Star Trek – Picard logo Revealed

As the Picard TV series was officially announced as being titled Star Trek: Picard recently, interest has certainly sprung up around the man himself. The fact that the series is clearly focusing specifically on the character of Picard is interesting, but there is a factor that many have failed to take into account. The naming convention of Star Trek shows is usually tied to the titular ship of the series, as is the case with Star Trek: Voyager, Star Trek: Discovery and Star Trek: Enterprise, or the primary setting, as is the case with Deep Space Nine. Could the fact that this new series is titled Star Trek: Picard suggest that the TNG Captain is now commanding a ship named after himself?

Well, perhaps not. After all, Jean-Luc Picard’s debut series, Star Trek: The Next Generation, breaks the consistent naming trend and the fact that Patrick Stewart announced the return of Captain Picard as the primary focus of the series, it is likely that this new spinoff will also break the tradition. However, it would certainly be interesting to see what the future holds for Captain Picard, and he is certainly a deserving candidate for having a ship named after him. As for the actual logo itself, it is stylised very well, and the fact that the show is named Star Trek: Picard is perhaps what everyone expected, so fans are satisfied – for now.

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Star Trek – Who Are the Cardassians?

Introduced midway through Star Trek: The Next Generation, the proud and draconian Cardassian race became one of the franchise’s most important factions during Star Trek: Deep Space Nine and went on to be as popular as classic Star Trek races like the Romulans and the Klingons. However, due to the fact that they were introduced to the series a lot later, and that they do not play a major role in any of the movies, The wider science fiction community has not been able to assimilate as much information about this species by osmosis as they have the aforementioned Klingons or the Borg. So for the benefit of those who are not as familiar with this fascinating species, we will be answering the question: Who Are the Cardassians?

To begin, let’s cover the basic details first – the Cardassians were introduced in the TNG episode ‘The Wounded’, a very influential episode in the show’s fourth season that also developed the backstory of popular character Miles O’Brien – so to say that this episode laid a lot of the groundwork for Deep Space Nine is an understatement. The episode establishes that the Cardassians recently fought a brief but brutal war with the Federation that ended following the signing of a treaty that established a shaky but lasting peace. However, a rogue Starfleet Captain and friend of Picard is convinced that the Cardassians are preparing for another war, and takes his ship on a vigilante mission to destroy as many Cardassian ships as possible whilst the crew of the Enterprise follow in hot pursuit, desperately trying to maintain the peace.

The political nature of a lot of the interactions between the Cardassians and the Federation in this episode would go on to establish a defining aspect of their personality as a species – snide, deceitful and callous but with an almost Machiavellian understanding of the intricacies of intergalactic diplomacy. Unlike the Romulans, who are almost all presented as being rude and crass in their xenophobia, the Cardassians often maintain a charming external visage when talking with their rivals that masks their sinister scheming. A perfect example of this is the Deep Space Nine character Garak, who weaves complicated webs of deception and engages in quick-witted diplomatic spats with other characters while wearing a devious wide-eyed grin. In some ways Garak embodies everything that defines the Cardassian psychology – he is almost transparently deceptive, but to the extent that it is often hard to know when he is actually telling the truth. However, what differentiates Garak from your average Cardassian is that he is eventually able to gain some facet of trust from the Federation.

One of the traits that Cardassians are best known for, particularly among Alpha Quadrant races, is their untrustworthy nature. Almost every race, even the Ferengi and the Romulans, regard the Cardassians as among the most untrustworthy races in the Galaxy. This is perhaps an unfair assessment, as even though Star Trek often utilises a simplistic ‘planet of hats’ style of species design, there have been examples of Cardassians that are honourable and trustworthy, but as a species they are defined by their guile and political double-dealing, which comes into play most commonly when they are negotiating with neighbouring civilisations like the Federation. But arguably their most notorious trait is their clinically efficient ruthlessness. In wartime, Cardassian soldiers are generally known for their sickeningly eager brutality, and no conflict better emphasises this than the Occupation of Bajor, the conclusion of which kicks off the plot of Deep Space Nine.

