it cannot hold a candle to any of the other Dalek episodes on this list. Despite being written by Terry Nation and featuring Douglas Adams as the script editor, this episode is an absolute shambles in terms of the show’s lore and the depiction of Davros. The worst moments include scenes in which both the Doctor and Davros refer to the Daleks as robotic creatures, and the Daleks contradicting themselves by first claiming that self-sacrifice is illogical before volunteering themselves for a literal suicide mission. The only real upsides are Romana II, the great dialogue and Tom Baker as the Doctor, but otherwise this episode is hardly worth the time.

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10 – Revelation of the Daleks

As previously discussed in How to Fix – Revelation of the Daleks, the Sixth Doctor’s only televised Dalek episode has its issues, particularly related to acting quality, pacing and story focus – it is still an enjoyable watch in its current state, although it does come across as a missed opportunity. The Doctor and Peri barely feature in this episode – and too much screen time is given to a strange DJ – but by far the highlight of the episode is Davros, and Terry Molloy is great as usual. Davros’ scheme is certainly twisted and insane, but what makes Revelation of the Daleks important to Davros fans is how it links two of the best Davros audios, Davros and The Juggernauts, as in the former we get to hear how Davros lays the foundations for his dreadful plans on Necros and the latter describes what happened to Davros immediately following this story, meaning Revelation forms the middle of a bizarre Sixth Doctor and Davros ‘trilogy’. One of the other highlights of this episode is the Glass Dalek, a monstrous creation by Davros that houses a human who has been mutated into a Dalek in much the same way that the Kaleds were in Genesis of the Daleks, laying the groundwork for Davros’ experimentation on the Dalek physiology that would ultimately culminate in the Imperial Daleks from 1988’s Remembrance of the Daleks. Whilst it is undoubtedly an important milestone in 1980s Dalek lore, Revelation does not stand up to many of the other Dalek stories on this list, particularly due to its odd pacing and tone issues that plagued many mid-1980s Doctor Who stories.

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9 – Death to the the Daleks

This episode features one of the best Classic Dalek designs and colour schemes, with the ‘science division’ Daleks featured in this episode sporting a unique silver-and-black finish that is certainly striking, Unfortunately, as far as Classic Dalek episodes go, that’s about the best thing that can be said about this episode – although the idea of using a power drain to force the Daleks and Humans to work together is an interesting one, Death to the Daleks does little more than this, especially considering the fact that the Daleks get alternate weapons before long. Still, the sequences inside the Exxilon City are interesting, and the Exxilons themselves are an interesting species with tribal chants that give this episode a distinct vibe, making Death to the Daleks an iconic episode even if it is not among the best Classic Who Dalek serials. Interestingly, this story is apparently Nicholas Briggs’ favourite Dalek story, and several Big Finish audios pay homage to it including the Fourth Doctor Adventures story The Exxilons and the Dalek Empire story also entitled Death to the Daleks!. One of three Dalek stories in the Third Doctor’s era (ironic, considering Jon Pertwee himself disliked the Daleks as villains) Death to the Daleks ranks as the weakest, although Jon Pertwee and Elizabeth Sladen’s performances in this story are not to be underestimated, and fans of this Doctor-companion pairing will enjoy Death to the Daleks for that reason alone.

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8 – The Daleks

The debut of the Daleks in Classic Doctor Who, The Daleks is definitely worth a watch but does suffer from issues of pacing, particularly since it is seven episodes long. Whilst this can be forgiven due to the fact that it was only the second ever serial of Doctor Who to air, The Daleks is perhaps best watched with the foreknowledge that it is in many ways a ‘prototype’ for future Dalek episodes – although at the time the creators had no idea the Daleks would become such an enduring recurring villain, many elements of this episode are developed in much more detail in subsequent Dalek stories, and The Daleks does dedicate a lot of its run-time to what is clearly filler. The best example of this is the chasm jumping sequence, in which the episode stops dead as we watch all five or six members of the Human-Thal party jumping over a chasm, taking up the majority of its episode’s run time. Ultimately, being the first Dalek episode and a very early episode in the show’s run, The Daleks is worth watching for historical interest but doesn’t contain as much Dalek action as it perhaps could, although there are many extended scenes in the Dalek control rooms that give the audience a good idea of what the Daleks are really like early on, as they scheme and manipulate the humanoids in the story with sinister mercilessness, with a particularly chilling moment being the line in which the Daleks decide to alter the environment of their planet to kill the Thals rather than adapting to the planet’s radioactivity.

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7 – The Power of the Daleks

Although this episode is entirely lost, thankfully a complete animated recreation was released by the BBC in 2013 with all six episodes restored using the original audio and some of the best animation for a Doctor Who DVD release to date. The episode shows the Daleks at their best – manipulative and ruthless – and their scheme to appear docile in order to siphon power from the human colony is devious. As this was the Second Doctor’s first televised story it set the standard for Dalek stories to come, as many fans view The Power of the Daleks as among the very best Dalek stories, but its length and pacing mean it has not aged as well as other much-loved Dalek episodes. Another slight drawback to this episode for many is the lack of original visuals, and although the animated reconstruction is welcome, many have noted the apparent poor quality of some of the recreated scenes – particularly the initial post-regeneration sequence and basically any other scene where it is not immediately obvious what the original actors were doing in the episode. Regardless, the animated Daleks do look spectacular and hopefully The Power of the Daleks will be the first of many fully-animated lost Dalek episodes.

