Doctor Who – Ranking the Masters

Over the years the role of the Doctor’s arch-nemesis has been played by a diverse range of actors and although some have had far more time in the part than others, all have made unique contributions to defining the role of the villainous character. But after nearly ten incarnations of the beloved villain, how to they rank against each other?

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9 – Peter Pratt

Having only played the Master in one televised story, The Deadly Assassin, Peter Pratt is perhaps the least-known of the Master actors, particularly since his face was obscured by the gruesome mask that depicts this incarnation’s decayed appearance. His role in the episode in which he appears is brief, but significant – by engineering a conspiracy on Gallifrey, the Master attempts to steal the Sash of Rassilon and restore his damaged body. During this scheme he encounters the Fourth Doctor several times, and there are some great scenes between Petetr Pratt and Tom Baker. Unfortunately, due to the restrictive nature of the costume, Pratt doesn’t really get a chance to make the role his own – particularly since half the time it is difficult to understand what he is saying. In the end this incarnation resorts to ranting and raving, and whilst that is not unusual for the Master, Pratt never really gets the chance to portray any of the nuance of the character.

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8 – Eric Roberts

Unlike Paul McGann, who returned to Doctor Who following his part in the 1996 TV Movie in the form of Big Finish Audios the same decade, Eric Roberts left it a little longer before returning to reprise his role in the Audios – a pity really, since he did actually show promise during the TV Movie. Whilst there were undoubtedly issues with the direction of the Movie, and certain aspects of the film from the script to the costume design were questionable, Roberts does play a great villain, and it was clear despite his inexperience with the role of the Master that he at least knew how to play a deranged scheming megalomaniac. It would have been nice to see his version of the Master develop in Eighth Doctor Audios, but that role later went to Alex Macqueen. Still, Roberts is finally returning to the role in a new series of the Diary of River Song, of all things, so there is still hope for his incarnation. Speaking of Macqueen, though…

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7 – Alex Macqueen

Technically Eric Roberts’ successor in terms of the Master’s chronological timeline (probably…) Alex Macqueen’s incarnation takes on a far more delighted and almost child-like direction – he seems to always see the funny side to being pure evil, and although he has appeared exclusively in audios so far his version of the Master is clearly distinctive from the classic incarnations of the Master. Clearly inspired by the Simm incarnation, Macqueen does bridge the gap between the Classic and New Series Masters effectively, and he is a great foil for the Eighth Doctor. Interestingly, although this incarnation is best known for his appearances against the Eighth Doctor, this incarnation actually debuted  against the Seventh Doctor, and Alex Macqueen also voiced the decayed incarnation possessing his incarnation’s body against the Sixth Doctor. Both the Macqueen and Beevers incarnations regain their own minds to face off against the Seventh Doctor in The Two Masters, which incidentally is the first multi-Master story in performed Doctor Who, which is a testament to both actor’s skill as they do great impressions of each other’s specific Master personalities.

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6 – John Simm

Being the first Master incarnation to be depicted on screen post-regeneration, Simm’s incarnation initially came off as a bit too wacky and mad to really be the same Master that fans remember from the Classic Series. Whilst the gaps have since been filled by various Audios, fans at the time did concede that this was the Master immediately following the horrors he experienced in the Time War, and it was very possible that he had simply gone totally insane.Whilst Simm does have some character moments with  David Tennant’s Doctor and does a fantastic job of playing a crazed lunatic, unfortunately throughout his two appearances in the Russell T. Davies era his incarnation is never given a chance to slow down, and even when there are moments between the Doctor and this incarnation of the Master, they are always overshadowed by this incarnation’s instability – either through the ‘drumming’ arc or the fact that he is hungry for human flesh. Thankfully, Moffat gave this incarnation a bit more nuance in Series 10, and Simm shows his true talents as he effortlessly carries the role of a more Classic-themed Master perfectly.

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5 – Anthony Ainley

The official ‘replacement’ for Roger Delgado in the 1980s, The only real criticism that can be set against Ainley’s version of the Master is that he is in fact too good at emulating his predecessor. Even so, Ainley does make his own mark on the character, and develops the role over his long tenure that spans the last three Doctors of the televised Classic Series, and he is the definitive version of the Master for many Doctor Who fans. Known for his flamboyant personality, Ainley’s Master seemed to hate the Doctor a fair deal more than Delgado’s incarnation did, and his plans often revolve around achieving his ultimate goal to kill the Doctor. Still, like Delgado’s incarnation, he was not above siding with the Doctor if he felt it necessary – often leading to moments in which his true allegiances are a mystery, as in one of the most memorable scenes of The Five Doctors.

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4 – Derek Jacobi

Despite only playing the Master briefly in Utopia, Derek Jacobi’s performance immediately sold him to audiences as the genuine article, perhaps even more so than John Simm’s incarnation did in the same episode, and it stands as a testament to his incredible ability as an actor that Jacobi could effectively snap from being a lovable, innocent old man to a violent and psychotic killer. Needless to say fans were eager to see this more of this Master, and having been given his own Big Finish series as well as appearing in the U.N.I.T. spinoff series, the Jacobi incarnation definitely deserves a return in the TV show itself.