empok norDuring their time on Bajor, the Cardassians set up labour camps, executed and tortured prisoners, enforced martial law and essentially drained the planet’s resources – despite the fact that the Bajorans presented no threat to them whatsoever. This occupation had been largely ignored by the Federation, who have no authority over what goes on in Cardassian space, but following the Cardassian-Federation war the Occupation began to gradually decline until Cardassian authorities finally decided to withdraw. By this point, the Cardassians had almost completely reshaped Bajor both physically and socially. The once entirely peaceful and spiritual Bajorans had learned much of violence and brutality from their Cardassian occupiers, and as a result the post-Occupation Bajor was a very different planet. In fact, had it not been for a belated but honest intervention from the Federation, Bajor may have descended into despotism, and all because the Cardassians not only conquered the planet, but also unintentionally taught the Bajorans their ways.

Naturally, this attitude makes the Cardassians quite unpopular in the Alpha Quadrant. By the time of TNG, the Cardassians are perhaps the most aggressive military race in the Federation sphere, and would perhaps be one of the most dangerous in the Galaxy were it not for external threats like the Borg and the Dominion. For one reason or another the Cardassians are loathed by almost every other race – the Klingons mistake their guile for cowardice, the Federation races dislike the Cardassian’s aggressiveness and even the Romulans, who share many traits with the Cardassians, regard them as a brutish race. galor.jpgHowever, there is far more to the Cardassian species than guile and warfare. Cardassia Prime has seen its fair share of poets, artists and philosophers, all of whom were either devoted supporters of the Cardassian Government or had their works edited to make it seem as though they were. As an authoritarian society, Cardassians show little regard for democracy or even due judicial processes – all trials on Cardassia Prime have a guilty verdict pre-decided, the trial itself is merely a formality – and yet as a culture they are still capable of self-expression and creative flair, as shown by the intricate designs of their ships and space stations. Ironically, warfare does seems to be the primary source of Cardassian arts, although their stylistic architecture is seen on all of their ships, military or otherwise.

For more about the recent history of the Cardassians in Star Trek, a good place to start is Star Trek: Deep Space Nine, watching the series from start to finish tells you all you would ever hope to know and more about the Cardassians, particularly how they respond to threats both within and beyond their Empire. Also, the TNG episode The Wounded provides a comprehensive (though undeveloped, due to it being their first appearance) account of the antics of the Cardassians up until TNG.

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How to Fix – Star Trek: Voyager

In this edition of ‘How to Fix’ the topic covered will be much broader than usual, as this piece will attempt to put forward several ways in which the concept of Star Trek: Voyager could have been better implemented into the show by the writers. On paper, the premise of Voyager is excellent and innovative for Star Trek – the idea how a Federation ship and crew would survive in a hostile part of the Galaxy for years, how the morals and tenants of the Federation would be tested by the situation, and how the Maquis and Federation crewmembers would eventually adapt and change to accept each other and take on the challenges that the Delta Quadrant throws at them is fantastic, but the true potential of this was never fully realised in the series.

To its credit, Star Trek: Voyager was able to implement many of these things and more into its seven season run, with one of the show’s primary themes for the early seasons being survival at all costs and the growing relationships between the crewmembers taking centre stage later on, but overall the final result feels lacklustre and many in the Star Trek fanbase have reacted by ranking Voyager as their least favourite of the Berman-era Star Trek shows. Whilst there is a lot to love about Star Trek Voyager, there is also a lot that could be improved, starting with:

The Setting

voyagerThe ship for which the series is named, the Intrepid-class starship the USS Voyager proves to be a sturdy example of a Federation starship throughout the series, earning it a top spot on some Federation starship rankings, but after seven seasons of being battered by all kinds of Delta Quadrant hostiles from Kaizon to Borg one would think the ship would have shown signs of more wear-and-tear, but oddly, the ship looks pristine throughout. Although this was likely done to reduce budget and continuity concerns, having Voyager look progressively more battered as the series went on would have been a nice touch to effectively convey to the audience the dire situation the ship is in. As previously mentioned, the early seasons did make a convincing deal out of the crew being stranded, such as implementing replicator rations and having the ship have to salvage fuel and repair parts, but later on the crew of the ship seemed to regard their trip as business as usual and not the death-defying voyage of fear and trepidation that it was made out to be in the early seasons. We get a glimpse of what this might have looked like in episodes like Year of Hell, which certainly portray in interesting alternate angle on the Voyager crew’s situation that makes their actual journey through the Delta Quadrant look like a routine scout mission.