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6 – Day of the Daleks

Having been recently remastered, Day of the Daleks went from being a somewhat mediocre Dalek story to a classic thanks to updated effects, re-dubbed Dalek voices performed by Nicholas Briggs and even whole new scenes filmed using the original camera equipment. In the original story, the final battle used only three Dalek props – the most that were available at the time – so the effect is lessened. With new Daleks added with CGI, the battle scene has been reinvigorated, and for Classic Who this episode is particularly exciting. With a complex time-travel plot that is similar to, but actually predates, the Terminator series, Day of the Daleks is a great action-packed Third Doctor story that incorporates time travel into the story as a core aspect of its main plot rather than simply a means of reaching Point A from Point B, making it unique among Dalek stories. Since its remaster, this episode has jumped up in quality from a mediocre Dalek serial that was bogged down by budget and production issues to a reinvigorated classic that is actually more like a longer episode of New Who than many other Classic Dalek serials. Living up to the action-adventure themes of the Third Doctor’s era, Day of the Daleks is well worth the time now that the much-needed remaster in the Special Edition has been released.

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5 – Resurrection of the Daleks

Resurrection of the Daleks begins the three-part ‘Dalek Civil War’ arc involving Davros, the Daleks and various factions of in-fighting Daleks that also includes Revelation  and Remembrance, and of the three Resurrection has by far the best depiction of Davros in all his manipulative, scheming glory. Terry Molloy’s debut as the twisted Kaled scientist is a must-watch for Dalek fans, and fans of the Fifth Doctor can rejoice as this episode features many watershed moments for his character, including his deliberation over whether or not to shoot Davros, and the fact that Tegan departs the TARDIS, both situations that test the more human and fallible Fifth Doctor. As far as the Daleks go, however, Resurrection portrays them as being noticeably weaker than previous Dalek stories, with the Movellan War crippling the Dalek Empire and forcing the Daleks to employ humanoid soldiers for assistance in combat situations. This leads to the introduction of Lytton, a fantastic character who appears in this episode and Attack of the Cybermen, and is somewhat of an anti-hero in both episodes.

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4 – The Dalek Invasion of Earth

It was inevitable following the success of The Daleks that the Daleks themselves would return to Doctor Who, and their second appearance, The Dalek Invasion of Earth, has often being said to be their best episode of the Hartnell era, as depicting the Daleks assaulting familiar ground like central London is far more effective and heavy-hitting than having them attack a band of alien hippies in a forest, as in The Daleks. Relying heavily on imagery from the Second World War, an event that was still directly impacting many of the audience at the time, giving this episode a heavy impact at the time that still endures to this day. As if the depressing imagery of a subjugated Earth was not effective enough, The Dalek Invasion of Earth also features the first instance of a companion departure in the show, with Susan staying behind on the war-torn Earth as the TARDIS leaves, with the Doctor promising that one day, he would come back.

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3 – Frontier in Space/Planet of the Daleks

As a pair, Frontier in Space and Planet of the Daleks link together to form one 12-part story involving the Master, the Ogrons and the Daleks attempting to destabilise the relationship between the Human and Draconian civilisations before awakening an army of Daleks, and either episode experienced on their own pales in comparison to watching the entire serial as one continuous story. Because Frontier in Space is just so excellent, featuring the final appearance of Roger Delgado’s Master, and Planet of the Daleks has some fantastic scenes with both Daleks and Thals, the pair of stories combine into an epic space opera revolving around the beginnings of the Galactic War against the Daleks. The only real criticism of this story is the length – although Frontier in Space makes a competent use of its runtime, Planet of the Daleks could have been shorter, and overall twelve parts for the entire double-serial run is just too long.

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2 – Genesis of the Daleks

Arguably Terry Nation’s best contribution to the lore of his own creations, Genesis of the Daleks depicts the creation of the Daleks, centuries before their appearances in The Daleks and subsequent Dalek episodes, as well as being the debut episode of the mad Kaled scientist Davros. Like all the best six-part Classic Who stories, Genesis effectively utilises its run time to deliver a well-paced story with suitable doses of action, suspense, and exciting sequences in each episode. Unlike Planet of the Daleks, there is not a single individual episode of Genesis that feels as though it could have been cut out, and as the plot marches towards the inevitable creation of the Daleks the tension builds until the climax at the end of Part 6. Genesis has been praised for its great characters and dialogue, and there are some fantastic scenes between the Doctor, Sarah and Harry that show how the TARDIS team has bonded throughout the season. The Kaled characters in this story are also fantastic – Nyder, Ronson and, of course, Davros, who makes his debut here played for the first and only time by the legendary Michael Wisher who does a tremendous job as the maniacal scientist. Overall, Genesis is a classic and well-deserved of its status as one of the greatest episodes of Doctor Who. However, there is one other Dalek episode that takes the top spot, and that is…

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1 – Remembrance of the Daleks

…ironically, the final Dalek episode of the Classic series, Remembrance of the Daleks. The Cartmel Masterplan made its debut in this episode, as script editor Andrew Cartmel decided to include more references to the idea of the question behind the Doctor’s identity, and Remembrance of the Daleks is the first in a series of episode that hint at the Doctor’s dark past and his history with the Time Lords and other powerful races. The depiction of the Imperial-Renegade Dalek Civil War as well as the return of Davros and the introduction of the Special Weapons Dalek make this episode an explosive and fitting finale to the Dalek plot arc in the Classic series, as the episode ends with a much darker and more ruthless Seventh Doctor destroying Skaro and wiping out both the Imperial and Renegade Daleks on Earth. If that were not enough, this episode is considered by fans to be the true 25th Anniversary Special (even thought the inferior Silver Nemesis’s broadcast coincided with the actual anniversary date of the 23rd of November) as this episode is littered with continuity references and is based in 1963, in the same place as the First Doctor and Susan parked the TARDIS in the very first episode of the show.

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