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3 – Geoffrey Beevers

Initially appearing in just one episode of the Classic Series, The Keeper of Traken, Beevers would later reprise his role as the Master in the Big Finish Audios, and it is in these audios that he truly excels. This particular incarnation of the Master is interesting as he has more on his mind than simply conquest or domination – most of his plans revolve around survival or somehow acquiring more regenerations in order to prolong his life. That being said, his multiple appearances in various Big Finish Audios have allowed for some great character moments between his incarnation and various Doctors, with a particular highlight being the Seventh Doctor audio Master. Beever’s greatest asset to the role is his distinctive voice, which makes his audios all the better, as his line delivery is always spot on.

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2 – Michelle Gomez

The first female incarnation of the Master proved the perfect foil to the Twelfth Doctor thanks to both Michelle Gomez’s dynamic portrayal fueled by her interesting personality and the fascinating direction that Steven Moffat took the character, particularly during his final series as showrunner. Known as Missy, Gomez’s interpretation of the Master pays homage to many previous incarnations, particularly Delgado, and shocked fans after appearing regularly as a mystery plot arc throughout Series 8 only to drop the bombshell that she was actually the Master as the plot twist cliffhanger to the penultimate episode of the series. Following her brief return in the opener of Series 9, Missy went on to be one of the most fascinating elements of the incredible Series 10, and her redemption arc was perhaps one of the best executed in the New Series.

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1 – Roger Delgado

The original, you might say. Although the role Delgado played has been adapted by many talented individuals since his death, there is no doubt that Delgado had a true understanding of the character and his relationship with the Doctor and none since have been able to truly recapture the entirety of that complex understanding. Truly the perfect ploy for the Third Doctor, Roger Delgado’s Master filled the role of mustache-twirling supervillain to counter the Doctor’s role as the dashing secret agent/detective hero, and would often ally himself with various invading alien races in an attempt to conquer the Earth. Charming, manipulative, cunning and pure evil, Delgado’s Master is the archetype of the character and would inspire the character of each and every incarnation to come.

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Doctor Who – Top Ten Classic Who Dalek Stories

As Classic Who’s most iconic and enduring monster, the Daleks appeared many times throughout the 1963-1989 run of Doctor Who following their initial appearance in the show’s second aired episode. Over the many eras of Classic Who, the Daleks usually appeared at least once – and although their creator Terry Nation wrote many of their early episodes eventually other writers stepped in with alternate interpretations of the pepper pots and how they should be used on-screen. This, coupled with the fact that Nation himself toyed with many varying ideas related to the Daleks, means that their episodes vary dramatically in tone, setting and content, and this inevitably leads to varying levels of quality to match.

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Honorable Mention – Destiny of the Daleks

Included here as an honorable mention is Destiny of the Daleks, simply because it cannot hold a candle to any of the other Dalek episodes on this list. Despite being written by Terry Nation and featuring Douglas Adams as the script editor, this episode is an absolute shambles in terms of the show’s lore and the depiction of Davros. The worst moments include scenes in which both the Doctor and Davros refer to the Daleks as robotic creatures, and the Daleks contradicting themselves by first claiming that self-sacrifice is illogical before volunteering themselves for a literal suicide mission. The only real upsides are Romana II, the great dialogue and Tom Baker as the Doctor, but otherwise this episode is hardly worth the time.

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10 – Revelation of the Daleks

As previously discussed in How to Fix – Revelation of the Daleks, the Sixth Doctor’s only televised Dalek episode has its issues, particularly related to acting quality, pacing and story focus – it is still an enjoyable watch in its current state, although it does come across as a missed opportunity. The Doctor and Peri barely feature in this episode – and too much screen time is given to a strange DJ – but by far the highlight of the episode is Davros, and Terry Molloy is great as usual. Davros’ scheme is certainly twisted and insane, but what makes Revelation of the Daleks important to Davros fans is how it links two of the best Davros audios, Davros and The Juggernauts, as in the former we get to hear how Davros lays the foundations for his dreadful plans on Necros and the latter describes what happened to Davros immediately following this story, meaning Revelation forms the middle of a bizarre Sixth Doctor and Davros ‘trilogy’. One of the other highlights of this episode is the Glass Dalek, a monstrous creation by Davros that houses a human who has been mutated into a Dalek in much the same way that the Kaleds were in Genesis of the Daleks, laying the groundwork for Davros’ experimentation on the Dalek physiology that would ultimately culminate in the Imperial Daleks from 1988’s Remembrance of the Daleks. Whilst it is undoubtedly an important milestone in 1980s Dalek lore, Revelation does not stand up to many of the other Dalek stories on this list, particularly due to its odd pacing and tone issues that plagued many mid-1980s Doctor Who stories.