The Maquis

maquis.jpgAnother interesting plot element to Voyager that was seemingly abandoned as the series progressed was the idea that a significant portion of the crew are made up of members of the Maquis, a terrorist organisation that opposed the Cardassians and, through treaty, the Federation itself. There are some episodes early on that deal with the difficult dynamic between these two crews, particularly the plight of B’Ellana Torres, who goes from authority-hating upstart to Chief Engineer (albeit over the course of a surprisingly small number of episodes) but overall the Maquis were an underused concept. What didn’t help was that Chakotay, the First Officer of Voyager and leader of the Maquis crewmembers, was as boring as a cardboard cutout and by extension his initial subplot in the first season was too. The show should have kept the Maquis plotlines running for longer, as having Seska turn up as a recurring Maquis antagonist eventually just became one of the many unrealistic things about the show that distracted attention away from the other Maquis crewmembers. If used properly, the idea of having Maquis crew could be an interesting test to the Federation way of life, particularly if a more hot-headed Chakotay had stood up to Janeway’s mad antics a little more.

The Crew

Star-Trek-Voyager-Season-4-Postere-nobyai3awks3woq3z1rcm86gr6wqlk8w24nn5mug3c.jpgChakotay isn’t the only character on Voyager with series issues surrounding writing, as characters like Neelix, Seven of Nine and Harry Kim are written so many contradicting story arcs that all three seem like totally unrealistic characters. The audience is left unsure what to feel about Harry Kim throughout the show, as he sometimes comes across as a lovable buffoon but at other times seems to be clearly incompetent, and is actually replaced by a parallel universe duplicate partway through the series and nobody seems to care. However, by far the character in the main crew that needs the most improvement is Janeway herself – although Kate Mulgrew does an impressive performance and the character has become one of the most famous Star Trek characters of all time, unfortunately she was written to be deliberately obnoxious and, at times, reckless, and whilst this would have been a great direction for the character had it come on through some moralistic dilemma after being stranded in the Delta Quadrant for so long, Janeway seems to be wired this way from the start and it seems odd that she was not put in command of one of Starfleet’s warships.

The Borg

seven.pngTo say that Voyager ruined the Borg is clearly an understatement as they reached a peak in The Next Generation that would never be topped – the villain decay they experienced over the course of Voyager was an inevitable side effect of them becoming a primary villain near the end of the show, and to its credit the series did utilise them fairly effectively at first, only to have their fear factor slowly diminish over the years as they appeared again and again. However, one of the main factors that contributed to the decay of the Borg as villains was the introduction of Seven of Nine, who clearly attempts to imitate the ‘Data’ type of character that has become customary in Star Trek but was also used as a means of artificially injecting some ‘sex appeal’ into the series after falling ratings, and it shows. When Seven of Nine is introduced she practically takes over the show, and potentially interesting character arcs for other characters were sidelined in favour of her, and although her love-hate relationship with the Borg is an interesting plot thread to introduce after she is separated from the collective, this should not have been the main plot of the series from Season 3 onward.

Janeway

janeway.jpgHowever, a pressing issue that spans the entirety of the series is Janeway herself – although clearly a capable Captain, able to get her crew back home from the Delta Quadrant more or less in one piece and negotiate peace treaties with a variety of Delta Quadrant races. However, her actions are often questioned by her crew, and despite her insistence on adherence to protocol, Janeway breaks the Prime Directive several times over the course of the series, as well as committing several other dubiously moral acts such as the execution of Tuvix. Ultimately, Janeway exists as a sort of ‘necessary evil’ in the series – as the one most capable of making tough decisions, Janeway was most qualified to be Captain during Voyager’s stay in the Delta Quadrant. However, it is fitting that Janeway was promoted to the Admiralty before Picard, as Janeway’s character profile far better suits the insane megalomania and habit of ‘making the hard decisions’ that Starfleet Admirals so often display.

Although Voyager lasted for seven seasons, the same length as both TNG and DS9, it is often the lowest rated of the Berman-era Star Trek shows – perhaps unfairly. After all, it was dealing with concepts new to Star Trek, and for a first attempt it does manage to tell a self-contained story and deliver a fair amount of excellent individual episodes. Particular strengths of the series include the character development of the EMH Doctor, and many Star Trek fans are now less harsh on Voyager following the mixed reception of both Enterprise and Discovery. However, its faults are notable, and hopefully by laying them out future Star Trek shows can learn from the mistakes of this underloved but overstuffed show.

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Sacred Icon – What’s New for 2019

Here’s a few hints of what to expect from this site in 2019:

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Big Finish Reviews

With more and more Big Finish audios being announced every week, it can be hard to keep up – and reviewers try their best to cover as much as possible on a regular basis without bankrupting themselves in the process. Nonetheless, Big Finish’s extensive back-catalogue of Doctor Who audios that were released monthly from late 1999, there’s plenty that can be picked up cheap on the Big Finish website.

This means plenty to review, and the Best of Big Finish series will continue in 2019 with more audio reviews, some branching out into the spinoff series like I, Davros and New Series sets like Classic Doctors, New Monsters.

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Doctor Who Reviews

Starting with a review of the New Year’s Special, for now titled Resolution (hopefully short for Resolution of the Daleks) we will be delving back into reviews of Series 11, starting with an overview of the series discussing what it did right and how the production team could build on it to make Series 12 even better.

We will be ranking the episodes in Series 11 and also ruminating on what changes we could see in Series 12 and the future of Doctor Who in general. Although there will be no Doctor Who series in 2019, expect a variety of Doctor Who content surrounding the show, including a review of the newly animated The Macra Terror, a Second Doctor story that has been missing for decades.

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Asylum of the Daleks Diorama

In celebration of the 55th Anniversary of the second serial of Doctor Who and the first episode of the show to feature the Daleks, a serial aptly titled The Daleks, Sacred Icon will be showcasing a diorama of custom-made Dalek Asylum inmates. As a melting pot of all different Daleks throughout their history, the Asylum brings together Dalek designs from all different eras of Doctor Who and is a perfect celebration of the iconic monsters.

The first episode of The Daleks, titled ‘The Dead Planet’, involves the Doctor, his granddaughter Susan, and her teachers Ian and Barbara landing on Skaro and encountering the show’s first alien menace – the Daleks. The first episode ends with the infamous cliffhanger involving and unknown threat menacing Barbara and she wanders around the empty city, and ends with her chilling scream and the thing reaches out to her. As such, the actual Daleks themselves are not shown until the next episode, ‘The Survivors’, which aired on the 28th of December 1963.

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More Halo Content

Although we do not yet know the release date for Halo: Infinite, it seems certain that the game will release in late 2019 or early 2020. 343 Industries will be releasing teaser material soon and so expect discussion posts about these, as well as reviews of any trailers or preview material.

Also coming in 2019 on Sacred Icon will be more pieces to do with the Master Chief Collection, including reviews of the new updates and how the multiplayer has changed by 2019.

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Star Trek: Deep Space Nine Review

As a follow up to Star Trek – First Impressions of Deep Space 9, we will be reviewing the highlights of Star Trek: Deep Space Nine up until and including Season 5, as well as more Star Trek related content. Expect reviews relating to Star Trek: The Next Generation and Star Trek: Voyager, as well as a possible review of a ‘classic’ Star Trek game called Star Trek: Shattered Universe.

And finally…

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The Picard TV Show?

Another potential release for 2019 is the Picard TV show, set to star Patrick Stewart and continue the story of Jean-Luc Picard in the Prime Star Trek timeline, following the events of Star Trek: The Next Generation and Star Trek: Nemesis. Star Trek fans hope that the iconic captain will be back on our screens in 2019.