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9 – Death to the the Daleks

This episode features one of the best Classic Dalek designs and colour schemes, with the ‘science division’ Daleks featured in this episode sporting a unique silver-and-black finish that is certainly striking, Unfortunately, as far as Classic Dalek episodes go, that’s about the best thing that can be said about this episode – although the idea of using a power drain to force the Daleks and Humans to work together is an interesting one, Death to the Daleks does little more than this, especially considering the fact that the Daleks get alternate weapons before long. Still, the sequences inside the Exxilon City are interesting, and the Exxilons themselves are an interesting species with tribal chants that give this episode a distinct vibe, making Death to the Daleks an iconic episode even if it is not among the best Classic Who Dalek serials. Interestingly, this story is apparently Nicholas Briggs’ favourite Dalek story, and several Big Finish audios pay homage to it including the Fourth Doctor Adventures story The Exxilons and the Dalek Empire story also entitled Death to the Daleks!. One of three Dalek stories in the Third Doctor’s era (ironic, considering Jon Pertwee himself disliked the Daleks as villains) Death to the Daleks ranks as the weakest, although Jon Pertwee and Elizabeth Sladen’s performances in this story are not to be underestimated, and fans of this Doctor-companion pairing will enjoy Death to the Daleks for that reason alone.

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8 – The Daleks

The debut of the Daleks in Classic Doctor Who, The Daleks is definitely worth a watch but does suffer from issues of pacing, particularly since it is seven episodes long. Whilst this can be forgiven due to the fact that it was only the second ever serial of Doctor Who to air, The Daleks is perhaps best watched with the foreknowledge that it is in many ways a ‘prototype’ for future Dalek episodes – although at the time the creators had no idea the Daleks would become such an enduring recurring villain, many elements of this episode are developed in much more detail in subsequent Dalek stories, and The Daleks does dedicate a lot of its run-time to what is clearly filler. The best example of this is the chasm jumping sequence, in which the episode stops dead as we watch all five or six members of the Human-Thal party jumping over a chasm, taking up the majority of its episode’s run time. Ultimately, being the first Dalek episode and a very early episode in the show’s run, The Daleks is worth watching for historical interest but doesn’t contain as much Dalek action as it perhaps could, although there are many extended scenes in the Dalek control rooms that give the audience a good idea of what the Daleks are really like early on, as they scheme and manipulate the humanoids in the story with sinister mercilessness, with a particularly chilling moment being the line in which the Daleks decide to alter the environment of their planet to kill the Thals rather than adapting to the planet’s radioactivity.

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7 – The Power of the Daleks

Although this episode is entirely lost, thankfully a complete animated recreation was released by the BBC in 2013 with all six episodes restored using the original audio and some of the best animation for a Doctor Who DVD release to date. The episode shows the Daleks at their best – manipulative and ruthless – and their scheme to appear docile in order to siphon power from the human colony is devious. As this was the Second Doctor’s first televised story it set the standard for Dalek stories to come, as many fans view The Power of the Daleks as among the very best Dalek stories, but its length and pacing mean it has not aged as well as other much-loved Dalek episodes. Another slight drawback to this episode for many is the lack of original visuals, and although the animated reconstruction is welcome, many have noted the apparent poor quality of some of the recreated scenes – particularly the initial post-regeneration sequence and basically any other scene where it is not immediately obvious what the original actors were doing in the episode. Regardless, the animated Daleks do look spectacular and hopefully The Power of the Daleks will be the first of many fully-animated lost Dalek episodes.

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6 – Day of the Daleks

Having been recently remastered, Day of the Daleks went from being a somewhat mediocre Dalek story to a classic thanks to updated effects, re-dubbed Dalek voices performed by Nicholas Briggs and even whole new scenes filmed using the original camera equipment. In the original story, the final battle used only three Dalek props – the most that were available at the time – so the effect is lessened. With new Daleks added with CGI, the battle scene has been reinvigorated, and for Classic Who this episode is particularly exciting. With a complex time-travel plot that is similar to, but actually predates, the Terminator series, Day of the Daleks is a great action-packed Third Doctor story that incorporates time travel into the story as a core aspect of its main plot rather than simply a means of reaching Point A from Point B, making it unique among Dalek stories. Since its remaster, this episode has jumped up in quality from a mediocre Dalek serial that was bogged down by budget and production issues to a reinvigorated classic that is actually more like a longer episode of New Who than many other Classic Dalek serials. Living up to the action-adventure themes of the Third Doctor’s era, Day of the Daleks is well worth the time now that the much-needed remaster in the Special Edition has been released.