If the show does release next year, then expect an episode-by-episode review from Sacred Icon. For more content, check out more from Sacred Icon:

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Top 7 Star Trek: The Next Generation Episodes

Often regarded as the best series of Star Trek, Star Trek: The Next Generation (or ‘TNG’ for short) had a long run – seven seasons puts it in the higher band of Star Treks when it comes to longevity – and there are dozens of fantastic episodes to choose from. However, I have decided to narrow down my Top 7 best Star Trek TNG episodes – and it’s only 7, no Honorable Mentions this time, and for the sake of fairness two-parters count as one episode. So, coming in at number 7:

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7 – The Offspring

Who doesn’t love a Data-themed episode? The Offspring depicts a crucial step in Data’s journey to becoming more human as he tackles the challenges of parenthood, having created an offspring based off his own specifications in the ship’s lab. It is truly fascinating to see how Data manages his daughter’s development, and when Starfleet threatens to separate the two his urge to defy their instructions to remain with his child marks a highlight of this episode that showcases just how far Data has come as a character. This is a key episode for Data fans and deals with the classic sci-fi concept of the paternal aspects of the role of creator that can also be seen with Dr. Soong and Data, and is now presented through Data and Lal. The poignant ending serves to hammer home the emotional weight of this episode, and easily puts it in the top ten for being the perfect transition from lighthearted to tragic.

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6 – Tapestry

For many of his episodes, Q’s appearance is somewhat of a mixed bag. On the one hand, having an omnipotent entity serve as an obstacle to the crew is an interesting concept, one that classic Star Trek dealt with on occasion, and it opens some intriguing narrative possibilities. Unfortunately, in many cases, these opportunities are rarely realised, particularly in Q’s later appearances in Deep Space Nine and Voyager. However, the Season 6 episode Tapestry is a perfect example of the potential of Q as both a character and a plot device being met, with a strong story that delivers some really interesting character development for both Q and Picard. The premise is essentially that Q appears to Picard at a moment when he thinks he is going to die and offers him the choice to change things about his life that he disliked – particularly his rash actions as a young man in Starfleet Academy. Picard quickly realises, however, that altering the past can have severe ramifications for the present, and the method by which this episode conveys this theme is brilliant. Overall Tapestry is a great example of a character-driven TNG episode that still manages to get the best out of its sci-fi concept.

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5 – Yesterday’s Enterprise

From one time-travel based episode to another, Yesterday’s Enterprise also deals with the idea of history changing, and presents its events as being almost akin to the mirror universe episodes of the original series and DS9. This episode gives us an idea of the history that unfolded between the original series and TNG, as the crew of the Enterprise-D encounter the earlier Enterprise-C thanks to a time anomaly, and this results in an alternate timeline in which the Federation and the Klingons are still at war, and we finally get to see the Enterprise-D go up against a squadron of Klingon warbirds head on. This episode also sees the surprise return of Tasha Yar, who in this alternate timeline is still alive and replaces Worf as tactical officer, which is a nice surprise for Tasha fans and leads to a fantastic scene between her and Guinan, who retains the ability to detect how different the alternate timeline is from the original, allowing for some interesting moments with her as she tries to figure it all out. Ultimately, Yesterday’s Enterprise is a classic with a great sci-fi concept executed perfectly.

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4 – Phantasms

Some of the best episodes of TNG are the spooky ones, and the ones that deal with psychological threats that cannot simply be solved by diplomacy or weaponry. Phantasms presents some bizarre and memorable imagery in the form of Data’s dreams involving the crew and other strange characters in a complex subconscious metaphor for the issue that also happens to be affecting the ship at the time, and it makes for great viewing. One of the best things about Phantasms is just how accurately it portrays what dreaming is actually like, particularly a recurring dream, and the idea of the crew being able to use the holodeck to enter Data’s dreams was a stroke of genius. Definitely an episode that should be watched at night, Phantasms is a great mix of wacky and wonderful.

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3 – Cause and Effect

As far as mysteries that unravel slowly as the plot progresses go, you don’t get much better a case than in Cause and Effect. The seemingly insignificant goings-on of a relatively ordinary day on the Enterprise become crucially important when they are revealed to culminate in the total destruction of the ship, only to be repeated again and again in a seemingly infinite loop. The best thing about this episode is how gradual the story develops – Cause and Effect keeps its cards close to its chest (ahem) until the last minute, and every scene is critical to the crew figuring out how to save themselves from destruction.