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5 – Resurrection of the Daleks

Resurrection of the Daleks begins the three-part ‘Dalek Civil War’ arc involving Davros, the Daleks and various factions of in-fighting Daleks that also includes Resurrection  and Remembrance, and of the three Resurrection has by far the best depiction of Davros in all his manipulative, scheming glory. Terry Molloy’s debut as the twisted Kaled scientist is a must-watch for Dalek fans, and fans of the Fifth Doctor can rejoice as this episode features many watershed moments for his character, including his deliberation over whether or not to shoot Davros, and the fact that Tegan departs the TARDIS, both situations that test the more human and fallible Fifth Doctor. As far as the Daleks go, however, Resurrection portrays them as being noticeably weaker than previous Dalek stories, with the Movellan War crippling the Dalek Empire and forcing the Daleks to employ humanoid soldiers for assistance in combat situations. This leads to the introduction of Lytton, a fantastic character who appears in this episode and Attack of the Cybermen, and is somewhat of an anti-hero in both episodes.

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4 – The Dalek Invasion of Earth

It was inevitable following the success of The Daleks that the Daleks themselves would return to Doctor Who, and their second appearance, The Dalek Invasion of Earth, has often being said to be their best episode of the Hartnell era, as depicting the Daleks assaulting familiar ground like central London is far more effective and heavy-hitting than having them attack a band of alien hippies in a forest, as in The Daleks. Relying heavily on imagery from the Second World War, an event that was still directly impacting many of the audience at the time, giving this episode a heavy impact at the time that still endures to this day. As if the depressing imagery of a subjugated Earth was not effective enough, The Dalek Invasion of Earth also features the first instance of a companion departure in the show, with Susan staying behind on the war-torn Earth as the TARDIS leaves, with the Doctor promising that one day, he would come back.

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3 – Frontier in Space/Planet of the Daleks

As a pair, Frontier in Space and Planet of the Daleks link together to form one 12-part story involving the Master, the Ogrons and the Daleks attempting to destabilise the relationship between the Human and Draconian civilisations before awakening an army of Daleks, and either episode experienced on their own pales in comparison to watching the entire serial as one continuous story. Because Frontier in Space is just so excellent, featuring the final appearance of Roger Delgado’s Master, and Planet of the Daleks has some fantastic scenes with both Daleks and Thals, the pair of stories combine into an epic space opera revolving around the beginnings of the Galactic War against the Daleks. The only real criticism of this story is the length – although Frontier in Space makes a competent use of its runtime, Planet of the Daleks could have been shorter, and overall twelve parts for the entire double-serial run is just too long.

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2 – Genesis of the Daleks

Arguably Terry Nation’s best contribution to the lore of his own creations, Genesis of the Daleks depicts the creation of the Daleks, centuries before their appearances in The Daleks and subsequent Dalek episodes, as well as being the debut episode of the mad Kaled scientist Davros. Like all the best six-part Classic Who stories, Genesis effectively utilises its run time to deliver a well-paced story with suitable doses of action, suspense, and exciting sequences in each episode. Unlike Planet of the Daleks, there is not a single individual episode of Genesis that feels as though it could have been cut out, and as the plot marches towards the inevitable creation of the Daleks the tension builds until the climax at the end of Part 6. Genesis has been praised for its great characters and dialogue, and there are some fantastic scenes between the Doctor, Sarah and Harry that show how the TARDIS team has bonded throughout the season. The Kaled characters in this story are also fantastic – Nyder, Ronson and, of course, Davros, who makes his debut here played for the first and only time by the legendary Michael Wisher who does a tremendous job as the maniacal scientist. Overall, Genesis is a classic and well-deserved of its status as one of the greatest episodes of Doctor Who. However, there is one other Dalek episode that takes the top spot, and that is…

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1 – Remembrance of the Daleks

…ironically, the final Dalek episode of the Classic series, Remembrance of the Daleks. The Cartmel Masterplan made its debut in this episode, as script editor Andrew Cartmel decided to include more references to the idea of the question behind the Doctor’s identity, and Remembrance of the Daleks is the first in a series of episode that hint at the Doctor’s dark past and his history with the Time Lords and other powerful races. The depiction of the Imperial-Renegade Dalek Civil War as well as the return of Davros and the introduction of the Special Weapons Dalek make this episode an explosive and fitting finale to the Dalek plot arc in the Classic series, as the episode ends with a much darker and more ruthless Seventh Doctor destroying Skaro and wiping out both the Imperial and Renegade Daleks on Earth. If that were not enough, this episode is considered by fans to be the true 25th Anniversary Special (even thought the inferior Silver Nemesis’s broadcast coincided with the actual anniversary date of the 23rd of November) as this episode is littered with continuity references and is based in 1963, in the same place as the First Doctor and Susan parked the TARDIS in the very first episode of the show.