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2 – The Inner Light

Arguably one of the most mind-boggling episodes in Star Trek history, The Inner Light is both tragic and moving, as Picard lives out an entire life on a seemingly alien planet that has been lost to time, and is given haunting memories of a world long gone. This is one of those Star Trek episodes that leaves a lasting impact, particularly on the first viewing, because it just comes out of nowhere yet it carries such a huge emotional weight – so much in fact that the events of this episode go on to be discussed by Picard as a major event in his life that he cannot forget, which is unusual for Star Trek which tends to brush major psychological damage to their characters from the trauma they face on a day-to-day basis under the rug. That being said…

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1 – The Best of Both Worlds

Yes, the obvious choice for number one, ‘The One Where Picard Gets Assimilated’ is without doubt one of the greatest episodes of Star Trek of all time, and it trumps all other Borg appearances to date. As discussed in a previous article on How to Fix – Star Trek: First Contact, the Borg experienced severe villain decay over the course of their appearances on Star Trek. In the early days, however, the Borg were a truly sinister threat, and the episode The Best of Both Worlds is a perfect demonstration as to why. The Best of Both Worlds doesn’t pull any punches as Picard is taken by the Borg and used to effectively wipe out an entire fleet of Federation starships at the Battle of Wolf 359, an experience which haunts him for the rest of his life, and the psychological aftermath of which is depicted in the next episode, Family. What is interesting about The Best of Both Worlds is that the production team toyed with the idea of using this episode as a means of killing Picard and having Riker take his place as Captain of the Enterprise-D, and at the time of the episode’s airing it must have seemed to fans as though Picard’s fate was truly hanging in the balance, which is perhaps what gives this episode more stakes and suspense than many other episodes of Star Trek in which you can be reassured that no-one will die. Even with the hindsight that Picard obviously survives, this episode has lost none of its grit and great character moments between the crew in Picard’s absence drive the story relentlessly forward.

And that concludes the Top 7 Star Trek: TNG Episodes, do you agree with this list? Post your favourite episodes of Star Trek: The Next Generation in the comments below, and be sure to check out other articles below:

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Star Trek – Ranking the Opening Titles

Whether you sit through them every time or use them as an excuse to grab a snack, the Star Trek opening titles are a staple of the series, and rightly so. The main themes of each version of the show are all fantastic for the most part, and the opening usually comes with some nice visual effects, be it model shots of the setting (usually a ship) or CGI renderings of various iconography related to the show (as in Discovery, but we’ll get to that). But the question remains – which opening is the best? So for convenience, we’ve ranked them all (apart from the movies), starting with:

6 – Discovery

Whilst it is clear that the idea behind the Discovery title sequence was to distinguish it entirely from prior titles in the series, the fact of the matter is fans would probably have preferred a showcase of the modern day special effects to create Discovery’s take on the classic style of Star Trek intro – that is, the ship flying around through space. Think something like the titles of Star Trek: Voyager, but with updated effects to show off the new ship. Instead, what we got was a strange blueprint/technical specifications manual in 3-D showing the ship and various pieces of Star Trek iconography like Phasers, Communicators and even the Vulcan Salute, coupled with high-resolution pictures of people (or at least parts of people – like a chin and an eye) who are presumably the crew. Regardless of whether you like this or not, what is undeniably the greatest drawback of Discovery’s titles is the theme itself, which is both uninspired and forgettable.

5 – Enterprise

The other standout of Star Trek title sequences that radically diverge from the normal formula to the point of being almost incomparable is Enterprise, which does a great job of establishing this show as the first in the timeline with specific focus on the progress that mankind has made between the early days of sailing in which the name ‘Enterprise’ was born to the first in what will be a long line of interstellar exploration vessels bearing the same name. This is also the general idea behind the theme, which for many is the primary drawback of this title sequence – it is a bit cheesey, particularly since it has vocals, something which thankfully has never been done again in Star Trek. One thing that Star Trek: Enterprise did do right, however, was the awesome variation of the title sequence used for ‘In a Mirror, Darkly’ for the Mirror Universe.

4 – Deep Space Nine

The first on this list from the ‘standard’ formula of Star Trek openings, The problem with Deep Space Nine’s opening titles is the fact that instead of a nimble ship that can zip around the screen, the crew in this show inhabit a giant space station that is, for the most part, immobile. For the first few seasons Deep Space Nine used a title sequence that did a very poor job of showcasing the station’s actual size, but this was later improved in an updated title sequence that was introduced as the USS Defiant became a staple of the series, that had lower angled shots of the station and more ships. One particular change that did wonders to better showcase the vastness of the station was the addition of a Nebula-class ship docked on to one of the pylons at the start, which fans of TNG will know is almost as big as a Galaxy-class ship, and yet it is dwarfed by the station. Although the theme of Deep Space Nine is somewhat of a slow march, it does have some real feeling to it that begins to reflect the content of the show itself as the series progresses.

3 – The Original Series

The original Star Trek title sequence set the staple for opening titles to come, and is also the first of two entries on this list that include the iconic “Space… the final frontier…” speech. The visuals are dated but that won’t bother anyone who is fond of the original series, and the main theme is upbeat and great for a sing-along. The only true drawback to the original opening titles is that by far the shortest of them all, hardly even topping a minute in length. Still, these titles have gone on to be a pop culture staple and those first four notes of the opening theme inspires excitement and awe in fans even over half a century later.

2 – The Next Generation

To get the obvious out of the way first, the main theme for Star Trek: The Next Generation is brilliant. easily the most bombastic of the themes, it really sets the tone for the blend of sci-fi and politics in TNG, and the model shots of the Enterprise-D give the illusion that the ship is huge. Patrick Stewart’s opening monologue is arguably better than William Shatner’s, and also replaces “To boldly go where no man has gone before” with “To boldly go where no-one has gone before”, which genuinely rolls off the tongue better as well as updating the line to be more in-keeping with the spirit of the show. Also, it is worth mentioning that TNG actually had two variants of the title sequence, with the later incarnation having updated effects and an altered theme, both of which were well-received by fans.

1 – Voyager

Sporting the best visuals of the four best opening titles, the opening to Star Trek: Voyager gives a sense of the isolation that comes along with the running plot arc of the show by dwarfing the ship against planets, asteroid fields and nebulae, showcasing the epic scale of the Delta Quadrant. Unlike the TNG opening titles, the ship is a CGI render and not a physical model, and this allows for some great angled shots of the ship. The music is definitely one of the best Star Trek opening themes, and like DS9 it has a melancholy aspect to it that is quite unlike the bombastic fanfare of TNG, reflecting the more dire situation that the crew of Voyager have found themselves in. Overall, Star Trek: Voyager is the one incarnation of Star Trek that has a title sequence that I will never skip.

So that concludes this ranking of the Star Trek Opening Titles, if you enjoyed then be sure to leave a like and you can see more content related to this article below:

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Star Trek – First Impressions of Deep Space Nine

I have been a lifelong fan of Star Trek, but often through watching the same episodes of the same series over and over again, primarily Star Trek: The Next Generation. I later went on to start watching Voyager, but after several Netflix marathons I had finished all the good episodes that I hadn’t already seen on SciFi, and so found that I had run out of new Star Trek to watch. So, after much deliberation, I finally concluded: I had to start watching Deep Space 9. Unlike practically all other Star Trek shows and films, DS9 was a show that had never interested me before due to it’s premise – rather than crewing a starship, the main cast instead man a space station guarding a wormhole, and I had always assumed – wrongly – that this would mean that the show was boring. But after watching some DS9 for myself, so far the highlights have been:

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The ‘friendship’ between Quark and Odo

Two surprise favorites of mine are Quark and Odo, who start as fairly bland characters but eventually gain a wealth of development in the first series. The two are initially rivals, having known each other already from the Cardassian occupation, but eventually learn to depend on each other for information and advice as the series continues. Interestingly, despite being framed as a potential antagonist, Quark does eventually come to care for the rest of the crew, particularly Odo.