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Top 7 Star Trek: The Next Generation Episodes

Often regarded as the best series of Star Trek, Star Trek: The Next Generation (or ‘TNG’ for short) had a long run – seven seasons puts it in the higher band of Star Treks when it comes to longevity – and there are dozens of fantastic episodes to choose from. However, I have decided to narrow down my Top 7 best Star Trek TNG episodes – and it’s only 7, no Honorable Mentions this time, and for the sake of fairness two-parters count as one episode. So, coming in at number 7:

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7 – The Offspring

Who doesn’t love a Data-themed episode? The Offspring depicts a crucial step in Data’s journey to becoming more human as he tackles the challenges of parenthood, having created an offspring based off his own specifications in the ship’s lab. It is truly fascinating to see how Data manages his daughter’s development, and when Starfleet threatens to separate the two his urge to defy their instructions to remain with his child marks a highlight of this episode that showcases just how far Data has come as a character. This is a key episode for Data fans and deals with the classic sci-fi concept of the paternal aspects of the role of creator that can also be seen with Dr. Soong and Data, and is now presented through Data and Lal. The poignant ending serves to hammer home the emotional weight of this episode, and easily puts it in the top ten for being the perfect transition from lighthearted to tragic.

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6 – Tapestry

For many of his episodes, Q’s appearance is somewhat of a mixed bag. On the one hand, having an omnipotent entity serve as an obstacle to the crew is an interesting concept, one that classic Star Trek dealt with on occasion, and it opens some intriguing narrative possibilities. Unfortunately, in many cases, these opportunities are rarely realised, particularly in Q’s later appearances in Deep Space Nine and Voyager. However, the Season 6 episode Tapestry is a perfect example of the potential of Q as both a character and a plot device being met, with a strong story that delivers some really interesting character development for both Q and Picard. The premise is essentially that Q appears to Picard at a moment when he thinks he is going to die and offers him the choice to change things about his life that he disliked – particularly his rash actions as a young man in Starfleet Academy. Picard quickly realises, however, that altering the past can have severe ramifications for the present, and the method by which this episode conveys this theme is brilliant. Overall Tapestry is a great example of a character-driven TNG episode that still manages to get the best out of its sci-fi concept.

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5 – Yesterday’s Enterprise

From one time-travel based episode to another, Yesterday’s Enterprise also deals with the idea of history changing, and presents its events as being almost akin to the mirror universe episodes of the original series and DS9. This episode gives us an idea of the history that unfolded between the original series and TNG, as the crew of the Enterprise-D encounter the earlier Enterprise-C thanks to a time anomaly, and this results in an alternate timeline in which the Federation and the Klingons are still at war, and we finally get to see the Enterprise-D go up against a squadron of Klingon warbirds head on. This episode also sees the surprise return of Tasha Yar, who in this alternate timeline is still alive and replaces Worf as tactical officer, which is a nice surprise for Tasha fans and leads to a fantastic scene between her and Guinan, who retains the ability to detect how different the alternate timeline is from the original, allowing for some interesting moments with her as she tries to figure it all out. Ultimately, Yesterday’s Enterprise is a classic with a great sci-fi concept executed perfectly.

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4 – Phantasms

Some of the best episodes of TNG are the spooky ones, and the ones that deal with psychological threats that cannot simply be solved by diplomacy or weaponry. Phantasms presents some bizarre and memorable imagery in the form of Data’s dreams involving the crew and other strange characters in a complex subconscious metaphor for the issue that also happens to be affecting the ship at the time, and it makes for great viewing. One of the best things about Phantasms is just how accurately it portrays what dreaming is actually like, particularly a recurring dream, and the idea of the crew being able to use the holodeck to enter Data’s dreams was a stroke of genius. Definitely an episode that should be watched at night, Phantasms is a great mix of wacky and wonderful.

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3 – Cause and Effect

As far as mysteries that unravel slowly as the plot progresses go, you don’t get much better a case than in Cause and Effect. The seemingly insignificant goings-on of a relatively ordinary day on the Enterprise become crucially important when they are revealed to culminate in the total destruction of the ship, only to be repeated again and again in a seemingly infinite loop. The best thing about this episode is how gradual the story develops – Cause and Effect keeps its cards close to its chest (ahem) until the last minute, and every scene is critical to the crew figuring out how to save themselves from destruction.

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2 – The Inner Light

Arguably one of the most mind-boggling episodes in Star Trek history, The Inner Light is both tragic and moving, as Picard lives out an entire life on a seemingly alien planet that has been lost to time, and is given haunting memories of a world long gone. This is one of those Star Trek episodes that leaves a lasting impact, particularly on the first viewing, because it just comes out of nowhere yet it carries such a huge emotional weight – so much in fact that the events of this episode go on to be discussed by Picard as a major event in his life that he cannot forget, which is unusual for Star Trek which tends to brush major psychological damage to their characters from the trauma they face on a day-to-day basis under the rug. That being said…

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1 – The Best of Both Worlds

Yes, the obvious choice for number one, ‘The One Where Picard Gets Assimilated’ is without doubt one of the greatest episodes of Star Trek of all time, and it trumps all other Borg appearances to date. As discussed in a previous article on How to Fix – Star Trek: First Contact, the Borg experienced severe villain decay over the course of their appearances on Star Trek. In the early days, however, the Borg were a truly sinister threat, and the episode The Best of Both Worlds is a perfect demonstration as to why. The Best of Both Worlds doesn’t pull any punches as Picard is taken by the Borg and used to effectively wipe out an entire fleet of Federation starships at the Battle of Wolf 359, an experience which haunts him for the rest of his life, and the psychological aftermath of which is depicted in the next episode, Family. What is interesting about The Best of Both Worlds is that the production team toyed with the idea of using this episode as a means of killing Picard and having Riker take his place as Captain of the Enterprise-D, and at the time of the episode’s airing it must have seemed to fans as though Picard’s fate was truly hanging in the balance, which is perhaps what gives this episode more stakes and suspense than many other episodes of Star Trek in which you can be reassured that no-one will die. Even with the hindsight that Picard obviously survives, this episode has lost none of its grit and great character moments between the crew in Picard’s absence drive the story relentlessly forward.

And that concludes the Top 7 Star Trek: TNG Episodes, do you agree with this list? Post your favourite episodes of Star Trek: The Next Generation in the comments below, and be sure to check out other articles below:

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Star Trek – Ranking the Opening Titles

Whether you sit through them every time or use them as an excuse to grab a snack, the Star Trek opening titles are a staple of the series, and rightly so. The main themes of each version of the show are all fantastic for the most part, and the opening usually comes with some nice visual effects, be it model shots of the setting (usually a ship) or CGI renderings of various iconography related to the show (as in Discovery, but we’ll get to that). But the question remains – which opening is the best? So for convenience, we’ve ranked them all (apart from the movies), starting with:

6 – Discovery

Whilst it is clear that the idea behind the Discovery title sequence was to distinguish it entirely from prior titles in the series, the fact of the matter is fans would probably have preferred a showcase of the modern day special effects to create Discovery’s take on the classic style of Star Trek intro – that is, the ship flying around through space. Think something like the titles of Star Trek: Voyager, but with updated effects to show off the new ship. Instead, what we got was a strange blueprint/technical specifications manual in 3-D showing the ship and various pieces of Star Trek iconography like Phasers, Communicators and even the Vulcan Salute, coupled with high-resolution pictures of people (or at least parts of people – like a chin and an eye) who are presumably the crew. Regardless of whether you like this or not, what is undeniably the greatest drawback of Discovery’s titles is the theme itself, which is both uninspired and forgettable.

5 – Enterprise

The other standout of Star Trek title sequences that radically diverge from the normal formula to the point of being almost incomparable is Enterprise, which does a great job of establishing this show as the first in the timeline with specific focus on the progress that mankind has made between the early days of sailing in which the name ‘Enterprise’ was born to the first in what will be a long line of interstellar exploration vessels bearing the same name. This is also the general idea behind the theme, which for many is the primary drawback of this title sequence – it is a bit cheesey, particularly since it has vocals, something which thankfully has never been done again in Star Trek. One thing that Star Trek: Enterprise did do right, however, was the awesome variation of the title sequence used for ‘In a Mirror, Darkly’ for the Mirror Universe.

4 – Deep Space Nine

The first on this list from the ‘standard’ formula of Star Trek openings, The problem with Deep Space Nine’s opening titles is the fact that instead of a nimble ship that can zip around the screen, the crew in this show inhabit a giant space station that is, for the most part, immobile. For the first few seasons Deep Space Nine used a title sequence that did a very poor job of showcasing the station’s actual size, but this was later improved in an updated title sequence that was introduced as the USS Defiant became a staple of the series, that had lower angled shots of the station and more ships. One particular change that did wonders to better showcase the vastness of the station was the addition of a Nebula-class ship docked on to one of the pylons at the start, which fans of TNG will know is almost as big as a Galaxy-class ship, and yet it is dwarfed by the station. Although the theme of Deep Space Nine is somewhat of a slow march, it does have some real feeling to it that begins to reflect the content of the show itself as the series progresses.

3 – The Original Series

The original Star Trek title sequence set the staple for opening titles to come, and is also the first of two entries on this list that include the iconic “Space… the final frontier…” speech. The visuals are dated but that won’t bother anyone who is fond of the original series, and the main theme is upbeat and great for a sing-along. The only true drawback to the original opening titles is that by far the shortest of them all, hardly even topping a minute in length. Still, these titles have gone on to be a pop culture staple and those first four notes of the opening theme inspires excitement and awe in fans even over half a century later.

2 – The Next Generation

To get the obvious out of the way first, the main theme for Star Trek: The Next Generation is brilliant. easily the most bombastic of the themes, it really sets the tone for the blend of sci-fi and politics in TNG, and the model shots of the Enterprise-D give the illusion that the ship is huge. Patrick Stewart’s opening monologue is arguably better than William Shatner’s, and also replaces “To boldly go where no man has gone before” with “To boldly go where no-one has gone before”, which genuinely rolls off the tongue better as well as updating the line to be more in-keeping with the spirit of the show. Also, it is worth mentioning that TNG actually had two variants of the title sequence, with the later incarnation having updated effects and an altered theme, both of which were well-received by fans.