Odo’s odd abilities and origins are also intriguing, and I am almost certain that what race Odo belongs to or what role he plays on Deep Space Nine will be an important factors in later seasons, and Quark gives us a unique insight into the Ferengi culture. Talking of which:

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The Ferengi

Throughout Star Trek: The Next Generation it is apparent that the writers never really knew what to do with the Ferengi as a species. Initially introduced as a replacement for the Klingons after they allied with the Fededation, the Ferengi were just not menacing enough to stick as effective villains and their role was reduced to mere comedy by the end, with the role of primary villain eventually falling to the Romulans and the Borg.

In DS9, however, the Ferengi become a direct focus as their presence on the station is benign – this gives us our first and foremost Ferengi recurring character, Quark, and so the Ferengi as a species are expanded upon a lot more, giving us better insight into their culture and how they operate.

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The Setting and the Politics of Bajor

DS9 deals heavily with the aftermath of the Cardassian occupation of Bajor, a planet that is not a member of the Federation but has the potential to be inducted, and how Starfleet has to deal with the subsequent political, religious and economic impact of the discovery of a stable wormhole near Bajor that leads to the lucrative Gamma Quadrant just as Bajor begins to reassert itself as an independent power. The character of Major Kira, a Bajoran ex-freedom fighter who takes on the role of First Officer aboard DS9 to aid in the reconstruction efforts, and how her relationship with Commander Sisko and the other Federation characters blossoms shows how the benevolence and honorable intentions of the Federation can go a long way in bringing trust, order and stability to a highly chaotic region, explaining how the Federation has expanded so rapidly despite its dedication to pacifism.

What is also interesting about DS9 is how it refuses to shy away from depicting very real interpretations of political and religious debates, particularly in the context of a sensitive, deeply religious and politically charged former occupied territory. Many of the ethical and moral questions brought up in the early episodes revolve around how Bajor is going to adapt to survive in the new political climate, and this mostly focuses on Major Kira learning to accept and eventually trust her Starfleet colleagues.

 

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Miles O’Brien

Fans of Star Trek: The Next Generation will know Miles O’Brien already, as he serves as the transporter chief and occasional bridge officer throughout the series. The first episode of DS9 depicts his transference from the USS Enterprise to DS9, alongside his faithful wife Keiko O’Brien who continues to be little more than a minor character throughout the series. By contrast, O’Brien takes on a ‘Scotty’ role, and fills the shoes of Chief Engineer more naturally than Geordi La Forge did in many ways.

Miles definitely plays a more prominent role in this show than he did in TNG, but the inclusion of Miles O’Brien in so many episodes of both TNG and DS9 gives him the honour of being the character with the second largest number of appearances – behind Warf who doesn’t feature in DS9 until later but featured in all of TNG as well as the movies – and the idea of bringing back a character who was less developed in the main series in one of the spinoffs is something that the newer Star Trek television shows should consider.

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Doctor Julian Bashir

In short – Bashir is hilarious. Intentionally or not, DS9 follows the Star Trek tradition of having Doctors with eclectic and quirky personalities, and Bashir’s many moments linking to a recurring subplot of his bizarre comedic obsession with Dax make him a distinct character among the rest of the Federation cast. I frequently found myself uttering the statement: “Oh Bashir, you idiot.” at various points throughout several episodes, although not all of his misfortunes and mishaps are his fault – occasionally he is possessed by evil entities or a victim of his obsessive fantasies of Dax made solid by a strange phenomenon in a strangely Red Dwarf-esque plot. Generally, episodes focusing on Bashir are great fun.

 

Overall Thoughts

Having finished the first series of DS9, I can conclude that DS9 is definitely worth the time and I am greatly looking forward to watching more. The characters are likeable, interesting and have good chemistry, and my personal favourites are definitely Bashir, Dax and Odo. For the rest of the casst, despite a few instances of hammy acting or underwhelming sub-plots, generally the first series has been consistently good, with perhaps a slight dip in quality roundabout the middle, although the quality goes back up towards the end of the series.

So those were my thoughts on Star Trek: Deep Space Nine, series one. Have you watched Deep Space Nine? If so, did you like it? Leave your answer in the comments below, and be sure to leave a like if you enjoyed. Thanks for Reading!

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