1 – Voyager

Sporting the best visuals of the four best opening titles, the opening to Star Trek: Voyager gives a sense of the isolation that comes along with the running plot arc of the show by dwarfing the ship against planets, asteroid fields and nebulae, showcasing the epic scale of the Delta Quadrant. Unlike the TNG opening titles, the ship is a CGI render and not a physical model, and this allows for some great angled shots of the ship. The music is definitely one of the best Star Trek opening themes, and like DS9 it has a melancholy aspect to it that is quite unlike the bombastic fanfare of TNG, reflecting the more dire situation that the crew of Voyager have found themselves in. Overall, Star Trek: Voyager is the one incarnation of Star Trek that has a title sequence that I will never skip.

So that concludes this ranking of the Star Trek Opening Titles, if you enjoyed then be sure to leave a like and you can see more content related to this article below:

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Doctor Who – Ranking the NuWho companions (2005-2017)

NuWho has been on the air for some time now, and has accumulated quite a sizeable array of companions to its name, spanning several eras. Time to rank them all!

#10 – Rose

Yep, Rose is at the bottom. Those who have read previous articles on my site will know that I am not exactly Rose’s biggest fan, and this is mostly due to her erratic and unpredictable behavior – be it laughing and giggling after having just witnessed someone being brutally murdered in Tooth and Claw, or being a total bitch to Sarah Jane Smith in School Reunion, or having a go at Elton for upsetting her mum in Love and Monsters when she herself basically ruined a year of her mum’s life by disappearing and not bothering to tell her. What is frustrating is that this character gets special treatment in the Russell tenure, with basically the entire arc of the era being based around one character – she even got to come back after being gone for a season and a half. So yes, Rose is right at the bottom for just shoddy character development.

#9 – Clara

In a similar vein to my dislike of Rose, Clara stole the show a bit too much when she finally came along. In fact, even before she came along – Jenna Coleman played two distinct versions of Clara before appearing permanently as the genuine article, and this sparked the retch-inducing ‘impossible girl’ storyline that was essentially a more contrived storyline than the whole Bad Wolf thing. The only reason why Clara ranks higher than Rose is that she became slightly less insufferable during her time with the Twelfth Doctor – although she continued to try and take over the show, even getting her face in the title sequence at the end of Series 8 instead of the Doctor’s – the Twelfth Doctor bounced off her better character-wise, and Clara gained more of a personality in Series 8 and 9 compared to the ‘Impossible Girl’ arc that basically carried her through Series 7. Once her character began to emerge, she is really good in some episodes, and once Moffat had got out of his Cbeebies phase Clara was able to meet the more serious and darker aspects that the show took on leading into Capaldi’s era, even having a particularly fantastic death scene in Face the Raven. Although she gets a copped-out immortal lesbian time-travelling spinoff show at the end of Hell Bent she still has to eventually go back and die, which is a pretty dark concept if you think about it.

#8 – River Song

I can genuinely appreciate what Steven Moffat was trying to do with River – the notion of a fellow time-traveller that is encountered out of order and married to the Doctor is a great idea in theory, but the execution was less than spectacular – because her appearance in Silence in the Library and Forest of the Dead was so good as a standalone idea for an episode, people were almost disappointed when her return was announced just one series later. Overall, although River herself was a strong character played excellently by Alex Kingston who also had great chemistry with Matt Smith, her reveal was ultimately a bit of a let down and although she is the Doctor’s wife it is strange that so much emphasis was placed on revealing her ‘secret identity’ only for it to turn out that she is the daughter of the current companions. Despite all this, her departure in The Husbands of River Song is still a defining moment in the Twelfth Doctor’s characterisation change for Series 10 so River can ultimately be thanked for inadvertently influencing the best series of the revival.

#7 – Mickey

Poor Mickey. The strange thing about this character is that he was a genuinely good person – he cared deeply for Rose, he was loyal to his friends and was pretty brave by the end of the show, yet for some reason that defies explanation the Doctor just really seems to dislike Mickey at first, probably because Russell had it in his head from the beginning that the Doctor would fall in love with Rose, but what reason is given for the Doctor’s disdain for Mickey? All Mickey did was get captured by the Autons and then be understandably shaken when the whole thing was over, and yet Rose totally abandons him. Throughout the series Mickey jumps from our universe to a parallel universe and back again, again a symptom of the writers not really knowing what to do with him, and eventually ends up with Martha in an unfortunate ‘match the spares’ situation of the ilk of Neville Longbottom and Luna Lovegood in the eighth Harry Potter film. Ultimately, Mickey’s best qualities are apparent in Series 2, in which he joins the TARDIS team and spends time fighting Cybermen in a parallel universe, eventually becoming a badass.

#6 – Amy and Rory

Although their era spiraled further and further into the nonsense that was Series 7, Amy and Rory are a standout because their relationship gave the show a whole different dynamic that almost makes every episode seem like a continuation of the same story, just framed differently against the backdrop of traveling through time and space. Amy may be bitchy at times and Rory takes a while to find his feet as a character (similarly to Mickey, in many respects) but once he becomes the Roman he becomes one of the most likeable characters on the show. Their best episodes include Amy’s Choice, The Pandorica Opens/The Big Bang, The Impossible Planet/The Day of the Moon, The God Complex, The Doctor’s Wife and A Good Man Goes To War so there is a fairly strong selection there alone, and whilst it could be argued that their combined character was irrecoverably ruined  by the abysmal Asylum of the Daleks they at least got a good send off in Angel’s Take Manhattan.

#5 – Donna

As companions go, Donna is definitely going to be among the best-remembered in years to come, possibly even on the same level as companions like Jo Grant and Sarah Jane Smith, in that they all take a very unique perspective on the companion role. In Donna’s case that is the role of a loudmouth with an attitude but who has a heart of gold and, in many ways, is very like the Doctor in some ways. Considering the recent trend that started with the Eighth Doctor TV Movie in which the Doctor has a more romantic relationship with his companion, Donna was a refreshing change as it was made clear from the start that she and the Doctor had absolutely no romantic feelings for each other. This makes episodes in Donna’s era seem more concise and better trimmed, as time isn’t spent on a half-baked romance story in every single episode like in the Rose era.

#4 – Nardole

An ex-criminal cyborg from the future, Nardole is primarily used for comic relief in his initial appearances but the fantastic Series 10 molds him into a well-defined character in his own right, who was an unexpected fan-favourite at the time, who is expected to return at some point in the future. His great relationship with both Bill and the Twelfth Doctor made his inevitable departure all the more tragic, particularly with the manner in which it was carried out – essentially, he was doomed to protect the Mondasian children from endless waves of ever-adapting Cybermen with no hope of escape, which is a pretty dark way to go. Thankfully, we do eventually learn that Nardole survived for years and was eventually inducted into the Testimony system, so Nardole fans can rest easy.

#3 – Captain Jack

Who doesn’t love Captain Jack? Apart from being the first representation of an LGBT character on-screen, (not counting Ace because, although intended, that aspect of her character was never directly addressed by anyone on-screen), Captain Jack is unique among the majority of other NuWho companions as he does not originate from modern-day London, instead originating from the 51st century. As such he is more clued up on the various alien races and technology. The best thing about Jack’s character is that he bounces really well off basically any other character, and is one of the few characters in Russell’s era that I believe is due a temporary return, as he worked so well with both the Ninth and Tenth Doctors and I see no reason why he couldn’t work really well with the Thirteenth Doctor.

#2 – Martha

If there is another companion from Russell’s era that is deserving of a return, it’s Martha. Despite her time in the TARDIS being somewhat overshadowed by her romantic feelings for the Doctor, these didn’t get in the way of her character development or story involvement half as much as Rose’s romantic backstory with the Doctor did, and Series 3 gives Martha a chance to shine in some fantastic episodes like The Shakespeare Code, Gridlock, Human Nature/Family of Blood, Utopia and Sound of Drums/Last of the Time Lords, in the latter of which she proves her mettle by saving the world and the Doctor from certain destruction. Her departure, on her own terms, sets her above her contemporaries – particularly Donna and Rose – and her comeback in The Sontaran Stratagem/The Poison Sky allowed Freema Aygeman to return to her original character Adeola Oshodi’s defining trait of being a human controlled by an evil invasion force.

#1 – Bill

The personification of wide-eyed wonder and enthusiasm, Bill is one of the cornerstones of the masterpiece that is Series 10. Her relationship with the Twelfth Doctor was totally unique and hearkened back to the ‘Professor/Student’ relationship that Ace had with the Seventh Doctor, although in Bill’s case this is taken a tad more literally, as the Doctor takes on a tutor role both in the real-world, marking Bill’s assignments and teaching her in classes, and also on their adventures. Bill’s reputation as a companion who flaunts her sexuality is, in my opinion, undeserved – although Bill does mention the fact that she is gay in numerous episodes, often this is in response to things other characters insinuate, and even the seemingly random remark she makes to the Doctor before they part ways in The Doctor Falls about liking girls is obviously because the Twelfth Doctor appears so oblivious that they probably hadn’t even talked about it before. Ultimately, Bill is one of the most likeable companions in NuWho and Pearl Mackie does a fantastic job of bringing the character to life.

So that concludes my list ranking the NuWho companions, 2005-2017. If you enjoyed be sure to leave a like and you can follow us either here or on Facebook for more content like this. Thanks for reading!